A Pleasant Grove

Nicholas Breton (1544–c. 1626) · 1597–1604

iambic pentameter · heroic couplets · 41 lines · from Pastoral Poems and Selected Poetry

Unto a pleasant grove or such like place,Where here the curious cutting of a hedge:There, by a pond, the trimming of the sedge:Here the fine setting of well-shading trees:The walks there mounting up by small degrees,The gravel and the green so equal lie,It, with the rest, draws on your ling'ring eye:Here the sweet smells that do perfume the air,Arising from the infinite repairOf odoriferous buds and herbs of price,(As if it were another Paradise)So please the smelling sense, that you are fainWhere last you walk'd to turn and walk again.There the small birds with their harmonious notesSing to a spring that smileth as she floats:For in her face a many dimples show,And often skips as it did dancing go:Here further down an over-arched alley,That from a hill goes winding in a valley,You spy at end thereof a standing lake,Where some ingenious artist strives to makeThe water (brought in turning pipes of leadThrough birds of earth most lively fashioned)To counterfeit and mock the sylvans all,In singing well their own set madrigal.This with no small delight retains your ear,And makes you think none blest but who live there.Then in another place the fruits that beIn gallant clusters decking each good tree,Invite your hand to crop some from the stem,And liking one, taste every sort of them:Then to the arbours walk, then to the bowers,Thence to the walks again, thence to the flowers,Then to birds, and to the clear spring thence,Now pleasing one, and then another sense.Here one walks oft, and yet anew begin'th,As if it were some hidden labyrinth;So loath to part and so content to stay,That when the gard'ner knocks for you away,It grieves you so to leave the pleasures in it,That you could wish that you had never seen it.

Words in this poem

curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
fain v. t.
To be glad ; to wish or desire.
artist n.
One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
madrigal n.
A little amorous poem, sometimes called a pastoral poem, containing some tender and delicate, though simple, thought. [It. madrigale, OIt. madriale, mandriale (cf. LL. matriale); of uncertain origin, possibly fr. It mandra flock, L. mandra stall, herd of cattle, Gr. madrigal, or]
loath a.
Hateful; odious; disliked. [OE. looth, loth, AS. la hostile, odious; akin to OS. l, G. leid, Icel. lei, Sw. led, G. leiden to suffer, OHG. lidan to suffer, go, cf. AS. li to go, Goth. leip]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

A Pleasant Grove is in the public domain. This text is taken from Pastoral Poems by Nicholas Breton, Selected Poetry by George Wither, and Pastoral Poetry by William Browne (of Tavistock), Project Gutenberg ebook #22001; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Nicholas Breton, A Pleasant Grove, in Pastoral Poems and Selected Poetry (1597–1604), text of Project Gutenberg ebook #22001, Laurel, https://laurelpoetry.com/poem/breton-poems/a-pleasant-grove.html, id L08859.

Form and metre

A Pleasant Grove is 41 lines in a single stanza. It is in rhyming couplets, 83% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 15% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AABBCCDDEE--FFGGHHII--JJKKLLMMNNOOPPQQ-- place · hedgeA · sedgeA · treesB · degreesB · lieC · eyeC · airD · repairD · priceE · paradiseE · fain · again · notesF · floatsF · showG · goG · alleyH · valleyH · lakeI · makeI · lead · fashioned · allJ · madrigalJ · earK · thereK · beL · treeL · stemM · themM · bowersN · flowersN · thenceO · senseO · begin'thP · labyrinthP · stayQ · awayQ · it · it
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Unto a pleasant grove or such like place,10···/˘·····
Where here the curious cutting of a hedge:10···/˘/˘···
There, by a pond, the trimming of the sedge:10·····/˘···
Here the fine setting of well-shading trees:10···/˘··/˘·
The walks there mounting up by small degrees,10···/˘···˘/
The gravel and the green so equal lie,10·/˘····/˘·
It, with the rest, draws on your ling'ring eye:10··········
Here the sweet smells that do perfume the air,10······˘/··
Arising from the infinite repair10˘/˘··/˘˘˘/
Of odoriferous buds and herbs of price,11···········
(As if it were another Paradise)10····˘/˘/˘·
So please the smelling sense, that you are fain10···/˘·····
Where last you walk'd to turn and walk again.10········˘/
There the small birds with their harmonious notes10······˘/˘·
Sing to a spring that smileth as she floats:10·····/˘···
For in her face a many dimples show,10·····/˘/˘·
And often skips as it did dancing go:10·/˘····/˘·
Here further down an over-arched alley,10·/˘·····/˘
That from a hill goes winding in a valley,11·····/˘··/˘
You spy at end thereof a standing lake,10·······/˘·
Where some ingenious artist strives to make10··˘/˘/˘···
The water (brought in turning pipes of lead10·/˘··/˘···
Through birds of earth most lively fashioned)10·····/˘/˘˘
To counterfeit and mock the sylvans all,10·/˘····/˘·
In singing well their own set madrigal.10·/˘····/˘˘
This with no small delight retains your ear,10····˘/˘/··
And makes you think none blest but who live there.10··········
Then in another place the fruits that be10··˘/˘·····
In gallant clusters decking each good tree,10·/˘/˘/˘···
Invite your hand to crop some from the stem,10˘/········
And liking one, taste every sort of them:10·/˘··/˘···
Then to the arbours walk, then to the bowers,11···/˘····/˘
Thence to the walks again, thence to the flowers,11····˘/···/˘
Then to birds, and to the clear spring thence,9·········
Now pleasing one, and then another sense.10·/˘···˘/˘·
Here one walks oft, and yet anew begin'th,10······˘/··
As if it were some hidden labyrinth;10·····/˘/˘·
So loath to part and so content to stay,10······/˘··
That when the gard'ner knocks for you away,10···/˘···˘/
It grieves you so to leave the pleasures in it,11·······/˘··
That you could wish that you had never seen it.10·······/··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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