Shakspeare
O sovereign Master! who with lonely stateDost rule as in some isle's enchanted land,On whom soft airs and shadowy spirits wait,Whilst scenes of "faerie" bloom at thy command,On thy wild shores forgetful could I lie,And list, till earth dissolved to thy sweet minstrelsy!
Called by thy magic from the hoary deep,AÎrial forms should in bright troops ascend,And then a wondrous masque before me sweep;Whilst sounds, that the earth owned not, seem to blendTheir stealing melodies, that when the strainCeased, I should weep, and would so dream again!
The song hath ceased. Ah! who, pale shade, art thou,Sad raving to the rude tempestuous night!Sure thou hast had much wrong, so stern thy brow,So piteous thou dost tear thy tresses white;So wildly thou dost cry, Blow, bitter wind!Ye elements, I call not you unkind!
Beneath the shade of nodding branches gray,'Mid rude romantic woods, and glens forlorn,The merry hunters wear the hours away;Rings the deep forest to the joyous horn!Joyous to all, but him, who with sad lookHangs idly musing by the brawling brook.
But mark the merry elves of fairy land!To the high moon's gleamy glance,They with shadowy morrice dance;Soft music dies along the desert sand;Soon at peep of cold-eyed day,Soon the numerous lights decay;Merrily, now merrily,After the dewy moon they fly.
The charm is wrought: I see an aged form,In white robes, on the winding sea-shore stand;O'er the careering surge he waves his wand:Hark! on the bleak rock bursts the swelling storm:Now from bright opening clouds I hear a lay,Come to these yellow sands, fair stranger, come away!
Saw ye pass by the weird sisters pale!Marked ye the lowering castle on the heath!Hark, hark, is the deed done--the deed of death!The deed is done:--Hail, king of Scotland, hail!I see no more;--to many a fearful soundThe bloody cauldron sinks, and all is dark around.
Pity! touch the trembling strings,A maid, a beauteous maniac, wildly sings:They laid him in the ground so cold,Upon his breast the earth is thrown;High is heaped the grassy mould,Oh! he is dead and gone.The winds of the winter blow o'er his cold breast,But pleasant shall be his rest.
O sovereign Master! at whose sole commandWe start with terror, or with pity weep;Oh! where is now thy all-creating wand;Buried ten thousand thousand fathoms deep!The staff is broke, the powerful spell is fled,And never earthly guest shall in thy circle tread.
Words in this poem 17
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- forgetful a.
- Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
- minstrelsy n.
- The arts and occupation of minstrels; the singing and playing of a minstrel.
- hoary a.
- White or whitish."The hoary willows."
- wondrous adv.
- In a wonderful or surprising manner or degree; wonderfully. [OE. wonders, adv. (later also adj.). See Wonder, n., and cf. -wards.]
- masque n.
- A mask; a masquerade.
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- unkind a.
- Having no race or kindred; childless. [See Kin kindred.]
- forlorn a.
- Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]
- brawling a.
- Quarreling; quarrelsome; noisy.
- gleamy a.
- Darting beams of light; casting light in rays; flashing; coruscating.
- morrice a.
- Dancing the morrice; dancing.
- beauteous a.
- Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
- maniac a.
- Raving with madness; raging with disordered intellect; affected with mania; mad. [F. maniaque. See Mania.]
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Shakspeare is in the public domain. This text is taken from The Poetical Works of William Lisle Bowles, Vol. 1 With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan, Project Gutenberg ebook #18915; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: William Lisle Bowles, Shakspeare, in The Poetical Works, Volume I (1789–1837), text of Project Gutenberg ebook #18915, Laurel, https://laurelpoetry.com/poem/bowles-sonnets/shakspeare.html, id L09922.
Form and metre
Shakspeare is 58 lines in 9 stanzas. The commonest rhyme scheme is ABABCC, in 3 of the 9 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 2 lines end on an unstressed syllable, a feminine ending. 10% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB-- stateA · landB · waitA · commandB · lie · minstrelsy
- 2 ABABCC deepA · ascendB · sweepA · blendB · strainC · againC
- 3 ABABCC thouA · nightB · browA · whiteB · windC · unkindC
- 4 ABABCC grayA · forlornB · awayA · hornB · lookC · brookC
- 5 ABBACC-- landA · glanceB · danceB · sandA · dayC · decayC · merrily · fly
- 6 A--ABB formA · stand · wand · stormA · layB · awayB
- 7 A--ABB paleA · heath · death · hailA · soundB · aroundB
- 8 AAB-B-CC stringsA · singsA · coldB · thrown · mouldB · gone · breastC · restC
- 9 -A-ABB command · weepA · wand · deepA · fledB · treadB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| O sovereign Master! who with lonely state | 10 | ·/˘/˘··/˘· |
| Dost rule as in some isle's enchanted land, | 10 | ······˘/˘· |
| On whom soft airs and shadowy spirits wait, | 10 | ·····/˘/˘· |
| Whilst scenes of "faerie" bloom at thy command, | 10 | ········˘/ |
| On thy wild shores forgetful could I lie, | 10 | ····˘/˘··· |
| And list, till earth dissolved to thy sweet minstrelsy! | 12 | ····˘/···/˘˘ |
| Called by thy magic from the hoary deep, | 10 | ···/˘··/˘· |
| AÎrial forms should in bright troops ascend, | 10 | ········˘/ |
| And then a wondrous masque before me sweep; | 10 | ···/˘····· |
| Whilst sounds, that the earth owned not, seem to blend | 10 | ·········· |
| Their stealing melodies, that when the strain | 10 | ·/˘/˘˘···· |
| Ceased, I should weep, and would so dream again! | 10 | ········˘/ |
| The song hath ceased. Ah! who, pale shade, art thou, | 10 | ·········· |
| Sad raving to the rude tempestuous night! | 10 | ·/˘····/˘· |
| Sure thou hast had much wrong, so stern thy brow, | 10 | ·········· |
| So piteous thou dost tear thy tresses white; | 11 | ·/˘˘····/˘· |
| So wildly thou dost cry, Blow, bitter wind! | 10 | ·/˘····/˘· |
| Ye elements, I call not you unkind! | 10 | ·/˘˘····˘/ |
| Beneath the shade of nodding branches gray, | 10 | ·····/˘/˘· |
| 'Mid rude romantic woods, and glens forlorn, | 10 | ··˘/˘···˘/ |
| The merry hunters wear the hours away; | 10 | ·/˘/˘··/˘/ |
| Rings the deep forest to the joyous horn! | 10 | ···/˘··/˘· |
| Joyous to all, but him, who with sad look | 10 | /˘········ |
| Hangs idly musing by the brawling brook. | 10 | ·/˘/˘··/˘· |
| But mark the merry elves of fairy land! | 10 | ···/˘··/˘· |
| To the high moon's gleamy glance, | 7 | ····/˘· |
| They with shadowy morrice dance; | 8 | ··/˘˘/˘· |
| Soft music dies along the desert sand; | 10 | ·/˘·˘/·/˘· |
| Soon at peep of cold-eyed day, | 7 | ······· |
| Soon the numerous lights decay; | 8 | ··/˘˘·˘/ |
| Merrily, now merrily, | 7 | /˘˘·/˘˘ |
| After the dewy moon they fly. | 8 | ···/˘··· |
| The charm is wrought: I see an aged form, | 9 | ········· |
| In white robes, on the winding sea-shore stand; | 10 | ·····/˘··· |
| O'er the careering surge he waves his wand: | 10 | ··˘/˘····· |
| Hark! on the bleak rock bursts the swelling storm: | 10 | ·······/˘· |
| Now from bright opening clouds I hear a lay, | 10 | ···/˘····· |
| Come to these yellow sands, fair stranger, come away! | 12 | ···/˘··/˘·˘/ |
| Saw ye pass by the weird sisters pale! | 9 | ······/˘· |
| Marked ye the lowering castle on the heath! | 10 | ···/˘/˘··· |
| Hark, hark, is the deed done--the deed of death! | 10 | ·········· |
| The deed is done:--Hail, king of Scotland, hail! | 10 | ·······/˘· |
| I see no more;--to many a fearful sound | 10 | ·····/·/˘· |
| The bloody cauldron sinks, and all is dark around. | 12 | ·/˘/˘······· |
| Pity! touch the trembling strings, | 8 | /˘··/˘˘· |
| A maid, a beauteous maniac, wildly sings: | 12 | ···/˘˘/˘·/˘· |
| They laid him in the ground so cold, | 8 | ········ |
| Upon his breast the earth is thrown; | 8 | ········ |
| High is heaped the grassy mould, | 7 | ····/˘· |
| Oh! he is dead and gone. | 6 | ······ |
| The winds of the winter blow o'er his cold breast, | 11 | ····/˘····· |
| But pleasant shall be his rest. | 7 | ·/˘···· |
| O sovereign Master! at whose sole command | 10 | ·/˘/˘···˘/ |
| We start with terror, or with pity weep; | 10 | ···/˘··/˘· |
| Oh! where is now thy all-creating wand; | 10 | ······˘/˘· |
| Buried ten thousand thousand fathoms deep! | 10 | /˘·/˘/˘/˘· |
| The staff is broke, the powerful spell is fled, | 10 | ·····/˘··· |
| And never earthly guest shall in thy circle tread. | 11 | ·//˘····/˘· |
Notes from the edition 6
Bowles's own notes to his Poetical Works (Project Gutenberg #18915).
- Stanza 3, line 6 Lear.
- Stanza 4, line 5 Jaques: As You Like It.
- Stanza 5, line 1 Midsummer Night's Dream.
- Stanza 6, line 6 Ferdinand: see The Tempest.
- Stanza 7, line 1 See Macbeth.
- Stanza 8, line 3 Ophelia: Hamlet.
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