Among the Tombs

Robert Bridges (1844–1930) · 1873–1912

iambic pentameter · ABABCC · 72 lines · from The Growth of Love, and Other Poems

Sad, sombre place, beneath whose antique yewsI come, unquiet sorrows to control;Amid thy silent mossgrown graves to museWith my neglected solitary soul;And to poetic sadness care confide,Trusting sweet Melancholy for my guide:

They will not ask why in thy shades I stray,Among the tombs finding my rare delight,Beneath the sun at indolent noonday,Or in the windy moon-enchanted night,Who have once reined in their steeds at any shrine,And given them water from the well divine.--

The orchards are all ripened, and the sunSpots the deserted gleanings with decay;The seeds are perfected: his work is done,And Autumn lingers but to outsmile the May;Bidding his tinted leaves glide, bidding clearUnto clear skies the birds applaud the year.

Lo, here I sit, and to the world I call,The world my solemn fancy leaves behind,Come! pass within the inviolable wall,Come pride, come pleasure, come distracted mind;Within the fated refuge, hither, turn,And learn your wisdom ere 'tis late to learn.

Come with me now, and taste the fount of tears;For many eyes have sanctified this spot,Where grief's unbroken lineage endearsThe charm untimely Folly injures not,And slays the intruding thoughts, that overleapThe simple fence its holiness doth keep.

Read the worn names of the forgotten dead,Their pompous legends will no smile awake;Even the vainglorious title o'er the headWins its pride pardon for its sorrow's sake;And carven Loves scorn not their dusty prize,Though fallen so far from tender sympathies.

Here where a mother laid her only son,Here where a lover left his bride, belowThe treasured names their own are added onTo those whom they have followed long ago:Sealing the record of the tears they shed,That 'where their treasure there their hearts are fled.'

Grandfather, father, son, and then againChild, grandchild, and great-grandchild laid beneathNumbered in turn among the sons of men,And gathered each one in his turn to death:While he that occupies their house and nameTo-day,--to-morrow too their grave shall claim.

And where are all the spirits? Ah! could we tellThe manner of our being when we die,And see beyond the scene we know so well,The country that so much obscured doth lie!With brightest visions our fond hopes repair,Or crown our melancholy with despair;

From death, still death, still would a comfort come:Since of this world the essential joy must fallIn all distributed, in each thing some,In nothing all, and all complete in all;Till pleasure, ageing to her full increase,Puts on perfection, and is throned in peace.

Yea, sweetest peace, unsought-for, undesired,Loathed and misnamed, 'tis thee I worship here:Though in most black habiliments attired,Thou art sweet peace, and thee I cannot fear.Nay, were my last hope quenched, I here would sitAnd praise the annihilation of the pit.

Nor quickly disenchanted will my feetBack to the busy town return, but yetLinger, ere I my loving friends would greet,Or touch their hands, or share without regretThe warmth of that kind hearth, whose sacred tiesOnly shall dim with tears my dying eyes.

Words in this poem

sombre n.
Gloom; obscurity; duskiness; somberness.
unquiet v. t.
To disquiet. Ld. Herbert. [1st pref. un- + quiet.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
sadness n.
Heaviness; firmness.
indolent a.
Free from toil, pain, or trouble. [Pref. in- not + L. dolens, -entis, p. pr. of dolere to feel pain: cf. F. indolent. See Dolorous.]
noonday n.
Midday; twelve o'clock in the day; noon.
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
sanctified a.
Made holy; also, made to have the air of sanctity; sanctimonious.
overleap v. t.
To leap over or across; hence, to omit; to ignore. [AS. oferhleápan. See Over, and Leap.]
carven a.
Wrought by carving; ornamented by carvings; carved.
grandchild n.
A son's or daughter's child; a child in the second degree of descent.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
attired p. p.
Provided with antlers, as a stag.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Among the Tombs is in the public domain. This text is taken from The Poetical Works of Robert Bridges, Excluding the Eight Dramas, Project Gutenberg ebook #37804; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Robert Bridges, Among the Tombs, in The Growth of Love, and Other Poems (1873–1912), text of Project Gutenberg ebook #37804, Laurel, https://laurelpoetry.com/poem/bridges-shorter-poems/among-the-tombs.html, id L01760.

Form and metre

Among the Tombs is 72 lines in 12 stanzas of 6 lines each. Every stanza rhymes ABABCC. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 2 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCC yewsA · controlB · museA · soulB · confideC · guideC
  2. 2 ABABCC strayA · delightB · noondayA · nightB · shrineC · divineC
  3. 3 ABABCC sunA · decayB · doneA · mayB · clearC · yearC
  4. 4 ABABCC callA · behindB · wallA · mindB · turnC · learnC
  5. 5 ABABCC tearsA · spotB · endearsA · notB · overleapC · keepC
  6. 6 ABABCC deadA · awakeB · headA · sakeB · prizeC · sympathiesC
  7. 7 ABABCC sonA · belowB · onA · agoB · shedC · fledC
  8. 8 ABABCC againA · beneathB · menA · deathB · nameC · claimC
  9. 9 ABABCC tellA · dieB · wellA · lieB · repairC · despairC
  10. 10 ABABCC comeA · fallB · someA · allB · increaseC · peaceC
  11. 11 ABABCC undesiredA · hereB · attiredA · fearB · sitC · pitC
  12. 12 ABABCC feetA · yetB · greetA · regretB · tiesC · eyesC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Sad, sombre place, beneath whose antique yews10·/˘····˘/·
I come, unquiet sorrows to control;10··˘/˘/˘·˘/
Amid thy silent mossgrown graves to muse10˘/·/˘/˘···
With my neglected solitary soul;10··˘/˘/˘·˘·
And to poetic sadness care confide,10··˘/˘/˘·˘/
Trusting sweet Melancholy for my guide:10/˘·/˘·˘···
They will not ask why in thy shades I stray,10··········
Among the tombs finding my rare delight,10····/˘··˘/
Beneath the sun at indolent noonday,10·····/˘˘/˘
Or in the windy moon-enchanted night,10···/˘·˘/˘·
Who have once reined in their steeds at any shrine,11········/˘·
And given them water from the well divine.--10·/·/˘···˘/
The orchards are all ripened, and the sun10·/˘··/˘···
Spots the deserted gleanings with decay;10··˘/˘···˘/
The seeds are perfected: his work is done,10···˘/˘····
And Autumn lingers but to outsmile the May;12·/˘/˘·······
Bidding his tinted leaves glide, bidding clear10/˘·/˘··/˘·
Unto clear skies the birds applaud the year.10······˘/··
Lo, here I sit, and to the world I call,10··········
The world my solemn fancy leaves behind,10···/˘/˘···
Come! pass within the inviolable wall,10·····˘/˘˘·
Come pride, come pleasure, come distracted mind;10···/˘·˘/˘·
Within the fated refuge, hither, turn,10···/˘/˘/˘·
And learn your wisdom ere 'tis late to learn.10···/˘·····
Come with me now, and taste the fount of tears;10··········
For many eyes have sanctified this spot,10·/˘··/˘˘··
Where grief's unbroken lineage endears10··˘/˘/˘˘˘/
The charm untimely Folly injures not,10··˘/˘/˘/˘·
And slays the intruding thoughts, that overleap11···˘/˘·····
The simple fence its holiness doth keep.10·/˘··/˘˘··
Read the worn names of the forgotten dead,10······˘/˘·
Their pompous legends will no smile awake;10·/˘/˘···˘/
Even the vainglorious title o'er the head10/····/˘···
Wins its pride pardon for its sorrow's sake;10···/˘··/˘·
And carven Loves scorn not their dusty prize,10·/˘····/˘·
Though fallen so far from tender sympathies.11·/˘···/˘/˘˘
Here where a mother laid her only son,10···/˘··/˘·
Here where a lover left his bride, below10···/˘·····
The treasured names their own are added on10·/˘····/˘·
To those whom they have followed long ago:10·····/˘·˘/
Sealing the record of the tears they shed,10/˘·˘/·····
That 'where their treasure there their hearts are fled.'10···/˘·····
Grandfather, father, son, and then again10/·˘/˘···˘/
Child, grandchild, and great-grandchild laid beneath10·/···/····
Numbered in turn among the sons of men,10/˘········
And gathered each one in his turn to death:10·/˘·······
While he that occupies their house and name10···/˘·····
To-day,--to-morrow too their grave shall claim.10···/˘·····
And where are all the spirits? Ah! could we tell11·····/˘····
The manner of our being when we die,10·/˘·//˘···
And see beyond the scene we know so well,10··········
The country that so much obscured doth lie!10·/˘···˘/··
With brightest visions our fond hopes repair,10·/˘/˘/··˘/
Or crown our melancholy with despair;10··//˘·˘·˘/
From death, still death, still would a comfort come:10·······/˘·
Since of this world the essential joy must fall11·····˘/˘···
In all distributed, in each thing some,10··˘/˘˘····
In nothing all, and all complete in all;10·/˘···˘/··
Till pleasure, ageing to her full increase,10·/˘·····˘/
Puts on perfection, and is throned in peace.10··˘/˘·····
Yea, sweetest peace, unsought-for, undesired,10·/˘·······
Loathed and misnamed, 'tis thee I worship here:10·······/˘·
Though in most black habiliments attired,10········˘/
Thou art sweet peace, and thee I cannot fear.10·······/˘·
Nay, were my last hope quenched, I here would sit10··········
And praise the annihilation of the pit.11···˘·˘/˘···
Nor quickly disenchanted will my feet10·/˘˘˘/˘···
Back to the busy town return, but yet10···/˘·˘/··
Linger, ere I my loving friends would greet,10/˘···/˘···
Or touch their hands, or share without regret10········˘/
The warmth of that kind hearth, whose sacred ties10·······/˘·
Only shall dim with tears my dying eyes.10/˘·····/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Robert Bridges