Some Ante-Mortem Epitaphs
Fly, heedless stranger, from this spot accurst,Where rests in Satan an offender firstIn point of greatness, as in point of time,Of new-school rascals who proclaim their crime.Skilled with a frank loquacity to blabThe dark arcana of each mighty grab,And famed for lying from his early youth,He sinned secure behind a veil of truth.Some lock their lips upon their deeds; some writeA damning record and conceal from sight;Some, with a lust of speaking, die to quell it.His way to keep a secret was to tell it.
Here sleeps one of the greatest studentsOf jurisprudence.Nature endowed him with the giftOf the juristhrift.All points of law alike he threwThe dice to settle.Those honest cubes were loaded trueWith railway metal.
Thy flesh to earth, thy soul to God,We gave, O gallant brother;And o'er thy grave the awkward squadFired into one another!
Beneath this monument which rears its head.A giant note of admiration--dead,His life extinguished like a taper's flame.John Ericsson is lying in his fame.Behold how massive is the lofty shaft;How fine the product of the sculptor's craft;The gold how lavishly applied; the greatMan's statue how impressive and sedate!Think what the cost-was! It would ill becomeOur modesty to specify the sum;Suffice it that a fair per cent, we're givingOf what we robbed him of when he was living.
Of Corporal Tanner the head and the trunkAre here in unconsecrate ground duly sunk.His legs in the South claim the patriot's tear,But, stranger, you needn't be blubbering here.
Jay Gould lies here. When he was newly deadHe looked so natural that round his bed
The people stood, in silence all, to weep.They thought, poor souls! that he did only sleep.
Here Ingalls, sorrowing, has laidThe tools of his infernal trade--His pen and tongue. So sharp and rudeThey grew--so slack in gratitude,His hand was wounded as he wrote,And when he spoke he cut his throat.
Within this humble mausoleumPoor Guiteau's flesh you'll find.His bones are kept in a museum,And Tillman has his mind.
Stranger, uncover; here you have in viewThe monument of Chauncey M. Depew.Eater and orator, the whole world roundFor feats of tongue and tooth alike renowned.Pauper in thought but prodigal in speech,Nothing he knew excepting how to teach.But in default of something to impartHe multiplied his words with all his heart:When least he had to say, instructive most--A clam in wisdom and in wit a ghost.
Dining his way to eminence, he rowedWith knife and fork up water-ways that flowedFrom lakes of favor--pulled with all his forceAnd found each river sweeter than the source.Like rats, obscure beneath a kitchen floor,Gnawing and rising till obscure no more,He ate his way to eminence, and FameInscribes in gravy his immortal name.A trencher-knight, he, mounted on his belly,So spurred his charger that its sides were jelly.Grown desperate at last, it reared and threw him,And Indigestion, overtaking, slew him.
Here the remains of Schuyler Colfax lie;Born, all the world knows when, and Heaven knows why.In '71 he filled the public eye,In '72 he bade the world good-bye,In God's good time, with a protesting sigh,He came to life just long enough to die.
Of Morgan here lies the unspirited clay,Who secrets of Masonry swore to betray.He joined the great Order and studied with zealThe awful arcana he meant to reveal.At last in chagrin by his own hand he fell--There was nothing to learn, there was nothing to tell.
Words in this poem 25
- accurst p. p.
- Doomed to destruction or misery; cursed; hence, bad enough to be under the curse; execrable; detestable; exceedingly hateful; -- as, an accursed deed.
- blab v. t.
- To utter or tell unnecessarily, or in a thoughtless manner; to publish (secrets or trifles) without reserve or discretion. Udall. [Cf. OE. blaberen, or Dan. blabbre, G. plappern, Gael. blabaran a stammerer; prob. of imitative origin. Cf. also Blubber, v.]
- grab n.
- A vessel used on the Malabar coast, having two or three masts. [Ar. & Hind. ghur crow, raven, a kind of Arab ship.]
- damning a.
- That damns; damnable; as, damning evidence of guilt.
- lust v. i.
- To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
- quell v. t.
- To take the life of; to kill. [OE. quellen to kill, AS. cwellan, causative of cwelan to die; akin to OHG. quellen to torment, Icel. kvelja. See Quail to cower.]
- squad n.
- A small party of men assembled for drill, inspection, or other purposes. [F. escouade, fr. Sp. escuadra, or It. squadra, (assumed) LL. exquadrare to square; L. ex + quadra a square. See Square.]
- admiration n.
- Wonder; astonishment. [F., fr. L. admiratio. See Admire.]
- craft n.
- Strength; might; secret power. [AS. cr strength, skill, art, cunning; akin to OS., G., Sw., & Dan. kraft strength, D. kracht, Icel. kraptr; perh. originally, a drawing together, stretching, fr]
- lavishly adv.
- In a lavish manner.
- suffice v. i.
- To be enough, or sufficient; to meet the need (of anything); to be equal to the end proposed; to be adequate. [OE. suffisen, OF. soufire, F. suffire (cf. suffisant, p.pr.), L. sufficere to put under, to substitute, to avail for, to suffice; sub under + facere to make. Se]
- tanner n.
- One whose occupation is to tan hides, or convert them into leather by the use of tan.
- unconsecrate v. t.
- To render not sacred; to deprive of sanctity; to desecrate. [1st pref. un- + consecrate.]
- blubbering n.
- The act of weeping noisily.
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- spoke n.
- The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
- mausoleum n.
- A magnificent tomb, or stately sepulchral monument.
- tillman n.
- A man who tills the earth; a husbandman. Tusser.
- pauper n.
- A poor person; especially, one development on private or public charity. Also used adjectively; as, pouper immigrants, pouper labor. [L. See Poor.]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- charger n.
- One who, or that which charges.
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- bade
- A form of the pat tense of Bid.
- morgan n.
- One of a celebrated breed of American trotting horses; -- so called from the name of the stud from which the breed originated in Vermont.
- chagrin n.
- Vexation; mortification. [F., fr. chagrin shagreen, a particular kind of rough and grained leather; also a rough fishskin used for graters and files; hence (Fig.), a gnawing, corroding g]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Some Ante-Mortem Epitaphs is in the public domain. This text is taken from Shapes of Clay (1903), Project Gutenberg ebook #12658; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Ambrose Bierce, Some Ante-Mortem Epitaphs, in Shapes of Clay (1903), text of Project Gutenberg ebook #12658, Laurel, https://laurelpoetry.com/poem/bierce-shapes-of-clay/some-ante-mortem-epitaphs.html, id L28179.
Form and metre
Some Ante-Mortem Epitaphs is 88 lines in 13 verse paragraphs. It is in rhyming couplets, 84% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%).
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCCDDEEFF accurstA · firstA · timeB · crimeB · blabC · grabC · youthD · truthD · writeE · sightE · itF · itF
- 2 --AABCBC students · jurisprudence · giftA · juristhriftA · threwB · settleC · trueB · metalC
- 3 ABAB godA · brotherB · squadA · anotherB
- 4 AABBCCDDEEFF headA · deadA · flameB · fameB · shaftC · craftC · greatD · sedateD · becomeE · sumE · givingF · livingF
- 5 AABB trunkA · sunkA · tearB · hereB
- 6 AA deadA · bedA
- 7 AA weepA · sleepA
- 8 AABBCC laidA · tradeA · rudeB · gratitudeB · wroteC · throatC
- 9 ABAB mausoleumA · findB · museumA · mindB
- 10 AABBCCDDEE viewA · depewA · roundB · renownedB · speechC · teachC · impartD · heartD · mostE · ghostE
- 11 AABBCCDDEEFF rowedA · flowedA · forceB · sourceB · floorC · moreC · fameD · nameD · bellyE · jellyE · himF · himF
- 12 AAAAAA lieA · whyA · eyeA · byeA · sighA · dieA
- 13 AABBCC clayA · betrayA · zealB · revealB · fellC · tellC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Fly, heedless stranger, from this spot accurst, | 10 | ·/˘/˘····· |
| Where rests in Satan an offender first | 10 | ···/˘·˘/˘· |
| In point of greatness, as in point of time, | 10 | ···/˘····· |
| Of new-school rascals who proclaim their crime. | 10 | ···/˘·˘/·· |
| Skilled with a frank loquacity to blab | 10 | ····˘/˘˘·· |
| The dark arcana of each mighty grab, | 10 | ··˘/˘··/˘· |
| And famed for lying from his early youth, | 10 | ···/˘··/˘· |
| He sinned secure behind a veil of truth. | 10 | ··˘/······ |
| Some lock their lips upon their deeds; some write | 10 | ·········· |
| A damning record and conceal from sight; | 10 | ·/˘/˘·˘/·· |
| Some, with a lust of speaking, die to quell it. | 11 | ·····/˘···· |
| His way to keep a secret was to tell it. | 11 | ·····/˘···· |
| Here sleeps one of the greatest students | 9 | ·····/˘/˘ |
| Of jurisprudence. | 5 | ··˘/˘ |
| Nature endowed him with the gift | 9 | /˘˘/˘···· |
| Of the juristhrift. | 5 | ····· |
| All points of law alike he threw | 8 | ····˘/·· |
| The dice to settle. | 5 | ···/˘ |
| Those honest cubes were loaded true | 8 | ·/˘··/˘· |
| With railway metal. | 5 | ·/·/˘ |
| Thy flesh to earth, thy soul to God, | 8 | ········ |
| We gave, O gallant brother; | 7 | ···/˘/˘ |
| And o'er thy grave the awkward squad | 8 | ·····/˘· |
| Fired into one another! | 9 | /˘˘···˘/˘ |
| Beneath this monument which rears its head. | 10 | ···/˘˘···· |
| A giant note of admiration--dead, | 10 | ·/˘···˘/˘· |
| His life extinguished like a taper's flame. | 10 | ··˘/˘··/˘· |
| John Ericsson is lying in his fame. | 10 | ·/˘˘·/˘··· |
| Behold how massive is the lofty shaft; | 10 | ˘/·/˘··/˘· |
| How fine the product of the sculptor's craft; | 10 | ···/˘··/˘· |
| The gold how lavishly applied; the great | 10 | ···/˘˘˘/·· |
| Man's statue how impressive and sedate! | 10 | ·/··˘/˘·˘/ |
| Think what the cost-was! It would ill become | 10 | ········˘/ |
| Our modesty to specify the sum; | 10 | //˘˘·/˘··· |
| Suffice it that a fair per cent, we're giving | 11 | ˘/·······/˘ |
| Of what we robbed him of when he was living. | 11 | ·········/˘ |
| Of Corporal Tanner the head and the trunk | 10 | ·/˘/˘····· |
| Are here in unconsecrate ground duly sunk. | 11 | ···˘/˘˘·/˘· |
| His legs in the South claim the patriot's tear, | 10 | ·······/˘· |
| But, stranger, you needn't be blubbering here. | 10 | ·/˘·/˘·/˘· |
| Jay Gould lies here. When he was newly dead | 10 | ·······/˘· |
| He looked so natural that round his bed | 10 | ···/˘˘···· |
| The people stood, in silence all, to weep. | 10 | ·/˘··/˘··· |
| They thought, poor souls! that he did only sleep. | 10 | ·······/˘· |
| Here Ingalls, sorrowing, has laid | 8 | ·˘//˘˘·· |
| The tools of his infernal trade-- | 8 | ····˘/˘· |
| His pen and tongue. So sharp and rude | 8 | ········ |
| They grew--so slack in gratitude, | 8 | ·····/˘· |
| His hand was wounded as he wrote, | 8 | ···/˘··· |
| And when he spoke he cut his throat. | 8 | ········ |
| Within this humble mausoleum | 9 | ···/˘·˘/˘ |
| Poor Guiteau's flesh you'll find. | 6 | ······ |
| His bones are kept in a museum, | 9 | ······˘/˘ |
| And Tillman has his mind. | 6 | ·/˘··· |
| Stranger, uncover; here you have in view | 10 | /˘˘/˘····· |
| The monument of Chauncey M. Depew. | 10 | ·/˘˘·/˘·˘/ |
| Eater and orator, the whole world round | 10 | /˘·/˘˘···· |
| For feats of tongue and tooth alike renowned. | 10 | ······˘/˘/ |
| Pauper in thought but prodigal in speech, | 10 | /˘···/˘˘·· |
| Nothing he knew excepting how to teach. | 10 | /˘···/˘··· |
| But in default of something to impart | 10 | ··˘/·/˘·˘/ |
| He multiplied his words with all his heart: | 10 | ·/˘······· |
| When least he had to say, instructive most-- | 10 | ······˘/˘· |
| A clam in wisdom and in wit a ghost. | 10 | ···/˘····· |
| Dining his way to eminence, he rowed | 10 | /˘···/˘˘·· |
| With knife and fork up water-ways that flowed | 10 | ·····/˘··· |
| From lakes of favor--pulled with all his force | 10 | ···/˘····· |
| And found each river sweeter than the source. | 10 | ···/˘/˘··· |
| Like rats, obscure beneath a kitchen floor, | 10 | ··˘/···/˘· |
| Gnawing and rising till obscure no more, | 10 | /˘·/˘·˘/·· |
| He ate his way to eminence, and Fame | 10 | ·····/˘˘·· |
| Inscribes in gravy his immortal name. | 10 | ˘/·/˘·˘/˘· |
| A trencher-knight, he, mounted on his belly, | 11 | ·/˘··/˘··/˘ |
| So spurred his charger that its sides were jelly. | 11 | ···/˘····/˘ |
| Grown desperate at last, it reared and threw him, | 10 | ·/˘······· |
| And Indigestion, overtaking, slew him. | 11 | ··˘/˘/˘·˘·· |
| Here the remains of Schuyler Colfax lie; | 10 | ··˘/·/˘··· |
| Born, all the world knows when, and Heaven knows why. | 10 | ·······/·· |
| In '71 he filled the public eye, | 7 | ····/˘· |
| In '72 he bade the world good-bye, | 7 | ······· |
| In God's good time, with a protesting sigh, | 10 | ······˘/˘· |
| He came to life just long enough to die. | 10 | ······˘/·· |
| Of Morgan here lies the unspirited clay, | 11 | ·/˘········ |
| Who secrets of Masonry swore to betray. | 10 | ·/˘·/˘··˘/ |
| He joined the great Order and studied with zeal | 11 | ····/˘·/˘·· |
| The awful arcana he meant to reveal. | 11 | ·/˘˘/˘···˘/ |
| At last in chagrin by his own hand he fell-- | 11 | ···˘/······ |
| There was nothing to learn, there was nothing to tell. | 12 | ··/˘····/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.