Book III II

Boethius (480–524) · 1918

iambic pentameter · 80 lines · from The Consolation of Philosophy

Quantas rerum flectat habenasNatura potens, quibus inmensumLegibus orbem prouida seruetStringatque ligans inresolutoSingula nexu, placet argutoFidibus lentis promere cantu.Quamuis Poeni pulchra leonesVincula gestent manibusque datasCaptent escas metuantque trucemSoliti uerbera ferre magistrum,Si cruor horrida tinxerit ora,Resides olim redeunt animiFremituque graui meminere sui;Laxant nodis colla solutisPrimusque lacer dente cruentoDomitor rabidas imbuit iras.Quae canit altis garrula ramisAles caueae clauditur antro;Huic licet inlita pocula melleLargasque dapes dulci studioLudens hominum cura ministret,Si tamen arto saliens textoNemorum gratas uiderit umbras,Sparsas pedibus proterit escas,Siluas tantum maesta requirit,Siluas dulci uoce susurrat.Validis quondam uiribus actaPronum flectit uirga cacumen;Hanc si curuans dextra remisit,Recto spectat uertice caelum.Cadit Hesperias Phoebus in undas,Sed secreto tramite rursusCurrum solitos uertit ad ortus.Repetunt proprios quaeque recursusRedituque suo singula gaudentNec manet ulli traditus ordoNisi quod fini iunxerit ortumStabilemque sui fecerit orbem.

How the first reins of all things guided areBy powerful Nature as the chiefest cause,And how she keeps, with a foreseeing care,The spacious world in order by her laws,And to sure knots which nothing can untie,By her strong hand all earthly motions draws--To show all this we purpose now to tryOur pliant string, our musick's thrilling sound.Although the Libyan lions often lieGentle and tame in splendid fetters bound,And fearing their incensed master's wrath,With patient looks endure each blow and wound,Yet if their jaws they once in blood do bathe,They, gaining courage, with fierce noise awakeThe force which Nature in them seated hath,And from their necks the broken chains do shake;Then he that tamed them first doth feel their rage,And torn in pieces doth their fury slake.The bird shut up in an unpleasing cage,Which on the lofty trees did lately sing,Though men, her want of freedom to assuage,Should unto her with careful labour bringThe sweetest meats which they can best devise,Yet when within her prison flutteringThe pleasing shadows of the groves she spies,Her hated food she scatters with her feet,In yearning spirit to the woods she flies,The woods' delights do tune her accents sweet.When some strong hand doth tender plant constrainWith his debased top the ground to meet,If it let go, the crooked twig againUp toward Heaven itself it straight doth raise.Phoebus doth fall into the western main,Yet doth he back return by secret ways,And to the earth doth guide his chariot's race.Each thing a certain course and laws obeys,Striving to turn back to his proper place;Nor any settled order can be found,But that which doth within itself embraceThe births and ends of all things in a round.

Literally, "and take food offered by the hand."

Literally, "their spirits, hitherto sluggish, return."

Words in this poem

placet n.
A vote of assent, as of the governing body of a university, of an ecclesiastical council, etc. [L. placet it pleases.]
ferre a.
compar. of Fer.
cruor n.
The coloring matter of the blood; the clotted portion of coagulated blood, containing the coloring matter; gore. [L., blood. See Crude.]
studio n.
The working room of an artist. [It. studio, properly, study. See Study.]
quondam a.
Having been formerly; former; sometime. [L., formerly.]
recto n.
A writ of right. [Abbrev. fr. LL. breve de recto. See Right.]
phoebus n.
Apollo; the sun god.
nisi conj.
Unless; if not. [L.]
quod v.
Quoth; said. See Quoth.
chiefest a.
First or foremost; chief; principal. [Superl. of Chief.]
thrilling a.
Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
libyan a.
Of or pertaining to Libya, the ancient name of that part of Africa between Egypt and the Atlantic Ocean, or of Africa as a whole.
incensed a.
Angered; enraged.
hitherto adv.
To this place; to a prescribed limit.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Book III II is in the public domain. This text is taken from The Theological Tractates and The Consolation of Philosophy, Project Gutenberg ebook #13316; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Boethius, Book III II, in The Consolation of Philosophy (1918), text of Project Gutenberg ebook #13316, Laurel, https://laurelpoetry.com/poem/boethius-consolation/book-iii-ii.html, id L23712.

Form and metre

Book III II is 80 lines in 4 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ---AA-------------------B---B--CCC---- habenas · inmensum · seruet · inresolutoA · argutoA · cantu · leones · datas · trucem · magistrum · ora · animi · sui · solutis · cruento · iras · ramis · antro · melle · studio · ministret · texto · umbras · escas · requiritB · susurrat · acta · cacumen · remisitB · caelum · undas · rursusC · ortusC · recursusC · gaudent · ordo · ortum · orbem
  2. 2 ---ABABCBCDC-EDEFEFGFGHGHIHIJI-KJKLKLMLM are · cause · care · lawsA · untieB · drawsA · tryB · soundC · lieB · boundC · wrathD · woundC · bathe · awakeE · hathD · shakeE · rageF · slakeE · cageF · singG · assuageF · bringG · deviseH · flutteringG · spiesH · feetI · fliesH · sweetI · constrainJ · meetI · again · raiseK · mainJ · waysK · raceL · obeysK · placeL · foundM · embraceL · roundM
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Quantas rerum flectat habenas9·········
Natura potens, quibus inmensum10···/˘·····
Legibus orbem prouida seruet9·········
Stringatque ligans inresoluto9·········
Singula nexu, placet arguto10·····/˘···
Fidibus lentis promere cantu.9·······/˘
Quamuis Poeni pulchra leones8······˘/
Vincula gestent manibusque datas10········/˘
Captent escas metuantque trucem8········
Soliti uerbera ferre magistrum,10··········
Si cruor horrida tinxerit ora,11·/˘······/˘
Resides olim redeunt animi9˘/·······
Fremituque graui meminere sui;9·······/˘
Laxant nodis colla solutis9····/˘···
Primusque lacer dente cruento7··/˘···
Domitor rabidas imbuit iras.10········/˘
Quae canit altis garrula ramis10········/˘
Ales caueae clauditur antro;7·······
Huic licet inlita pocula melle10··········
Largasque dapes dulci studio8·····/˘·
Ludens hominum cura ministret,10··········
Si tamen arto saliens texto9·········
Nemorum gratas uiderit umbras,10···/˘···/˘
Sparsas pedibus proterit escas,10··········
Siluas tantum maesta requirit,9·········
Siluas dulci uoce susurrat.8········
Validis quondam uiribus acta10···/˘·····
Pronum flectit uirga cacumen;9·········
Hanc si curuans dextra remisit,9····/˘···
Recto spectat uertice caelum.8/˘······
Cadit Hesperias Phoebus in undas,10·····/˘···
Sed secreto tramite rursus8········
Currum solitos uertit ad ortus.10··········
Repetunt proprios quaeque recursus9·········
Redituque suo singula gaudent9·········
Nec manet ulli traditus ordo10·˘/·······
Nisi quod fini iunxerit ortum10/˘·/˘·····
Stabilemque sui fecerit orbem.10···/˘·····
How the first reins of all things guided are10·······/˘·
By powerful Nature as the chiefest cause,10·/˘/˘··/˘·
And how she keeps, with a foreseeing care,10······˘/˘·
The spacious world in order by her laws,10·/˘··/˘···
And to sure knots which nothing can untie,10·····/˘·˘/
By her strong hand all earthly motions draws--10·····/˘/˘·
To show all this we purpose now to try10·····/˘···
Our pliant string, our musick's thrilling sound.10//˘·//˘/˘·
Although the Libyan lions often lie10···/˘/˘/˘·
Gentle and tame in splendid fetters bound,10/˘···/˘/˘·
And fearing their incensed master's wrath,10·/˘·/·˘/˘·
With patient looks endure each blow and wound,10·/˘·˘/····
Yet if their jaws they once in blood do bathe,10··········
They, gaining courage, with fierce noise awake10·/˘/˘···˘/
The force which Nature in them seated hath,10···/˘··/˘·
And from their necks the broken chains do shake;10·····/˘···
Then he that tamed them first doth feel their rage,10··········
And torn in pieces doth their fury slake.10···/˘··/˘·
The bird shut up in an unpleasing cage,10··········
Which on the lofty trees did lately sing,10···/˘··/˘·
Though men, her want of freedom to assuage,10·····/˘·˘/
Should unto her with careful labour bring10·····/˘/··
The sweetest meats which they can best devise,10·/˘·····˘/
Yet when within her prison fluttering10·····/˘/˘˘
The pleasing shadows of the groves she spies,10·/˘/······
Her hated food she scatters with her feet,10·/˘··/˘···
In yearning spirit to the woods she flies,10·/˘/˘·····
The woods' delights do tune her accents sweet.10··˘/···/˘·
When some strong hand doth tender plant constrain10·····/˘·˘/
With his debased top the ground to meet,10··˘/˘·····
If it let go, the crooked twig again10·····/˘·˘/
Up toward Heaven itself it straight doth raise.10···/˘/····
Phoebus doth fall into the western main,10/˘·····/˘·
Yet doth he back return by secret ways,10····˘/·/˘·
And to the earth doth guide his chariot's race.10·······/˘·
Each thing a certain course and laws obeys,10···/˘···˘/
Striving to turn back to his proper place;10/˘·····/˘·
Nor any settled order can be found,10·/˘/˘/˘···
But that which doth within itself embrace10······˘/˘/
The births and ends of all things in a round.10··········
Literally, "and take food offered by the hand."10/˘···/˘···
Literally, "their spirits, hitherto sluggish, return."12/˘·/˘/·//˘˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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