Coombe-Ellen

William Lisle Bowles (1762–1850) · 1789–1837

iambic pentameter · unrhymed · 351 lines · from The Poetical Works, Volume I

Call the strange spirit that abides unseenIn wilds, and wastes, and shaggy solitudes,And bid his dim hand lead thee through these scenesThat burst immense around! By mountains, glens,And solitary cataracts that dashThrough dark ravines; and trees, whose wreathed rootsO'erhang the torrent's channelled course; and streams,That far below, along the narrow vale,Upon their rocky way wind musical.Stranger! if Nature charm thee, if thou lovestTo trace her awful steps, in glade or glen,Or under covert of the rocking wood,That sways its murmuring and mossy boughsAbove thy head; now, when the wind at timesStirs its deep silence round thee, and the showerFalls on the sighing foliage, hail her hereIn these her haunts; and, rapt in musings high,Think that thou holdest converse with some PowerInvisible and strange; such as of yoreGreece, in the shades of piney MÊnalaus,The abode of Pan, or Ida's hoary caves,Worshipped; and our old Druids, 'mid the gloomOf rocks and woods like these, with muttered spellInvoked, and the loud ring of choral harps.Hast thou oft mourned the chidings of the world,The sound of her disquiet, that ascendsFor ever, mocking the high throne of GOD!Hast thou in youth known sorrow! Hast thou drooped,Heart-stricken, over youth's and beauty's grave,And ever after thought on the sad soundThe cold earth made, which, cast into the vault,Consigned thy heart's best treasure--dust to dust!Here, lapped into a sweet forgetfulness,Hang o'er the wreathed waterfall, and thinkThou art alone in this dark world and wide!Here Melancholy, on the pale crags laid,Might muse herself to sleep; or Fancy come,Witching the mind with tender cozenage,And shaping things that are not; here all dayMight Meditation listen to the lapseOf the white waters, flashing through the cleft,And, gazing on the many shadowing trees,Mingle a pensive moral as she gazed.High o'er thy head, amidst the shivered slate,Behold, a sapling yet, the wild ash bend,Its dark red berries clustering, as it wishedIn the clear liquid mirror, ere it fell,To trace its beauties; o'er the prone cascade,Airy, and light, and elegant, the birchDisplays its glossy stem, amidst the gloomOf alders and jagged fern, and evermoreWaves her light pensile foliage, as she wooedThe passing gale to whisper flatteries.Upon the adverse bank, withered, and strippedOf all its pleasant leaves, a scathed oakHangs desolate, once sovereign of the scene,Perhaps, proud of its beauty and its strength,And branching its broad arms along the glen:Oh, speaks it no remonstrance to the heart!It seems to say: So shall the spoiler come,The season that shall shatter your fair leaves,Gay children of the summer! yet enjoyYour pleasant prime, and lift your green heads high,Exulting; but the storm will come at last,That shall lay low your strength, and give your prideTo the swift-hurrying stream of age, like mine.And so severe Experience oft reprovesThe gay and careless children of the world;They hear the cold rebuke, and then againTurn to their sport, as likes them, and dance on!And let them dance; so all their blooming primeThey give not up to vanity, but learnThat wisdom and that virtue which shall bestAvail them, when the evil days draw nigh,And the brief blossoms of their spring-time fade.Now wind we up the glen, and hear belowThe dashing torrent, in deep woods concealed,And now again white-flashing on the view,O'er the huge craggy fragments. Ancient stream,That murmurest through the mountain solitudes,The time has been when no eye marked thy course,Save His who made the world! Fancy might dreamShe saw thee thus bound on from age to ageUnseen of man, whilst awful Nature satOn the rent rocks, and said: These haunts be mine.Now Taste has marked thy features; here and thereTouching with tender hand, but injuring not,Thy beauties; whilst along thy woody vergeAscends the winding pathway, and the eyeCatches at intervals thy varied falls.But loftier scenes invite us; pass the hill,And through the woody hanging, at whose feetThe tinkling Ellen winds, pursue thy way.Yon bleak and weather-whitened rock, immense,Upshoots amidst the scene, craggy and steep,And like some high-embattled citadel,That awes the low plain shadowing. Half-way upThe purple heath is seen, but bare its brow,And deep-intrenched, and all beneath it spreadWith massy fragments riven from its top.Amidst the crags, and scarce discerned so high,Hangs here and there a sheep, by its faint bleatDiscovered, whilst the astonished eye looks up,And marks it on the precipice's brinkPick its scant food secure:--and fares it notEv'n so with you, poor orphans, ye who climbThe rugged path of life without a friend;And over broken crags bear hardly on,With pale imploring looks, that seem to say,My mother! she is buried, and at rest,Laid in her grave-clothes; and the heart is still,The only heart that throughout all the worldBeat anxiously for you! Oh, yet bear on;He who sustains the bleating lamb shall feedAnd comfort you: meantime the heaven's pure beam,That breaks above the sable mountain's brow,Lighting, one after one, the sunless crags,Awakes the blissful confidence, that here,Or in a world where sorrow never comes,All shall be well.Now through the whispering woodWe steal, and mark the old and mossy oaksImboss the mountain slope; or the wild ash,With rich red clusters mantling; or the birch,In lonely glens light-wavering; till behold!The rapid river shooting through the gloomIts lucid line along; and on its sideThe bordering pastures green, where the swinked oxLies dreaming, heedless of the numerous fliesThat, in the transitory sunshine, humRound his broad breast; and further up the cot,With blue, light smoke ascending; imagesOf peace and comfort! The wild rocks aroundEndear your smile the more, and the full mind,Sliding from scenes of dread magnificence,Sinks on your charms reposing; such reposeThe sage may feel, when, filled and half-oppressedWith vast conceptions, smiling he returnsTo life's consoling sympathies, and hears,With heartfelt tenderness, the bells ring out;Or pipe upon the mountains; or the lowOf herds slow winding down the cottaged vale,Where day's last sunshine linger. Such reposeHe feels, who, following where his SHAKSPEARE leads,As in a dream, through an enchanted land,Here, with Macbeth, in the dread cavern hailsThe weird sisters, and the dismal deedWithout a name; there sees the charmed isle,The lone domain of Prospero; and, hark!Wild music, such as earth scarce seems to own,And Ariel o'er the slow-subsiding surgeSinging her smooth air quaintly! Such reposeSteals o'er her spirits, when, through storms at sea,Fancy has followed some nigh-foundered barkFull many a league, in ocean's solitudeTossed far beyond the Cape of utmost Horn,That stems the roaring deep; her dreary trackStill Fancy follows, and at dead of nightHears, with strange thunder, the huge fragments fallCrashing, from mountains of high-drifting iceThat o'er her bows gleam fearful; till at lastShe hails the gallant ship in some still baySafe moored; or of delightful Tinian;Smiling, like fairy isle, amid the waste;Or of New Zealand, where from sheltering rocksThe clear cascades gush beautiful, and highThe woodland scenery towers above the mast,Whose long and wavy ensign streams beneath.Far inland, clad in snow, the mountains liftTheir spiry summits, and endear the moreThe sylvan scene around; the healing airBreathes o'er green myrtles, and the poe-bird flits,Amid the shade of aromatic shrubs,With silver neck and blue enamelled wing.Now cross the stream, and up the narrow track,That winds along the mountain's edge, beholdThe peasant girl ascend: cheerful her look,Beneath the umbrage of her broad black hat,And loose her dark-brown hair; the plodding padThat bears her panting climbs, and with sure stepAvoids the jutting fragments; she, meantime,Sits unconcerned, till, lessening from the view,She gains the summit and is seen no more.All day, along that mountain's heathy waste,Booted and strapped, and in rough coat succinct,His small shrill whistle pendent at his breast,With dogs and gun, untired the sportsman roams;Nor quits his wildly-devious range, till eve,Upon the woods, the rocks, and mazy rillsDescending, warns him home: then he rejoinsThe social circle, just as the clear moon,Emerging o'er the sable mountain, sailsSilent, and calm, and beautiful, and shedsIts solemn grandeur on the shadowy scene.To music then; and let some chosen strainOf HANDEL gently recreate the sense,And give the silent heart to tender joy.Pass on to the hoar cataract, that foamsThrough the dark fissures of the riven rock;Prone-rushing it descends, and with white whirl,Save where some silent shady pool receivesIts dash; thence bursting, with collected sweep,And hollow sound, it hurries, till it fallsFoaming in the wild stream that winds below.Dark trees, that to the mountain's height ascend,O'ershade with pendent boughs its mossy course,And, looking up, the eye beholds it flashBeneath the incumbent gloom, from ledge to ledgeShooting its silvery foam, and far withinWreathing its curve fantastic. If the harpOf deep poetic inspiration, struckAt times by the pale minstrel, whilst a strangeAnd beauteous light filled his uplifted eye,Hath ever sounded into mortal ears,Here I might think I heard its tones, and saw,Sublime amidst the solitary scene,With dimly-gleaming harp, and snowy stole,And cheek in momentary frenzy flushed,The great musician stand. Hush, every windThat shakes the murmuring branches! and thou stream,Descending still with hollow-sounding sweep,Hush! 'Twas the bard struck the loud strings: Arise,Son of the magic song, arise!And bid the deep-toned lyrePour forth its manly melodies.With eyes on fire,CARADOC rushed upon the foe;He reared his arm--he laid the mighty low!O'er the plain see him urge his gore-bathed steed!They bleed, the Romans bleed!He lifts his lance on high,They fly! the fierce invaders fly!Fear not now the horse or spear,Fear not now the foeman's might;Victory the cry shall hearOf those who for their country fight;O'er the slainThat strew the plain,Stern on her sable war-horse shall she ride,And lift her red right hand, in their heart's blood deep dyed!Return, my Muse! the fearful sound is past;And now a little onward, where the wayAscends above the oaks that far belowShade the rude steep, let Contemplation leadOur footsteps; from this shady eminence'Tis pleasant and yet fearful to look downUpon the river roaring, and far offTo see it stretch in peace, and mark the rocksOne after one, in solemn majestyUnfolding their wild reaches; here with woodMantled, beyond abrupt and bare, and eachAs if it strove, with emulous disdain,To tower in ruder, darker amplitude.Pause, ere we enter the long craggy vale;It seems the abode of Solitude. So highThe rock's bleak summit frowns above our head,Looking immediate down, we almost fearLest some enormous fragment should descendWith hideous sweep into the vale, and crushThe intruding visitant. No sound is here,Save of the stream that shrills, and now and thenA cry as of faint wailing, when the kiteComes sailing o'er the crags, or straggling lambBleats for its mother. Here, remote from man,And life's discordant roar, might PietyLift up her early orisons to HimWho made the world; who piled up, mighty rocks,Your huge o'ershadowing summits; who devolvedThe mighty rivers on their mazy course;Who bade the seasons roll, and they rolled onIn harmony; who filled the earth with joy,And spread it in magnificence. O GOD!Thou also madest the great water-flood,The deep that uttereth thy voice; whose wavesToss fearful at thy bidding. Thou didst speak,And lo! the great and glorious sun, from nightTenfold upspringing, through the heavens' wide wayHeld his untired career. These, in their course,As with one shout of acclamation, praiseThee, LORD! thee, FATHER! thee, ALMIGHTY KING!Maker of earth and heaven! Nor less the flowerThat shakes its purple head, and smiles unseenUpon the mountain's van; nor less the streamThat tinkles through the cliff-encircled bourne,Cheering with music the lone place, proclaim:In wisdom, Father, hast thou made them all!Scenes of retired sublimity, that fillWith fearful ecstasy and holy tranceThe pausing mind! we leave your awful gloom,And lo! the footway plank, that leads acrossThe narrow torrent, foaming through the chasmBelow; the rugged stones are washed and wornInto a thousand shapes, and hollows scoopedBy long attrition of the ceaseless surge,Smooth, deep, and polished as the marble urn,In their hard forms. Here let us sit, and watchThe struggling current burst its headlong way,Hearing the noise it makes, and musing muchOn the strange changes of this nether world.How many ages must have swept to dustThe still succeeding multitudes, that "fretTheir little hour" upon this restless scene,Or ere the sweeping waters could have cutThe solid rock so deep! As now its roarComes hollow from below, methinks we hearThe noise of generations, as they pass,O'er the frail arch of earthly vanity,To silence and oblivion. The loud coilNe'er ceases; as the running river soundsFrom age to age, though each particular waveThat made its brief noise, as it hurried on,Ev'n whilst we speak, is past, and heard no more;So ever to the ear of Heaven ascendsThe long, loud murmur of the rolling globe;Its strife, its toils, its sighs, its shouts, the same!But lo! upon the hilly croft, and scarceDistinguished from the crags, the peasant hutForth peeping; nor unwelcome is the sight.It seems to say: Though solitude be sweet,And sweet are all the images that floatLike summer-clouds before the eye, and charmThe pensive wanderer's way, 'tis sweeter yetTo think that in this world a brother lives.And lovelier smiles the scene, that, 'mid the wildsOf rocks and mountains, the bemused thoughtRemembers of humanity, and callsThe wildly-roving fancy back to life.Here, then, I leave my harp, which I have touchedWith careless hand, and here I bid farewellTo Fancy's fading pictures, and farewellThe ideal spirit that abides unseen'Mid rocks, and woods, and solitudes. I hailRather the steps of Culture, that ascendThe precipice's side. She bids the wildBloom, and adorns with beauty not its ownThe ridged mountain's tract; she speaks, and lo!The yellow harvest nods upon the slope;And through the dark and matted moss upshootsThe bursting clover, smiling to the sun.These are thy offspring, Culture! the green herbIs thine, that decks with rich luxurianceThe pasture's lawny range; the yellow corn,That waves upon the upland ridge, is thine;Thine too the elegant abode, that smilesAmidst the rocky scene, and wakes the thought,The tender thought, of all life's charities.And senseless were my heart, could I look backUpon the varied way my feet have trod,Without a silent prayer that health and joy,And love and happiness, may long abideIn the romantic vale where Ellen winds.

Words in this poem 87
unseen a.
Not seen or discovered.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
rapt n.
An ecstasy; a trance. Bp. Morton. [From F. rapt abduction, rape, L. raptus, fr. rapere to seize and carry off, to transport; or fr. E. rapt, a. See Rapt, a., and Rapid.]
yore adv.
In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
abode n.
Act of waiting; delay. [OE. abad, abood, fr. abiden to abide. See Abide. For the change of vowel, cf. abode, imp. of abide.]
hoary a.
White or whitish."The hoary willows."
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
stricken p. p.
Struck; smitten; wounded; as, the stricken deer.
witching a.
That witches or enchants; suited to enchantment or witchcraft; bewitching.
cozenage n.
The art or practice of cozening; artifice; fraud. [See Cozen, and cf. Cousinage.]
shadowing n.
Shade, or gradation of light and color; shading. Feltham.
amidst prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
cascade n.
A fall of water over a precipice, as in a river or brook; a waterfall less than a cataract. [F. cascade, fr. It. cascata, fr. cascare to ball.]
evermore adv.
During eternity; always; forever; for an indefinite period; at all times; -- often used substantively with for.
pensile a.
Hanging; suspended; pendent; pendulous. [L. pensilis, fr. pendere to hang: cf. OE. pensil. See Pendant.]
remonstrance n.
The act of remonstrating; as: (a) A pointing out; manifestation; proof; demonstration. [Cf. OF. remonstrance, F. remonstrance. See Remonstrate.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
spoiler n.
One who spoils; a plunderer; a pillager; a robber; a despoiler.
exulting a.
Rejoicing triumphantly or exceedingly; exultant.
pathway n.
A footpath; a beaten track; any path or course. Also used figuratively.
embattled a.
Having indentations like a battlement.
massy a.
Compacted into, or consisting of, a mass; having bulk and weight ot substance; ponderous; bulky and heavy; weight; heavy; as, a massy shield; a massy rock.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
bleat v. i.
To make the noise of, or one like that of, a sheep; to cry like a sheep or calf. [OE. bleten, AS. bl; akin to D. blaten, bleeten, OHG. blazan, plazan; prob. of imitative origin.]
brink n.
The edge, margin, or border of a steep place, as of a precipice; a bank or edge, as of a river or pit; a verge; a border; as, the brink of a chasm. Also Fig. [Dan. brink edge, verge; akin to Sw. brink declivity, hill, Icel. brekka; cf. LG. brink a grassy hill, W. bryn hill, bryncyn hillock.]
imploring a.
That implores; beseeching; entreating.
anxiously adv.
In an anxious manner; with painful uncertainty; solicitously.
bleating a.
Crying as a sheep does.
sable n.
A carnivorous animal of the Weasel family (Mustela zibellina) native of the northern latitudes of Europe, Asia, and America, -- noted for its fine, soft, and valuable fur. [OF. sable, F. zibeline sable (in sense 4), LL. sabellum; cf. D. sabel, Dan. sabel, zobel, Sw. sabel, sobel, G. zobel; all fr. Russ. sóbole.]
sunless a.
Destitute or deprived of the sun or its rays; shaded; shadowed.
blissful a.
Full of, characterized by, or causing, joy and felicity; happy in the highest degree.
mantling n.
The representation of a mantle, or the drapery behind and around a coat of arms: -- called also lambrequin.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
endear v. t.
To make dear or beloved.
magnificence n.
The act of doing what magnificent; the state or quality of being magnificent. Acts xix. 27. [F. magnificence, L. magnificentia. See Magnific.]
consoling a.
Adapted to console or comfort; cheering; as, this is consoling news.
heartfelt a.
Hearty; sincere.
cottaged a.
Set or covered with cottages.
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
dismal a.
Fatal; ill-omened; unlucky. [Formerly a noun; e. g., "I trow it was in the dismalle." Chaucer. Of uncertain origin; but perh. (as suggested by Skeat) from OF. disme, F. dîme, tithe, the phr]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
lone n.
A lane. See Loanin.
quaintly adv.
In a quaint manner.
dreary a.
Sorrowful; distressful. [OE. dreori, dreri, AS. dreórig, sad; akin to G. traurig, and prob. to AS. dreósan to fall, Goth. driusan. Cf. Dross, Drear, Drizzle, Drowse.]
crashing n.
The noise of many things falling and breaking at once.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
clad v.
To clothe. Holland.
spiry a.
Of a spiral form; wreathed; curled; serpentine. [From Spire a winding line.]
umbrage n.
Shade; shadow; obscurity; hence, that which affords a shade, as a screen of trees or foliage. [F. ombrage shade, suspicion, umbrage, L. umbraticus belonging to shade, fr. umbra a shade. Cf. Umber, Umbratic.]
plodding a.
Progressing in a slow, toilsome manner; characterized by laborious diligence; as, a plodding peddler; a plodding student; a man of plodding habits. --Plod"ding*ly, adv.
jutting a.
Projecting, as corbels, cornices, etc.
heathy a.
Full of heath; abounding with heath; as, heathy land; heathy hills.
booted a.
Wearing boots, especially boots with long tops, as for riding; as, a booted squire.
succinct a.
Girded or tucked up; bound; drawn tightly together. [L. succinctus, p.p. of succingere to gird below or from below, to tuck up; sub + cingere to gird. Cf. Cincture.]
devious a.
Out of a straight line; winding; varying from directness; as, a devious path or way. [L. devius; de + via way. See Viaduct.]
recreate v. t.
To give fresh life to; to reanimate; to revive; especially, to refresh after wearying toil or anxiety; to relieve; to cheer; to divert; to amuse; to gratify. [L. recreatus, p. p. of recreate to create anew, to refresh; pref. re- re- + creare to create. See Create.]
hoar v. t.
To become moldy or musty. [AS. harian to grow gray.]
hurries n.
A staith or framework from which coal is discharged from cars into vessels.
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
dimly adv.
In a dim or obscure manner; not brightly or clearly; with imperfect sight.
snowy a.
White like snow.
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
rushed a.
Abounding or covered with rushes.
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
amplitude n.
State of being ample; extent of surface or space; largeness of dimensions; size. [L. amplitudo, fr. amplus: cf. F. amplitude. See Ample.]
visitant n.
One who visits; a guest; a visitor. [L. visitans, -antis; p. pr.: cf. F. visitant.]
straggling a.
from Straggle, v.
piled a.
Having a pile or point; pointed. [From 2d Pile.]
bade
A form of the pat tense of Bid.
didst
, the 2d pers. sing. imp. of Do.
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
career n.
A race course: the ground run over. [F. carrière race course, high road, street, fr. L. carrus wagon. See Car.]
acclamation n.
A shout of approbation, favor, or assent; eager expression of approval; loud applause. [L. acclamatio: cf. F. acclamation.]
bourne n.
A stream or rivulet; a burn. [OE. burne, borne, AS. burna; akin to OS. brunno spring, G. born, brunnen, OHG. prunno, Goth. brunna, Icel. brunnr, and perh. to Gr. burn, v., because the source]
sublimity n.
The quality or state of being sublime (in any sense of the adjective). [L. sublimitas: cf. F. sublimité.]
footway n.
A passage for pedestrians only.
ceaseless a.
Without pause or end; incessant.
nether a.
Situated down or below; lying beneath, or in the lower part; having a lower position; belonging to the region below; lower; under; -- opposed to upper. [OE. nethere, neithere, AS. ni, fr. the adv. ni downward; akin to neo below, beneath, D. neder down, G. nieder, Sw. nedre below, nether, a. & adv., and also to S]
methinks v.
It seems to me; I think. See Me. [AS. þyncan to seem, me þynceedh, me þuhte, OE. me thinketh, me thoughte; akin to G. dünken to seem, denken to think, and E. think. See Me, and Think.]
oblivion n.
The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
hilly a.
Abounding with hills; uneven in surface; as, a hilly country.
fading n.
An Irish dance; also, the burden of a song.
luxuriance n.
The state or quality of being luxuriant; rank, vigorous growth; excessive abundance produced by rank growth. [Cf. F. luxuriance.]
lawny a.
Having a lawn; characterized by a lawn or by lawns; like a lawn.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Coombe-Ellen is in the public domain. This text is taken from The Poetical Works of William Lisle Bowles, Vol. 1 With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan, Project Gutenberg ebook #18915; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: William Lisle Bowles, Coombe-Ellen, in The Poetical Works, Volume I (1789–1837), text of Project Gutenberg ebook #18915, Laurel, https://laurelpoetry.com/poem/bowles-sonnets/coombe-ellen.html, id L09946.

Form and metre

Coombe-Ellen is 351 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 88%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 18 lines end on an unstressed syllable, a feminine ending. 48% of the lines run on without a stop at the line end.

See other poems in iambic pentameter, other poems in blank verse.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -------AA-----B--B------------------------------------------------------------C--C----------------------------------------------D--D---D-------------------------------------------------------------------------------------EE-E-FFGGHHIJIJKKLL----------------M--M----------------------------N-N------------------------------------------------------------ unseen · solitudes · scenes · glens · dash · roots · streams · valeA · musicalA · lovest · glen · wood · boughs · times · showerB · here · high · powerB · yore · mênalaus · caves · gloom · spell · harps · world · ascends · god · drooped · grave · sound · vault · dust · forgetfulness · think · wide · laid · come · cozenage · day · lapse · cleft · trees · gazed · slate · bend · wished · fell · cascade · birch · gloom · evermore · wooed · flatteries · stripped · oak · scene · strength · glen · heart · come · leaves · enjoy · high · last · pride · mine · reproves · world · again · on · prime · learn · best · nigh · fade · below · concealed · view · streamC · solitudes · course · dreamC · age · sat · mine · there · not · verge · eye · falls · hill · feet · way · immense · steep · citadel · up · brow · spread · top · high · bleat · up · brink · not · climb · friend · on · say · rest · still · world · on · feed · beam · brow · crags · here · comes · well · wood · oaks · ash · birch · behold · gloom · side · ox · fliesD · hum · cot · imagesD · around · mind · magnificence · reposeD · oppressed · returns · hears · out · low · vale · repose · leads · land · hails · deed · isle · hark · own · surge · repose · sea · bark · solitude · horn · track · night · fall · ice · last · bay · tinian · waste · rocks · high · mast · beneath · lift · more · air · flits · shrubs · wing · track · behold · look · hat · pad · step · meantime · view · more · waste · succinct · breast · roams · eve · rills · rejoins · moon · sails · sheds · scene · strain · sense · joy · foams · rock · whirl · receives · sweep · falls · below · ascend · course · flash · ledge · within · harp · struck · strange · eye · ears · saw · scene · stole · flushed · wind · stream · sweep · ariseE · ariseE · lyre · melodiesE · fire · foeF · lowF · steedG · bleedG · highH · flyH · spearI · mightJ · hearI · fightJ · slainK · plainK · rideL · dyedL · past · way · below · lead · eminence · down · off · rocks · majesty · wood · each · disdain · amplitude · vale · high · head · fearM · descend · crush · hereM · then · kite · lamb · man · piety · him · rocks · devolved · course · on · joy · god · flood · waves · speak · night · way · course · praise · king · flower · unseen · stream · bourne · proclaim · all · fill · trance · gloomN · across · chasmN · worn · scooped · surge · urn · watch · way · much · world · dust · fret · scene · cut · roar · hear · pass · vanity · coil · sounds · wave · on · more · ascends · globe · same · scarce · hut · sight · sweet · float · charm · yet · lives · wilds · thought · calls · life · touched · farewell · farewell · unseen · hail · ascend · wild · own · lo · slope · upshoots · sun · herb · luxuriance · corn · thine · smiles · thought · charities · back · trod · joy · abide · winds
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Call the strange spirit that abides unseen10···/˘·˘/˘/
In wilds, and wastes, and shaggy solitudes,10·····/˘/˘·
And bid his dim hand lead thee through these scenes10··········
That burst immense around! By mountains, glens,10··˘/···/˘·
And solitary cataracts that dash10·/˘·˘/˘···
Through dark ravines; and trees, whose wreathed roots10··˘/····˘·
O'erhang the torrent's channelled course; and streams,10···/˘/˘···
That far below, along the narrow vale,10····˘/·/˘·
Upon their rocky way wind musical.10···/˘··/˘˘
Stranger! if Nature charm thee, if thou lovest11/˘·/˘······
To trace her awful steps, in glade or glen,10···/˘·····
Or under covert of the rocking wood,10···/˘··/˘·
That sways its murmuring and mossy boughs10···/˘˘·/˘·
Above thy head; now, when the wind at times10··········
Stirs its deep silence round thee, and the shower11···/˘····/˘
Falls on the sighing foliage, hail her here10···/˘/˘···
In these her haunts; and, rapt in musings high,10·······/˘·
Think that thou holdest converse with some Power11···/˘/˘··/˘
Invisible and strange; such as of yore10˘/˘˘······
Greece, in the shades of piney MÊnalaus,10·····/˘···
The abode of Pan, or Ida's hoary caves,11·˘/···/˘/˘·
Worshipped; and our old Druids, 'mid the gloom10/˘·/·/˘···
Of rocks and woods like these, with muttered spell10·······/˘·
Invoked, and the loud ring of choral harps.10˘/·····/˘·
Hast thou oft mourned the chidings of the world,10·····/˘···
The sound of her disquiet, that ascends10····˘/˘·˘/
For ever, mocking the high throne of GOD!10·/˘/˘·····
Hast thou in youth known sorrow! Hast thou drooped,10·····/˘···
Heart-stricken, over youth's and beauty's grave,10·/˘····/˘·
And ever after thought on the sad sound10·/˘·······
The cold earth made, which, cast into the vault,10··········
Consigned thy heart's best treasure--dust to dust!10˘/···/˘···
Here, lapped into a sweet forgetfulness,10······˘/˘˘
Hang o'er the wreathed waterfall, and think10····˘/˘···
Thou art alone in this dark world and wide!10··˘/······
Here Melancholy, on the pale crags laid,10·/˘·˘·····
Might muse herself to sleep; or Fancy come,10··˘/···/˘·
Witching the mind with tender cozenage,10/˘···/˘/˘˘
And shaping things that are not; here all day10·/˘·······
Might Meditation listen to the lapse10··˘/˘/˘···
Of the white waters, flashing through the cleft,10···/˘/˘···
And, gazing on the many shadowing trees,10·/˘··//˘˘·
Mingle a pensive moral as she gazed.10/˘·/˘/˘···
High o'er thy head, amidst the shivered slate,10····˘/·/˘·
Behold, a sapling yet, the wild ash bend,10˘/·/˘·····
Its dark red berries clustering, as it wished10···/˘/˘···
In the clear liquid mirror, ere it fell,10···/˘/˘···
To trace its beauties; o'er the prone cascade,10···/˘···˘/
Airy, and light, and elegant, the birch10/˘···/˘˘··
Displays its glossy stem, amidst the gloom10˘/·/˘·˘/··
Of alders and jagged fern, and evermore10·/˘····/˘·
Waves her light pensile foliage, as she wooed10···/˘/˘···
The passing gale to whisper flatteries.10·/˘··/˘/˘˘
Upon the adverse bank, withered, and stripped10···˘/·/˘··
Of all its pleasant leaves, a scathed oak10···/˘···˘·
Hangs desolate, once sovereign of the scene,10·/˘··/˘···
Perhaps, proud of its beauty and its strength,10˘/···/˘···
And branching its broad arms along the glen:10·/˘···˘/··
Oh, speaks it no remonstrance to the heart!10····˘/˘···
It seems to say: So shall the spoiler come,10·······/˘·
The season that shall shatter your fair leaves,10·/˘··/˘···
Gay children of the summer! yet enjoy10·/˘··/˘·˘/
Your pleasant prime, and lift your green heads high,10·/˘·······
Exulting; but the storm will come at last,10˘/˘·······
That shall lay low your strength, and give your pride10··········
To the swift-hurrying stream of age, like mine.10···/˘·····
And so severe Experience oft reproves10··˘/˘/˘···
The gay and careless children of the world;10···/˘/˘···
They hear the cold rebuke, and then again10····˘/··˘/
Turn to their sport, as likes them, and dance on!10··········
And let them dance; so all their blooming prime10·······/˘·
They give not up to vanity, but learn10·····/˘˘··
That wisdom and that virtue which shall best10·/˘··/˘···
Avail them, when the evil days draw nigh,10˘/···/˘···
And the brief blossoms of their spring-time fade.10···/˘·····
Now wind we up the glen, and hear below10··········
The dashing torrent, in deep woods concealed,10·/˘/˘···˘/
And now again white-flashing on the view,10··˘/·/˘···
O'er the huge craggy fragments. Ancient stream,10···/˘/˘/˘·
That murmurest through the mountain solitudes,10·/˘··/˘/˘·
The time has been when no eye marked thy course,10··········
Save His who made the world! Fancy might dream10······/˘··
She saw thee thus bound on from age to age10··········
Unseen of man, whilst awful Nature sat10˘/···/˘/˘·
On the rent rocks, and said: These haunts be mine.10··········
Now Taste has marked thy features; here and there10·····/˘···
Touching with tender hand, but injuring not,10/˘·/˘··/˘·
Thy beauties; whilst along thy woody verge10·/˘·˘/·/˘·
Ascends the winding pathway, and the eye10˘/·/˘/····
Catches at intervals thy varied falls.10/˘·/˘˘·/˘·
But loftier scenes invite us; pass the hill,10·/˘·˘/····
And through the woody hanging, at whose feet10···/˘/˘···
The tinkling Ellen winds, pursue thy way.10·/˘/˘·˘/··
Yon bleak and weather-whitened rock, immense,10···/˘/˘·˘/
Upshoots amidst the scene, craggy and steep,10··˘/··/˘··
And like some high-embattled citadel,10····˘/˘/˘·
That awes the low plain shadowing. Half-way up10·····/˘···
The purple heath is seen, but bare its brow,10·/˘·······
And deep-intrenched, and all beneath it spread10··········
With massy fragments riven from its top.10·/˘/˘/˘···
Amidst the crags, and scarce discerned so high,10˘/····˘/··
Hangs here and there a sheep, by its faint bleat10··········
Discovered, whilst the astonished eye looks up,11˘/˘··˘/˘···
And marks it on the precipice's brink10·····/˘˘˘·
Pick its scant food secure:--and fares it not10····˘/····
Ev'n so with you, poor orphans, ye who climb10·····/˘···
The rugged path of life without a friend;10·/˘·······
And over broken crags bear hardly on,10···/˘··/˘·
With pale imploring looks, that seem to say,10··˘/˘·····
My mother! she is buried, and at rest,10·/˘··/˘···
Laid in her grave-clothes; and the heart is still,10··········
The only heart that throughout all the world10·/˘·······
Beat anxiously for you! Oh, yet bear on;10·/˘˘······
He who sustains the bleating lamb shall feed10··˘/·/˘···
And comfort you: meantime the heaven's pure beam,11·/˘·/··/˘··
That breaks above the sable mountain's brow,10·····/˘/˘·
Lighting, one after one, the sunless crags,10/˘·····/˘·
Awakes the blissful confidence, that here,10˘/·/˘/˘˘··
Or in a world where sorrow never comes,10·····/˘/˘·
All shall be well.4····
Now through the whispering wood7···/˘˘·
We steal, and mark the old and mossy oaks10·······/˘·
Imboss the mountain slope; or the wild ash,10˘/·/˘·····
With rich red clusters mantling; or the birch,10···/˘/˘···
In lonely glens light-wavering; till behold!10·/˘··/˘·˘/
The rapid river shooting through the gloom10·/˘/˘/˘···
Its lucid line along; and on its side10·/˘·˘/····
The bordering pastures green, where the swinked ox10·/˘/˘·····
Lies dreaming, heedless of the numerous flies10·/˘/˘··/˘·
That, in the transitory sunshine, hum10···/˘·˘/··
Round his broad breast; and further up the cot,10·····/˘···
With blue, light smoke ascending; images10····˘/˘/˘˘
Of peace and comfort! The wild rocks around10···/˘·····
Endear your smile the more, and the full mind,10˘/········
Sliding from scenes of dread magnificence,10/˘····˘/˘˘
Sinks on your charms reposing; such repose10····/·˘·˘/
The sage may feel, when, filled and half-oppressed10········˘/
With vast conceptions, smiling he returns10··˘/˘/˘·˘/
To life's consoling sympathies, and hears,10··˘/˘/˘˘··
With heartfelt tenderness, the bells ring out;10·/·/˘˘····
Or pipe upon the mountains; or the low10·····/˘···
Of herds slow winding down the cottaged vale,10···/˘··/˘·
Where day's last sunshine linger. Such repose10···/·/˘·˘/
He feels, who, following where his SHAKSPEARE leads,10···/˘·····
As in a dream, through an enchanted land,10······˘/˘·
Here, with Macbeth, in the dread cavern hails10··˘/···/˘·
The weird sisters, and the dismal deed9··/˘··/˘·
Without a name; there sees the charmed isle,10········˘·
The lone domain of Prospero; and, hark!10··˘/······
Wild music, such as earth scarce seems to own,10·/˘·······
And Ariel o'er the slow-subsiding surge10·/˘···˘/˘·
Singing her smooth air quaintly! Such repose10/˘···/˘·˘/
Steals o'er her spirits, when, through storms at sea,10···/˘·····
Fancy has followed some nigh-foundered bark10/˘·/˘··/˘·
Full many a league, in ocean's solitude10·/···/˘/˘·
Tossed far beyond the Cape of utmost Horn,10·······/··
That stems the roaring deep; her dreary track10···/˘··/˘·
Still Fancy follows, and at dead of night10·/˘/˘·····
Hears, with strange thunder, the huge fragments fall10···/˘··/˘·
Crashing, from mountains of high-drifting ice10/˘·/˘··/˘·
That o'er her bows gleam fearful; till at last10·····/˘···
She hails the gallant ship in some still bay10···/˘·····
Safe moored; or of delightful Tinian;10··˘··˘/˘··
Smiling, like fairy isle, amid the waste;10/˘·/˘·˘/··
Or of New Zealand, where from sheltering rocks10···/˘··/˘·
The clear cascades gush beautiful, and high10··˘/·/˘˘··
The woodland scenery towers above the mast,10·/·/˘/····
Whose long and wavy ensign streams beneath.10···/˘/˘···
Far inland, clad in snow, the mountains lift10·/·····/˘·
Their spiry summits, and endear the more10·/˘/˘·˘/··
The sylvan scene around; the healing air10·/˘····/˘·
Breathes o'er green myrtles, and the poe-bird flits,10···/˘·····
Amid the shade of aromatic shrubs,10˘/····˘/˘·
With silver neck and blue enamelled wing.10·/˘···˘/˘·
Now cross the stream, and up the narrow track,10·······/˘·
That winds along the mountain's edge, behold10··˘/·/˘·˘/
The peasant girl ascend: cheerful her look,10·/˘·˘//˘··
Beneath the umbrage of her broad black hat,10···/˘·····
And loose her dark-brown hair; the plodding pad10·······/˘·
That bears her panting climbs, and with sure step10···/˘·····
Avoids the jutting fragments; she, meantime,10˘/·/˘/˘·/·
Sits unconcerned, till, lessening from the view,10··˘/·/˘···
She gains the summit and is seen no more.10···/˘·····
All day, along that mountain's heathy waste,10··˘/·/˘/˘·
Booted and strapped, and in rough coat succinct,10/˘······˘/
His small shrill whistle pendent at his breast,10···/˘/˘···
With dogs and gun, untired the sportsman roams;10·······/˘·
Nor quits his wildly-devious range, till eve,10···/˘/˘···
Upon the woods, the rocks, and mazy rills10·······/˘·
Descending, warns him home: then he rejoins10˘/˘·····˘/
The social circle, just as the clear moon,10·/˘/˘·····
Emerging o'er the sable mountain, sails10˘/˘··/˘/˘·
Silent, and calm, and beautiful, and sheds10/˘···/˘˘··
Its solemn grandeur on the shadowy scene.10·/˘˘/··/˘·
To music then; and let some chosen strain10·/˘····/˘·
Of HANDEL gently recreate the sense,10·/˘/˘/˘···
And give the silent heart to tender joy.10···/˘··/˘·
Pass on to the hoar cataract, that foams10·····/˘˘··
Through the dark fissures of the riven rock;10···/˘··/˘·
Prone-rushing it descends, and with white whirl,10·/˘·˘/····
Save where some silent shady pool receives10···/˘/˘·˘/
Its dash; thence bursting, with collected sweep,10···/˘·˘/˘·
And hollow sound, it hurries, till it falls10·/˘··/˘···
Foaming in the wild stream that winds below.10/˘········
Dark trees, that to the mountain's height ascend,10·····/˘·˘/
O'ershade with pendent boughs its mossy course,10···/˘··/˘·
And, looking up, the eye beholds it flash10·/˘···˘/··
Beneath the incumbent gloom, from ledge to ledge11···˘/˘·····
Shooting its silvery foam, and far within10/˘·/˘·····
Wreathing its curve fantastic. If the harp10/˘··˘/˘···
Of deep poetic inspiration, struck10··˘/˘·˘/˘·
At times by the pale minstrel, whilst a strange10·····/˘···
And beauteous light filled his uplifted eye,10·/˘˘···/˘·
Hath ever sounded into mortal ears,10·/˘/˘··/˘·
Here I might think I heard its tones, and saw,10··········
Sublime amidst the solitary scene,10˘/˘/·/˘·˘·
With dimly-gleaming harp, and snowy stole,10·/˘/˘··/˘·
And cheek in momentary frenzy flushed,10···/˘·˘/˘·
The great musician stand. Hush, every wind10··˘/˘··/˘·
That shakes the murmuring branches! and thou stream,10···/˘/˘···
Descending still with hollow-sounding sweep,10˘/˘··/˘/˘·
Hush! 'Twas the bard struck the loud strings: Arise,10········˘/
Son of the magic song, arise!8···/˘·˘/
And bid the deep-toned lyre6······
Pour forth its manly melodies.8···/˘/˘˘
With eyes on fire,5···/˘
CARADOC rushed upon the foe;9····˘····
He reared his arm--he laid the mighty low!10·······/˘·
O'er the plain see him urge his gore-bathed steed!10··········
They bleed, the Romans bleed!6···/˘·
He lifts his lance on high,6······
They fly! the fierce invaders fly!8····˘/˘·
Fear not now the horse or spear,7·······
Fear not now the foeman's might;7·······
Victory the cry shall hear7/˘˘····
Of those who for their country fight;8·····/˘·
O'er the slain3···
That strew the plain,4····
Stern on her sable war-horse shall she ride,10···/˘·····
And lift her red right hand, in their heart's blood deep dyed!12············
Return, my Muse! the fearful sound is past;10˘/···/˘···
And now a little onward, where the way10···/˘/˘···
Ascends above the oaks that far below10˘/········
Shade the rude steep, let Contemplation lead10······˘/˘·
Our footsteps; from this shady eminence11/˘/···/˘/˘˘
'Tis pleasant and yet fearful to look down10·/˘··/˘···
Upon the river roaring, and far off10···/˘/˘···
To see it stretch in peace, and mark the rocks10··········
One after one, in solemn majesty10·····/˘/˘˘
Unfolding their wild reaches; here with wood10˘/˘··/˘···
Mantled, beyond abrupt and bare, and each10/˘··˘/····
As if it strove, with emulous disdain,10·····/˘˘˘/
To tower in ruder, darker amplitude.10·/·/˘/˘/˘·
Pause, ere we enter the long craggy vale;10···/˘··/˘·
It seems the abode of Solitude. So high11···˘/·/˘···
The rock's bleak summit frowns above our head,10···/˘···/·
Looking immediate down, we almost fear10/˘˘/˘··/··
Lest some enormous fragment should descend10··˘/˘/˘·˘/
With hideous sweep into the vale, and crush10·/˘·······
The intruding visitant. No sound is here,11·˘/˘/˘˘····
Save of the stream that shrills, and now and then10··········
A cry as of faint wailing, when the kite10·····/˘···
Comes sailing o'er the crags, or straggling lamb10·/˘····/˘·
Bleats for its mother. Here, remote from man,10···/˘·˘/··
And life's discordant roar, might Piety10··˘/˘··/˘˘
Lift up her early orisons to Him10···/˘·····
Who made the world; who piled up, mighty rocks,10·······/˘·
Your huge o'ershadowing summits; who devolved11······/˘·˘/
The mighty rivers on their mazy course;10·/˘/˘··/˘·
Who bade the seasons roll, and they rolled on10···/˘·····
In harmony; who filled the earth with joy,10·/˘˘······
And spread it in magnificence. O GOD!10····˘/˘˘··
Thou also madest the great water-flood,10·/˘····/˘·
The deep that uttereth thy voice; whose waves10···/˘˘····
Toss fearful at thy bidding. Thou didst speak,10·/˘··/˘···
And lo! the great and glorious sun, from night10·····/˘···
Tenfold upspringing, through the heavens' wide way11/······/˘··
Held his untired career. These, in their course,10····˘/····
As with one shout of acclamation, praise10······˘/˘·
Thee, LORD! thee, FATHER! thee, ALMIGHTY KING!10···/˘·˘/˘·
Maker of earth and heaven! Nor less the flower11/˘···/···/˘
That shakes its purple head, and smiles unseen10···/˘···˘/
Upon the mountain's van; nor less the stream10···/˘·····
That tinkles through the cliff-encircled bourne,10·/˘···˘/˘·
Cheering with music the lone place, proclaim:10/˘·/˘···˘/
In wisdom, Father, hast thou made them all!10·/˘/˘·····
Scenes of retired sublimity, that fill10··˘/˘/˘˘··
With fearful ecstasy and holy trance10·/˘/˘˘·/˘·
The pausing mind! we leave your awful gloom,10·/˘····/˘·
And lo! the footway plank, that leads across10···/˘···˘/
The narrow torrent, foaming through the chasm11·/˘/˘/˘··/˘
Below; the rugged stones are washed and worn10···/˘·····
Into a thousand shapes, and hollows scooped10···/˘··/˘·
By long attrition of the ceaseless surge,10··˘/˘··/˘·
Smooth, deep, and polished as the marble urn,10···/˘··/˘·
In their hard forms. Here let us sit, and watch10··········
The struggling current burst its headlong way,10·/˘/˘··/··
Hearing the noise it makes, and musing much10/˘·····/˘·
On the strange changes of this nether world.10···/˘··/˘·
How many ages must have swept to dust10·/˘/˘·····
The still succeeding multitudes, that "fret10··˘/˘/˘···
Their little hour" upon this restless scene,10·/˘/···/˘·
Or ere the sweeping waters could have cut10···/˘/˘···
The solid rock so deep! As now its roar10·/˘·······
Comes hollow from below, methinks we hear10·/˘···˘/··
The noise of generations, as they pass,10····˘/˘···
O'er the frail arch of earthly vanity,10·····/˘/˘˘
To silence and oblivion. The loud coil10·/˘·˘/˘···
Ne'er ceases; as the running river sounds10·/˘··/˘/˘·
From age to age, though each particular wave10······˘/˘·
That made its brief noise, as it hurried on,10·······/˘·
Ev'n whilst we speak, is past, and heard no more;10··········
So ever to the ear of Heaven ascends10·/····/˘˘/
The long, loud murmur of the rolling globe;10···/˘··/˘·
Its strife, its toils, its sighs, its shouts, the same!10··········
But lo! upon the hilly croft, and scarce10·····/˘···
Distinguished from the crags, the peasant hut10˘/˘····/˘·
Forth peeping; nor unwelcome is the sight.10·/˘·˘/˘···
It seems to say: Though solitude be sweet,10·····/˘···
And sweet are all the images that float10·····/˘˘··
Like summer-clouds before the eye, and charm10·/˘·······
The pensive wanderer's way, 'tis sweeter yet10·/˘/˘··/˘·
To think that in this world a brother lives.10·······/˘·
And lovelier smiles the scene, that, 'mid the wilds11···········
Of rocks and mountains, the bemused thought10···/˘·˘/˘·
Remembers of humanity, and calls10˘/˘·˘/˘˘··
The wildly-roving fancy back to life.10·/˘/˘/˘···
Here, then, I leave my harp, which I have touched10··········
With careless hand, and here I bid farewell10·/˘······/
To Fancy's fading pictures, and farewell10·/˘/˘/˘··/
The ideal spirit that abides unseen10·˘//˘·˘/˘/
'Mid rocks, and woods, and solitudes. I hail10·····/˘···
Rather the steps of Culture, that ascend10/˘···/˘·˘/
The precipice's side. She bids the wild10·/˘˘˘·····
Bloom, and adorns with beauty not its own10··˘/·/˘···
The ridged mountain's tract; she speaks, and lo!10··˘/˘·····
The yellow harvest nods upon the slope;10·/˘/˘·····
And through the dark and matted moss upshoots10·····/˘···
The bursting clover, smiling to the sun.10·/˘/˘/˘···
These are thy offspring, Culture! the green herb10···/·/˘···
Is thine, that decks with rich luxuriance10······˘/˘˘
The pasture's lawny range; the yellow corn,10·/˘/˘··/˘·
That waves upon the upland ridge, is thine;10·····/˘···
Thine too the elegant abode, that smiles10···/˘˘˘/··
Amidst the rocky scene, and wakes the thought,10˘/·/˘·····
The tender thought, of all life's charities.10·/˘····/˘˘
And senseless were my heart, could I look back10·/˘·······
Upon the varied way my feet have trod,10···/˘·····
Without a silent prayer that health and joy,10···/˘·····
And love and happiness, may long abide10···/˘˘··˘/
In the romantic vale where Ellen winds.10··˘/˘··/˘·
Notes from the edition 3

Bowles's own notes to his Poetical Works (Project Gutenberg #18915).

  1. Line 198 Nant-Vola.
  2. Line 230 The Silures, comprehending Radnorshire, Herefordshire, Brecknockshire, Monmouthshire, and Glamorganshire, were the bravest of the Britons; Caractacus, the greatest and most renowned leader Britain had ever produced, was their king.
  3. Line 256 Dole-Vinoc rock.

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