Water-Party on Beaulieu River, in the New Forest

William Lisle Bowles (1762–1850) · 1789–1837

anapaestic tetrameter · ABABB · 35 lines · from The Poetical Works, Volume I

I thought 'twas a toy of the fancy, a dreamThat leads with illusion the senses astray,And I sighed with delight as we stole down the stream,While the sun, as he smiled on our sail, seemed to say,Rejoice in my light, ere it fade fast away!

We left the loud rocking of ocean behind,And stealing along the clear current serene,The PhÊdria spread her white sails to the wind,And they who divided had many a day been,Gazed with added delight on the charms of the scene.

Each bosom one spirit of peace seemed to feel;We heard not the tossing, the stir, and the roarOf the ocean without; we heard only the keel,The keel that went whispering along the green shore,And the stroke, as it dipped, of the feathering oar.

Beneath the dark woods now, as winding we go,What sounds of rich harmony burst on the ear!Hark, cheer'ly the loud-swelling clarionets blow;Now the tones gently die, now more mellow we hearThe horns through the high forest echoing clear!

They cease; and no longer the echoes prolongThe swell of the concert; in silence we float--In silence! Oh, listen! 'tis woman's sweet song--The bends of the river reply to each note,And the oar is held dripping and still from the boat.

Mark the sun that descends o'er the curve of the flood!Seize, Wilmot, the pencil, and instant conveyTo the tablet the water, the banks, and the wood,That their colours may live without change or decay,When these beautiful tints die in darkness away.

So when we are parted, and tossed on the deep,And no longer the light on our prospect shall gleam,The semblance of one lovely scene we may keep,And remember the day, and the hour, like a dream,When we sighed with delight as we stole down the stream!

Words in this poem

stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
went n.
Course; way; path; journey; direction.
dripping n.
A falling in drops, or the sound so made.
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Water-Party on Beaulieu River, in the New Forest is in the public domain. This text is taken from The Poetical Works of William Lisle Bowles, Vol. 1 With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan, Project Gutenberg ebook #18915; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Lisle Bowles, Water-Party on Beaulieu River, in the New Forest, in The Poetical Works, Volume I (1789–1837), text of Project Gutenberg ebook #18915, Laurel, https://laurelpoetry.com/poem/bowles-sonnets/water-party-on-beaulieu-river-in-the-new-forest.html, id L09950.

Form and metre

Water-Party on Beaulieu River, in the New Forest is 35 lines in 7 stanzas of 5 lines each. The rhyme scheme is ABABB, complete in 6 of its 7 stanzas. The metre is anapaestic tetrameter, measured from the stress the words themselves fix (confidence 93%). 79% of its stressed syllables fall where the metre puts the beat. The lines average 11.2 syllables. 14% of the lines run on without a stop at the line end.

See other poems in anapaestic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABB dreamA · astrayB · streamA · sayB · awayB
  2. 2 ABA-B behindA · sereneB · windA · been · sceneB
  3. 3 ABABB feelA · roarB · keelA · shoreB · oarB
  4. 4 ABABB goA · earB · blowA · hearB · clearB
  5. 5 ABABB prolongA · floatB · songA · noteB · boatB
  6. 6 ABABB floodA · conveyB · woodA · decayB · awayB
  7. 7 ABABB deepA · gleamB · keepA · dreamB · streamB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic tetrameter. How this is done.

LineSyl.Stress
I thought 'twas a toy of the fancy, a dream11·······/˘··
That leads with illusion the senses astray,11···˘/˘·/˘˘/
And I sighed with delight as we stole down the stream,12····˘/······
While the sun, as he smiled on our sail, seemed to say,12·······/····
Rejoice in my light, ere it fade fast away!11˘/·······˘/
We left the loud rocking of ocean behind,10····/˘·/··
And stealing along the clear current serene,11·/˘˘/··/˘˘/
The PhÊdria spread her white sails to the wind,10··········
And they who divided had many a day been,11···˘/˘·/···
Gazed with added delight on the charms of the scene.12··/˘˘/······
Each bosom one spirit of peace seemed to feel;10·/˘·/·····
We heard not the tossing, the stir, and the roar11····/˘·····
Of the ocean without; we heard only the keel,11··/····/˘··
The keel that went whispering along the green shore,11····/˘˘/···
And the stroke, as it dipped, of the feathering oar.11········/˘·
Beneath the dark woods now, as winding we go,11·······/˘··
What sounds of rich harmony burst on the ear!10····/˘····
Hark, cheer'ly the loud-swelling clarionets blow;11·/˘··/˘····
Now the tones gently die, now more mellow we hear12···/˘···/˘··
The horns through the high forest echoing clear!10·····/˘/˘·
They cease; and no longer the echoes prolong11····/˘·/˘˘/
The swell of the concert; in silence we float--11····˘/·/˘··
In silence! Oh, listen! 'tis woman's sweet song--11·/˘·/˘·/˘··
The bends of the river reply to each note,11····/˘˘/···
And the oar is held dripping and still from the boat.12·····/˘·····
Mark the sun that descends o'er the curve of the flood!12····˘/······
Seize, Wilmot, the pencil, and instant convey11·/˘·/˘·/˘˘/
To the tablet the water, the banks, and the wood,12··/˘·/˘·····
That their colours may live without change or decay,12··/˘······˘/
When these beautiful tints die in darkness away.11··/˘···/˘˘/
So when we are parted, and tossed on the deep,11····/˘·····
And no longer the light on our prospect shall gleam,12··/˘···//˘··
The semblance of one lovely scene we may keep,11·/˘··/˘····
And remember the day, and the hour, like a dream,12·˘/˘····/···
When we sighed with delight as we stole down the stream!12····˘/······
Notes from the edition 3

Bowles's own notes to his Poetical Works (Project Gutenberg #18915).

  1. Stanza 2, line 3 Cutter belonging to Nathaniel Ogle, Esq.
  2. Stanza 5, line 3 Mrs Sheridan.
  3. Stanza 6, line 2 Mrs Wilmot, well known for her great talents in drawing, et cet.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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