Fame

Ambrose Bierce (1842–1914) · 1903

iambic pentameter · 48 lines · from Shapes of Clay

One thousand years I slept beneath the sod,My sleep in 1901 beginning,Then, by the action of some scurvy godWho happened then to recollect my sinning,I was revived and given another inning.On breaking from my grave I saw a crowd--A formless multitude of men and women,Gathered about a ruin. Clamors loudI heard, and curses deep enough to swim in;And, pointing at me, one said: "Let's put him in."Then each turned on me with an evil look,As in my ragged shroud I stood and shook.

"Nay, good Posterity," I cried, "forbear!If that's a jail I fain would be remainingOutside, for truly I should little careTo catch my death of cold. I'm just regainingThe life lost long ago by my disdainingTo take precautions against draughts like thoseThat, haply, penetrate that cracked and splittingOld structure." Then an aged wight aroseFrom a chair of state in which he had been sitting,And with preliminary coughing, spittingAnd wheezing, said: "'T is not a jail, we're sure,Whate'er it may have been when it was newer.

"'T was found two centuries ago, o'ergrownWith brush and ivy, all undoored, ungated;And in restoring it we found a stoneSet here and there in the dilapidatedAnd crumbling frieze, inscribed, in antiquatedBig characters, with certain uncouth names,Which we conclude were borne of old by awfulRapscallions guilty of all sinful games--Vagrants engaged in purposes unlawful,And orators less sensible than jawful.So each ten years we add to the long rowA name, the most unworthy that we know."

"But why," I asked, "put me in?" He replied:"You look it"--and the judgment pained me greatly;Right gladly would I then and there have died,But that I'd risen from the grave so lately.But on examining that solemn, statelyOld ruin I remarked: "My friend, you err--The truth of this is just what I expected.This building in its time made quite a stir.I lived (was famous, too) when 't was erected.The names here first inscribed were much respected.This is the Hall of Fame, or I'm a stork,And this goat pasture once was called New York."

Words in this poem

recollect v. t.
To recover or recall the knowledge of; to bring back to the mind or memory; to remember. [Pref. re- + collect: cf. L. recolligere, recollectum, to collect. Cf. Recollet.]
inning n.
Ingathering; harvesting. Holland. [AS. innung, fr. in in, prep. & adv.]
formless a.
Shapeless; without a determinate form; wanting regularity of shape.
shook v. t.
To pack, as staves, in a shook.
fain v. t.
To be glad ; to wish or desire.
haply adv.
By hap, chance, luck, or accident; perhaps; it may be.
cracked a.
Coarsely ground or broken; as, cracked wheat.
wight n.
A whit; a bit; a jot. [OE. wight, wiht, a wight, a whit, AS. wiht, wuht, a creature, a thing; skin to D. wicht a child, OS. & OHG. wiht a creature, thing, G. wicht a creature, Icel. v]
dilapidated a.
Decayed; fallen into partial ruin; injured by bad usage or neglect.
conclude v. t.
To shut up; to inclose. [L. concludere, conclusum; con- + claudere to shut. See Close, v. t.]
gladly adv.
Preferably; by choice. [From Glad, a.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Fame is in the public domain. This text is taken from Shapes of Clay (1903), Project Gutenberg ebook #12658; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Ambrose Bierce, Fame, in Shapes of Clay (1903), text of Project Gutenberg ebook #12658, Laurel, https://laurelpoetry.com/poem/bierce-shapes-of-clay/fame.html, id L28046.

Form and metre

Fame is 48 lines in 4 stanzas of 12 lines each. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBC-CDDEE sodA · beginningB · godA · sinningB · inningB · crowdC · women · loudC · inD · inD · lookE · shookE
  2. 2 -A-AABCBCC-- forbear · remainingA · care · regainingA · disdainingA · thoseB · splittingC · aroseB · sittingC · spittingC · sure · newer
  3. 3 A-ABBCDCDDEE o'ergrownA · ungated · stoneA · dilapidatedB · antiquatedB · namesC · awfulD · gamesC · unlawfulD · jawfulD · rowE · knowE
  4. 4 ABABBCDCDDEE repliedA · greatlyB · diedA · latelyB · statelyB · errC · expectedD · stirC · erectedD · respectedD · storkE · yorkE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
One thousand years I slept beneath the sod,10·/˘·······
My sleep in 1901 beginning,6···˘/˘
Then, by the action of some scurvy god10···/˘··/˘·
Who happened then to recollect my sinning,11·/˘···˘/·/˘
I was revived and given another inning.11··˘/·/˘/˘/˘
On breaking from my grave I saw a crowd--10·/˘·······
A formless multitude of men and women,11·/˘/˘····/˘
Gathered about a ruin. Clamors loud10/˘···/˘/˘·
I heard, and curses deep enough to swim in;11···/˘·˘/···
And, pointing at me, one said: "Let's put him in."11·/˘········
Then each turned on me with an evil look,10·······/˘·
As in my ragged shroud I stood and shook.10···/˘·····
"Nay, good Posterity," I cried, "forbear!10··˘/˘˘··˘/
If that's a jail I fain would be remaining11········˘/˘
Outside, for truly I should little care10//·/˘··/˘·
To catch my death of cold. I'm just regaining11········˘/˘
The life lost long ago by my disdaining11····˘/··˘/˘
To take precautions against draughts like those10··˘/˘·····
That, haply, penetrate that cracked and splitting11·/˘/˘····/˘
Old structure." Then an aged wight arose9·/˘····˘/
From a chair of state in which he had been sitting,12··········/˘
And with preliminary coughing, spitting11··˘/˘·˘/˘/˘
And wheezing, said: "'T is not a jail, we're sure,11·/˘········
Whate'er it may have been when it was newer.12˘˘/·······/˘
"'T was found two centuries ago, o'ergrown10····/˘˘/··
With brush and ivy, all undoored, ungated;11···/˘······
And in restoring it we found a stone10··˘/˘·····
Set here and there in the dilapidated11······˘/˘·˘
And crumbling frieze, inscribed, in antiquated11·/˘·˘/·/˘·˘
Big characters, with certain uncouth names,10·/˘˘·/˘//·
Which we conclude were borne of old by awful11··˘/·····/˘
Rapscallions guilty of all sinful games--10···/˘··/˘·
Vagrants engaged in purposes unlawful,11/˘˘/·/˘˘˘/˘
And orators less sensible than jawful.10·/˘·/˘˘···
So each ten years we add to the long row10··········
A name, the most unworthy that we know."10····˘/˘···
"But why," I asked, "put me in?" He replied:10········˘/
"You look it"--and the judgment pained me greatly;11·····/˘··/˘
Right gladly would I then and there have died,10·/˘·······
But that I'd risen from the grave so lately.11···/˘····/˘
But on examining that solemn, stately11··˘/˘˘·/˘/˘
Old ruin I remarked: "My friend, you err--10·/˘·˘/····
The truth of this is just what I expected.11········˘/˘
This building in its time made quite a stir.10·/˘·······
I lived (was famous, too) when 't was erected.12···/˘····˘/˘
The names here first inscribed were much respected.11····˘/··˘/˘
This is the Hall of Fame, or I'm a stork,10··········
And this goat pasture once was called New York."10···/˘·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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