Book III IX
"O qui perpetua mundum ratione gubernasTerrarum caelique sator qui tempus ab aeuoIre iubes stabilisque manens das cuncta moueri.Quem non externae pepulerunt fingere causaeMateriae fluitantis opus, uerum insita summiForma boni liuore carens, tu cuncta supernoDucis ab exemplo, pulchrum pulcherrimus ipseMundum mente gerens similique in imagine formansPerfectasque iubens perfectum absoluere partes.Tu numeris elementa ligas ut frigora flammisArida conueniant liquidis, ne purior ignisEuolet aut mersas deducant pondera terras.Tu triplicis mediam naturae cuncta mouentemConectens animam per consona membra resoluis.Quae cum secta duos motum glomerauit in orbes,In semet reditura meat mentemque profundamCircuit et simili conuertit imagine caelum.Tu causis animas paribus uitasque minoresProuehis et leuibus sublimes curribus aptansIn caelum terramque seris quas lege benignaAd te conuersas reduci facis igne reuerti.Da pater augustam menti conscendere sedem,Da fontem lustrare boni, da luce repertaIn te conspicuos animi defigere uisus.Dissice terrenae nebulas et pondera molisAtque tuo splendore mica! Tu namque serenum,Tu requies tranquilla piis, te cernere finis,Principium, uector, dux, semita, terminus idem.
"O Thou, that dost the world in lasting order guide,Father of heaven and earth, Who makest time swiftly slide,And, standing still Thyself, yet fram'st all moving laws,Who to Thy work wert moved by no external cause:But by a sweet desire, where envy hath no place,Thy goodness moving Thee to give each thing his grace,Thou dost all creatures' forms from highest patterns take,From Thy fair mind the world fair like Thyself doth make.Thus Thou perfect the whole perfect each part dost frame.Thou temp'rest elements, making cold mixed with flameAnd dry things join with moist, lest fire away should fly,Or earth, opprest with weight, buried too low should lie.Thou in consenting parts fitly disposed hastTh'all-moving soul in midst of threefold nature placed,Which, cut in several parts that run a different race,Into itself returns, and circling doth embraceThe highest mind, and heaven with like proportion drives.Thou with like cause dost make the souls and lesser lives,Fix them in chariots swift, and widely scatterestO'er heaven and earth; then at Thy fatherly behestThey stream, like fire returning, back to Thee, their God.Dear Father, let my mind Thy hallowed seat ascend,Let me behold the spring of grace and find Thy light,That I on Thee may fix my soul's well clearéd sight.Cast off the earthly weight wherewith I am opprest,Shine as Thou art most bright, Thou only calm and restTo pious men whose end is to behold Thy ray,Who their beginning art, their guide, their bound, and way.
This poem is a masterly abridgment of the first part of theTimaeus, and was eagerly fastened on by commentators of the earlyMiddle Ages whose direct knowledge of Plato was confined to thetranslation of that dialogue by Chalcidius.
Words in this poem
- opus n.
- A work; specif. (Mus.), a musical composition. [L. See Opera.]
- quas n.
- A kind of beer. Same as Quass.
- lege v. t.
- To allege; to assert. Bp. Fisher. [Abbrev. fr. allege to assert.]
- luce n.
- A pike when full grown. Halliwell. [OF. lus, L. lucius a kind of fish.]
- finis n.
- An end; conclusion. It is often placed at the end of a book. [L.]
- semita n.
- A fasciole of a spatangoid sea urchin. [L., a path.]
- terminus n.
- Literally, a boundary; a border; a limit. [L. See Term.]
- idem pron.
- The same; the same as above; -- often abbreviated id. [L.]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- fatherly a.
- Like a father in affection and care; paternal; tender; protecting; careful.
- behest v. t.
- To vow. Paston.
- wherewith adv.
- With which; -- used relatively.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Book III IX is in the public domain. This text is taken from The Theological Tractates and The Consolation of Philosophy, Project Gutenberg ebook #13316; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Boethius, Book III IX, in The Consolation of Philosophy (1918), text of Project Gutenberg ebook #13316, Laurel, https://laurelpoetry.com/poem/boethius-consolation/book-iii-ix.html, id L23717.
Form and metre
Book III IX is 60 lines in 3 stanzas. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 83%).
See other poems in iambic hexameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -------A-BB-------A--------- gubernas · aeuo · moueri · causae · summi · superno · ipse · formansA · partes · flammisB · ignisB · terras · mouentem · resoluis · orbes · profundam · caelum · minores · aptansA · benigna · reuerti · sedem · reperta · uisus · molis · serenum · finis · idem
- 2 AABBCCDDEEFF--CCGGHH--IIHHJJ guideA · slideA · lawsB · causeB · placeC · graceC · takeD · makeD · frameE · flameE · flyF · lieF · hast · placed · raceC · embraceC · drivesG · livesG · scatterestH · behestH · god · ascend · lightI · sightI · opprestH · restH · rayJ · wayJ
- 3 A-A- theA · early · theA · chalcidius
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| "O qui perpetua mundum ratione gubernas | 12 | ··˘/˘······· |
| Terrarum caelique sator qui tempus ab aeuo | 12 | ············ |
| Ire iubes stabilisque manens das cuncta moueri. | 12 | ············ |
| Quem non externae pepulerunt fingere causae | 11 | ··········· |
| Materiae fluitantis opus, uerum insita summi | 14 | ·····/˘······· |
| Forma boni liuore carens, tu cuncta superno | 13 | /˘/˘········· |
| Ducis ab exemplo, pulchrum pulcherrimus ipse | 13 | ············· |
| Mundum mente gerens similique in imagine formans | 14 | ···/˘····˘/˘/· |
| Perfectasque iubens perfectum absoluere partes. | 12 | ············ |
| Tu numeris elementa ligas ut frigora flammis | 16 | ········/˘······ |
| Arida conueniant liquidis, ne purior ignis | 14 | ˘/˘··········· |
| Euolet aut mersas deducant pondera terras. | 13 | ···········/˘ |
| Tu triplicis mediam naturae cuncta mouentem | 12 | ············ |
| Conectens animam per consona membra resoluis. | 15 | ··············· |
| Quae cum secta duos motum glomerauit in orbes, | 12 | ············ |
| In semet reditura meat mentemque profundam | 13 | ············· |
| Circuit et simili conuertit imagine caelum. | 14 | /˘·······˘/˘·· |
| Tu causis animas paribus uitasque minores | 13 | ···········/˘ |
| Prouehis et leuibus sublimes curribus aptans | 12 | ·····˘/····· |
| In caelum terramque seris quas lege benigna | 12 | ·········˘/˘ |
| Ad te conuersas reduci facis igne reuerti. | 13 | ············· |
| Da pater augustam menti conscendere sedem, | 13 | ·/˘·········· |
| Da fontem lustrare boni, da luce reperta | 12 | ·····/˘····· |
| In te conspicuos animi defigere uisus. | 13 | ············· |
| Dissice terrenae nebulas et pondera molis | 12 | ····/˘······ |
| Atque tuo splendore mica! Tu namque serenum, | 11 | ····/˘····· |
| Tu requies tranquilla piis, te cernere finis, | 11 | ·········/˘ |
| Principium, uector, dux, semita, terminus idem. | 14 | ······/˘˘/˘˘/˘ |
| "O Thou, that dost the world in lasting order guide, | 12 | ·······/˘/˘· |
| Father of heaven and earth, Who makest time swiftly slide, | 13 | /˘·/······/˘· |
| And, standing still Thyself, yet fram'st all moving laws, | 12 | ·/˘·˘/···/˘· |
| Who to Thy work wert moved by no external cause: | 12 | ········˘/˘· |
| But by a sweet desire, where envy hath no place, | 12 | ····˘/·/˘··· |
| Thy goodness moving Thee to give each thing his grace, | 12 | ·/˘/˘······· |
| Thou dost all creatures' forms from highest patterns take, | 12 | ···/˘··/˘/˘· |
| From Thy fair mind the world fair like Thyself doth make. | 12 | ········˘/·· |
| Thus Thou perfect the whole perfect each part dost frame. | 12 | ··˘/··˘/···· |
| Thou temp'rest elements, making cold mixed with flame | 12 | ···/˘˘/˘···· |
| And dry things join with moist, lest fire away should fly, | 12 | ·······/˘/·· |
| Or earth, opprest with weight, buried too low should lie. | 12 | ··/˘··/˘···· |
| Thou in consenting parts fitly disposed hast | 12 | ··˘/˘·/˘˘/˘· |
| Th'all-moving soul in midst of threefold nature placed, | 12 | ·/˘····/·/˘· |
| Which, cut in several parts that run a different race, | 12 | ···/˘····/˘· |
| Into itself returns, and circling doth embrace | 12 | ··˘/˘/·/˘·˘/ |
| The highest mind, and heaven with like proportion drives. | 12 | ·/˘··/··˘/˘· |
| Thou with like cause dost make the souls and lesser lives, | 12 | ·········/˘· |
| Fix them in chariots swift, and widely scatterest | 13 | ···/˘˘··/˘/˘˘ |
| O'er heaven and earth; then at Thy fatherly behest | 12 | ·/·····/˘˘˘/ |
| They stream, like fire returning, back to Thee, their God. | 12 | ···/˘/˘····· |
| Dear Father, let my mind Thy hallowed seat ascend, | 12 | ·/˘····/˘·˘/ |
| Let me behold the spring of grace and find Thy light, | 12 | ··˘/········ |
| That I on Thee may fix my soul's well clearéd sight. | 11 | ··········· |
| Cast off the earthly weight wherewith I am opprest, | 13 | ···/˘·˘/··/˘˘ |
| Shine as Thou art most bright, Thou only calm and rest | 12 | ·······/˘··· |
| To pious men whose end is to behold Thy ray, | 12 | ·/˘·····˘/·· |
| Who their beginning art, their guide, their bound, and way. | 12 | ··˘/˘······· |
| This poem is a masterly abridgment of the first part of the | 15 | ·/··/˘˘/˘······ |
| Timaeus, and was eagerly fastened on by commentators of the early | 18 | ····/˘/˘··/˘·˘··/˘ |
| Middle Ages whose direct knowledge of Plato was confined to the | 17 | /˘/˘·˘//˘·/˘·˘/·· |
| translation of that dialogue by Chalcidius. | 12 | ˘/˘··/˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.