Written During Sickness at Bath

William Lisle Bowles (1762–1850) · 1789–1837

iambic pentameter · ABAB · 96 lines · from The Poetical Works, Volume I

When I lie musing on my bed alone,And listen to the wintry waterfall;And many moments that are past and gone,Moments of sunshine and of joy, recall;

Though the long night is dark and damp around,And no still star hangs out its friendly flame;And the winds sweep the sash with sullen sound,And freezing palsy creeps o'er all my frame;

I catch consoling phantasies that springFrom the thick gloom, and as the night airs beat,They touch my heart, like wind-swift wires that ringIn mournful modulations, strange and sweet.

Was it the voice of thee, my buried friend?Was it the whispered vow of faithful love?Do I in Knoyle's green shades thy steps attend,And hear the high pines murmur thus above?

'Twas not thy voice, my buried friend!--Oh, no:'Twas not, O Knoyle! the murmur of thy trees;But at the thought I feel my bosom glow,And woo the dream whose air-drawn shadows please.

And I can think I see the groves again,The larches that yon peaceful roof embower;The airy down, the cattle-speckled plain,And the slant sunshine on the village tower.

And I can think I hear its Sabbath chimeCome smoothly softened down the woody vale;Or mark on yon lone eminence sublime,Fast whirling in the wind, the white mill's sail.

Phantom, that by my bed dost beckoning glide,Spectre of Death, to the damp charnel hie!Thy dim pale hand, thy festering visage hide;Thou com'st to say, I with thy worms shall lie!

Thou com'st to say that my once vacant mindAmid those scenes shall never more rejoice;Nor on the day of rest the hoary hindBend o'er his staff, attentive to my voice.

Hast thou not visited that pleasant placeWhere in this hard world I have happiest been?And shall I tremble at thy lifted maceThat hath pierced all on which life seemed to lean?

But Hope might whisper: Many a smiling dayAnd many a cheerful eve may yet be mine,Ere age's autumn strew my locks with gray,And weary to the dust my steps decline.

I argue not, but uncomplaining bowTo Heaven's high 'hest; secure, whate'er my lot,Meek spirit of resigned Content, that thouWilt smooth my pillow, and forsake me not!

Thou to the turfy hut with pilgrim feetWanderest, from halls of loud tumultuous joy;Or on the naked down, when the winds beat,Dost sing to the forsaken shepherd boy.

Thou art the sick man's nurse, the poor man's friend,And through each change of life thou hast been mine;In every ill thou canst a comfort blend,And bid the eye, though sad, in sadness shine.

Thee I have met on Cherwell's willowed side,And when our destined road far onward lay,Thee I have found, whatever chance betide,The kind companion of my devious way.

With thee unwearied have I loved to roam,By the smooth-flowing Scheldt, or rushing Rhine;And thou hast gladdened my sequestered home,And hung my peaceful porch with eglantine.

When cares and crosses my tired spirits tried,When to the dust my father I resigned;Amidst the quiet shade unseen I sighed,And, blest with thee, forgot a world unkind.

Ev'n now, while toiling through the sleepless night,A tearful look to distant scenes I cast,And the glad objects that once charmed my sightRemember, like soft views of "faerie" past;

I see thee come half-smiling to my bed,With Fortitude more awfully severe,Whose arm sustaining holds my drooping head,Who dries with her dark locks the tender tear.

O firmer Spirit! on some craggy heightWho, when the tempest sails aloft, dost stand,And hear'st the ceaseless billows of the nightRolling upon the solitary strand;

At this sad hour, when no harsh thoughts intrudeTo mar the melancholy mind's repose,When I am left to night and solitude,And languid life seems verging to its close;

Oh, let me thy pervading influence feel;Be every weak and wayward thought repressed;And hide thou, as with plates of coldest steel,The faded aspect and the throbbing breast!

Silent the motley pageant may retreat,And vain mortality's brief scenes remove;Yet let my bosom, whilst with life it beat,Breathe a last prayer for all on earth I love.

Slow-creeping pain weighs down my heavy eye,A chiller faintness steals upon my breast;"O gentle Muse, with some sweet lullaby"Rock me in long forgetfulness to rest!

Words in this poem 32
wintry a.
Suitable to winter; resembling winter, or what belongs to winter; brumal; hyemal; cold; stormy; wintery. [AS. wintrig.]
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
consoling a.
Adapted to console or comfort; cheering; as, this is consoling news.
embower v. t.
To cover with a bower; to shelter with trees.
chime n.
The harmonious sound of bells, or of musical instruments. [OE. chimbe, prop., cymbal, OF. cymbe, cymble, in a dialectic form, chymble, F. cymbale, L. cymbalum, fr. Gr. Cymbal.]
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
lone n.
A lane. See Loanin.
spectre n.
Something preternaturally visible; an apparition; a ghost; a phantom. [F. spectre, fr. L. spectrum an appearance, image, specter, fr. specere to look. See Spy, and cf. Spectrum.]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
hoary a.
White or whitish."The hoary willows."
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
resigned a.
Submissive; yielding; not disposed to resist or murmur.
sadness n.
Heaviness; firmness.
willowed a.
Abounding with willows; containing willows; covered or overgrown with willows.
betide v. t.
To happen to; to befall; to come to ; as, woe betide the wanderer. [OE. bitiden; pref. bi-, be- + tiden, fr. AS. tidan, to happen, fr. tid time. See Tide.]
devious a.
Out of a straight line; winding; varying from directness; as, a devious path or way. [L. devius; de + via way. See Viaduct.]
unwearied a.
Not wearied; not fatigued or tired; hence, persistent; not tiring or wearying; indefatigable.
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
unseen a.
Not seen or discovered.
unkind a.
Having no race or kindred; childless. [See Kin kindred.]
sleepless a.
Having no sleep; wakeful.
tearful a.
Abounding with tears; weeping; shedding tears; as, tearful eyes.
fortitude n.
Power to resist attack; strength; firmness. [L. fortitudo, fr. fortis strong. See Fort.]
awfully adv.
In an awful manner; in a manner to fill with terror or awe; fearfully; reverently.
ceaseless a.
Without pause or end; incessant.
wayward a.
Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
pageant n.
A theatrical exhibition; a spectacle. [OE. pagent, pagen, originally, a movable scaffold or stage, hence, what was exhibited on it, fr. LL. pagina, akin to pangere to fasten; cf. L. pagina page, leaf]
faintness n.
The state of being faint; loss of strength, or of consciousness, and self-control.
lullaby n.
A song to quiet babes or lull them to sleep; that which quiets. [From Lull, v. t.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Written During Sickness at Bath is in the public domain. This text is taken from The Poetical Works of William Lisle Bowles, Vol. 1 With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan, Project Gutenberg ebook #18915; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Lisle Bowles, Written During Sickness at Bath, in The Poetical Works, Volume I (1789–1837), text of Project Gutenberg ebook #18915, Laurel, https://laurelpoetry.com/poem/bowles-sonnets/written-during-sickness-at-bath.html, id L09931.

Form and metre

Written During Sickness at Bath is 96 lines in 24 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 21 of its 24 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 16% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A alone · waterfallA · gone · recallA
  2. 2 ABAB aroundA · flameB · soundA · frameB
  3. 3 ABAB springA · beatB · ringA · sweetB
  4. 4 ABAB friendA · loveB · attendA · aboveB
  5. 5 ABAB noA · treesB · glowA · pleaseB
  6. 6 ABAB againA · embowerB · plainA · towerB
  7. 7 ABAB chimeA · valeB · sublimeA · sailB
  8. 8 A-A- glideA · hie · hideA · lie
  9. 9 ABAB mindA · rejoiceB · hindA · voiceB
  10. 10 A-A- placeA · been · maceA · lean
  11. 11 ABAB dayA · mineB · grayA · declineB
  12. 12 ABAB bowA · lotB · thouA · notB
  13. 13 ABAB feetA · joyB · beatA · boyB
  14. 14 ABAB friendA · mineB · blendA · shineB
  15. 15 ABAB sideA · layB · betideA · wayB
  16. 16 ABAB roamA · rhineB · homeA · eglantineB
  17. 17 ABAB triedA · resignedB · sighedA · unkindB
  18. 18 ABAB nightA · castB · sightA · pastB
  19. 19 ABAB bedA · severeB · headA · tearB
  20. 20 ABAB heightA · standB · nightA · strandB
  21. 21 ABAB intrudeA · reposeB · solitudeA · closeB
  22. 22 ABAB feelA · repressedB · steelA · breastB
  23. 23 ABAB retreatA · removeB · beatA · loveB
  24. 24 ABAB eyeA · breastB · lullabyA · restB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
When I lie musing on my bed alone,10···/˘···˘/
And listen to the wintry waterfall;10·/˘··/˘/˘·
And many moments that are past and gone,10·/˘/˘·····
Moments of sunshine and of joy, recall;10/˘·/····/·
Though the long night is dark and damp around,10··········
And no still star hangs out its friendly flame;10·······/˘·
And the winds sweep the sash with sullen sound,10·······/˘·
And freezing palsy creeps o'er all my frame;10·/˘/˘·····
I catch consoling phantasies that spring10··˘/˘·····
From the thick gloom, and as the night airs beat,10··········
They touch my heart, like wind-swift wires that ring10·······/··
In mournful modulations, strange and sweet.10·/˘·˘/˘···
Was it the voice of thee, my buried friend?10·······/˘·
Was it the whispered vow of faithful love?10···/˘··/˘·
Do I in Knoyle's green shades thy steps attend,10········˘/
And hear the high pines murmur thus above?10·····/˘···
'Twas not thy voice, my buried friend!--Oh, no:10·····/˘···
'Twas not, O Knoyle! the murmur of thy trees;11······/˘···
But at the thought I feel my bosom glow,10·······/˘·
And woo the dream whose air-drawn shadows please.10·······/··
And I can think I see the groves again,10········˘/
The larches that yon peaceful roof embower;11·/˘··/˘·˘/˘
The airy down, the cattle-speckled plain,10·/˘··/˘/˘·
And the slant sunshine on the village tower.11···/···/˘/˘
And I can think I hear its Sabbath chime10·······/˘·
Come smoothly softened down the woody vale;10·/˘/˘··/˘·
Or mark on yon lone eminence sublime,10·····/˘˘˘/
Fast whirling in the wind, the white mill's sail.10·/˘·······
Phantom, that by my bed dost beckoning glide,10/˘·····/˘·
Spectre of Death, to the damp charnel hie!10/˘·····/˘·
Thy dim pale hand, thy festering visage hide;10·····/˘/˘·
Thou com'st to say, I with thy worms shall lie!10··········
Thou com'st to say that my once vacant mind10·······/˘·
Amid those scenes shall never more rejoice;10˘/···/˘·˘/
Nor on the day of rest the hoary hind10·······/˘·
Bend o'er his staff, attentive to my voice.10····˘/˘···
Hast thou not visited that pleasant place10···/˘˘·/˘·
Where in this hard world I have happiest been?10·······/˘·
And shall I tremble at thy lifted mace10···/˘··/˘·
That hath pierced all on which life seemed to lean?10··········
But Hope might whisper: Many a smiling day10···/˘/·/˘·
And many a cheerful eve may yet be mine,10·/·/˘·····
Ere age's autumn strew my locks with gray,10·/˘/˘·····
And weary to the dust my steps decline.10·/˘·····˘/
I argue not, but uncomplaining bow10·/˘·······
To Heaven's high 'hest; secure, whate'er my lot,12·/˘··˘/˘˘/··
Meek spirit of resigned Content, that thou10·/˘·˘/˘/··
Wilt smooth my pillow, and forsake me not!10···/˘·˘/··
Thou to the turfy hut with pilgrim feet10···/˘··/˘·
Wanderest, from halls of loud tumultuous joy;10/˘·····/˘·
Or on the naked down, when the winds beat,10···/˘·····
Dost sing to the forsaken shepherd boy.10····˘/˘/˘·
Thou art the sick man's nurse, the poor man's friend,10··········
And through each change of life thou hast been mine;10··········
In every ill thou canst a comfort blend,10·/˘····/˘·
And bid the eye, though sad, in sadness shine.10·······/˘·
Thee I have met on Cherwell's willowed side,10·······/··
And when our destined road far onward lay,10··//˘··/˘·
Thee I have found, whatever chance betide,10·····/˘·˘/
The kind companion of my devious way.10··˘/˘··/˘·
With thee unwearied have I loved to roam,10··˘/˘·····
By the smooth-flowing Scheldt, or rushing Rhine;10···/˘··/˘·
And thou hast gladdened my sequestered home,10···/˘·˘/˘·
And hung my peaceful porch with eglantine.10···/˘··/˘·
When cares and crosses my tired spirits tried,10···/˘·//˘·
When to the dust my father I resigned;10·····/˘·˘/
Amidst the quiet shade unseen I sighed,10˘/·/˘·˘/··
And, blest with thee, forgot a world unkind.10····˘/··˘/
Ev'n now, while toiling through the sleepless night,10···/˘··/˘·
A tearful look to distant scenes I cast,10·/˘··/˘···
And the glad objects that once charmed my sight10···/˘·····
Remember, like soft views of "faerie" past;10˘/˘·······
I see thee come half-smiling to my bed,10·····/˘···
With Fortitude more awfully severe,9·/˘··/˘˘/
Whose arm sustaining holds my drooping head,10··˘/˘··/˘·
Who dries with her dark locks the tender tear.10·······/˘·
O firmer Spirit! on some craggy height10·/˘/˘··/˘·
Who, when the tempest sails aloft, dost stand,10···/˘·˘/··
And hear'st the ceaseless billows of the night10···/˘/˘···
Rolling upon the solitary strand;10/˘···/˘·˘·
At this sad hour, when no harsh thoughts intrude10···/····˘/
To mar the melancholy mind's repose,10···/˘·˘·˘/
When I am left to night and solitude,10·······/˘·
And languid life seems verging to its close;10·/˘··/˘···
Oh, let me thy pervading influence feel;10····˘/˘/˘·
Be every weak and wayward thought repressed;10·/˘··/˘·˘/
And hide thou, as with plates of coldest steel,10·······/˘·
The faded aspect and the throbbing breast!10·/˘/···/˘·
Silent the motley pageant may retreat,10/˘·/˘/˘·˘/
And vain mortality's brief scenes remove;10··˘/˘˘··˘/
Yet let my bosom, whilst with life it beat,10···/˘·····
Breathe a last prayer for all on earth I love.10··········
Slow-creeping pain weighs down my heavy eye,10·/˘····/˘·
A chiller faintness steals upon my breast;10·/˘/˘·····
"O gentle Muse, with some sweet lullaby"10·/˘····/˘·
Rock me in long forgetfulness to rest!10····˘/˘˘··
Notes from the edition 2

Bowles's own notes to his Poetical Works (Project Gutenberg #18915).

  1. Stanza 1, line 2 The fall of the river, heard from the Parade.
  2. Stanza 3, line 3 The ∆olian harp.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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