Who Died Jan. 21, 1800

Matilda Betham (1776–1852) · 1808

iambic pentameter · ABAB · 60 lines · from Poems

Sweet is the voice of Friendship to the ear,Sweet is Affection's mildly-beaming eye,Sweet the applause which flows from lips sincere,And sweet is Pity's soft responsive sigh!

But now those flowers of life have lost their bloom,Faint all their beauty, cold their healing breath,No object fills my eye but yonder tomb,No sound awakes me but the name of death.

When in the world, I bear a look serene,And veil the gloomy temper of my grief;Sick with restraint at evening quit the scene,To find in tears and solitude relief.

Parent of Hope and Fancy! thoughtful Night!Why are these nurselings absent from thy bower,While Memory, with sullen, strange delight,Stalks lonely centinel the live-long hour?

O dear Sophia! could we e'er forget,Such fair endowments and unsullied worth,Thy partial friendship calls for our regret,And selfish feeling gives remembrance birth.

How often when this trembling hand essaysThy lov'd resemblance once again to trace,The portrait thought in mimic life arraysWith all the sweet expression of thy face;

Art may its symmetry and beauty show,A look, a character, the pencil seize,Give to the form where youthful graces glow,An air of pensive dignity and ease,

But warmth of feeling and sensation fine,By mild reserve from common eyes conceal'd,The ray of genius and the heart benign,In artless gaiety so oft reveal'd--

All these are lost; no looks can now arise,Like those which every little act endear'd,Which even in the stranger's careless eyesLike innocence from other worlds appear'd!

Oft have I fear'd the breath of foolish praise,Might taint the lily which so humbly grew;That flattery's sun might shoot delusive rays,Impede her progress, and distract her view.

But vain the fear--for she remain'd the same,To outward charms indifferent or blind,Heedless alike of either praise or blame,If it respected not her heart and mind.

Rich in historic lore, the poet's lyreHad not, though screen'd by time, forsaken hung,She felt and studied with a kindred fire,The lofty strain immortal Maro sung.

She knew--but why essay to trace her thoughtThrough its wide range, describe her blooming youth,The heart whose feelings were so finely wrought,Its meek ambition, and its love of truth?

All that parental-vanity desires,All that the friend can muse upon and mourn,All that the lover's ardent vow inspires,In thee, Sophia! from the world was torn!

But still we yield thee to no stranger's care;No unknown foe our tender love bereaves;Thou goest the angels' hallow'd bliss to share,A Father thy exalted soul receives!

Words in this poem

responsive a.
That responds; ready or inclined to respond. [Cf. F. resposif.]
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
sullen a.
Lonely; solitary; desolate. Wyclif (Job iii. 14). [OE. solein, solain, lonely, sullen; through Old French fr. (assumed) LL. solanus solitary, fr. L. solus alone. See Sole, a.]
centinel n.
Sentinel. Sackville.
humbly adv.
With humility; lowly.
distract a.
Separated; drawn asunder. [L. distractus, p. p. of distrahere to draw asunder; dis- + trahere to draw. See Trace, and cf. Distraught.]
historic a.
Of or pertaining to history, or the record of past events; as, an historical poem; the historic page. [L. historicus, Gr. historique. See History.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Who Died Jan. 21, 1800 is in the public domain. This text is taken from Poems, Project Gutenberg ebook #9998; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Matilda Betham, Who Died Jan. 21, 1800, in Poems (1808), text of Project Gutenberg ebook #9998, Laurel, https://laurelpoetry.com/poem/betham-poems/who-died-jan-21-1800.html, id L23525.

Form and metre

Who Died Jan. 21, 1800 is 60 lines in 15 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 14 of its 15 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB earA · eyeB · sincereA · sighB
  2. 2 ABAB bloomA · breathB · tombA · deathB
  3. 3 ABAB sereneA · griefB · sceneA · reliefB
  4. 4 ABAB nightA · bowerB · delightA · hourB
  5. 5 ABAB forgetA · worthB · regretA · birthB
  6. 6 ABAB essaysA · traceB · arraysA · faceB
  7. 7 ABAB showA · seizeB · glowA · easeB
  8. 8 ABAB fineA · conceal'dB · benignA · reveal'dB
  9. 9 ABAB ariseA · endear'dB · eyesA · appear'dB
  10. 10 ABAB praiseA · grewB · raysA · viewB
  11. 11 ABAB sameA · blindB · blameA · mindB
  12. 12 ABAB lyreA · hungB · fireA · sungB
  13. 13 ABAB thoughtA · youthB · wroughtA · truthB
  14. 14 -A-A desires · mournA · inspires · tornA
  15. 15 ABAB careA · bereavesB · shareA · receivesB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Sweet is the voice of Friendship to the ear,10·····/˘···
Sweet is Affection's mildly-beaming eye,10··˘/˘/˘/˘·
Sweet the applause which flows from lips sincere,10··˘/····˘/
And sweet is Pity's soft responsive sigh!10···/˘·˘/˘·
But now those flowers of life have lost their bloom,10···/······
Faint all their beauty, cold their healing breath,10···/˘··/˘·
No object fills my eye but yonder tomb,10·/˘····/˘·
No sound awakes me but the name of death.10··˘/······
When in the world, I bear a look serene,10········˘/
And veil the gloomy temper of my grief;10···/˘/˘···
Sick with restraint at evening quit the scene,10··˘/·/˘···
To find in tears and solitude relief.10·····/˘·˘/
Parent of Hope and Fancy! thoughtful Night!10/˘···/˘/˘·
Why are these nurselings absent from thy bower,11······/˘··/
While Memory, with sullen, strange delight,10·/˘˘·/˘·˘/
Stalks lonely centinel the live-long hour?11·/˘/˘˘···/˘
O dear Sophia! could we e'er forget,10··˘/˘···˘/
Such fair endowments and unsullied worth,10··˘/˘·˘/˘·
Thy partial friendship calls for our regret,10·/˘/˘··/˘/
And selfish feeling gives remembrance birth.10·/˘/˘·˘/˘·
How often when this trembling hand essays10·/˘··/˘·˘/
Thy lov'd resemblance once again to trace,10··˘/˘·˘/··
The portrait thought in mimic life arrays10·/˘··/˘·˘/
With all the sweet expression of thy face;10····˘/˘···
Art may its symmetry and beauty show,10···/˘˘·/˘·
A look, a character, the pencil seize,10···/˘˘·/˘·
Give to the form where youthful graces glow,10·····/˘/˘·
An air of pensive dignity and ease,10···/˘/˘˘··
But warmth of feeling and sensation fine,10···/˘·˘/˘·
By mild reserve from common eyes conceal'd,10··˘/·/˘·˘/
The ray of genius and the heart benign,10···/˘···˘/
In artless gaiety so oft reveal'd--10·/˘/˘˘··˘/
All these are lost; no looks can now arise,10········˘/
Like those which every little act endear'd,10···/˘/˘·˘/
Which even in the stranger's careless eyes10·/˘··/˘/˘·
Like innocence from other worlds appear'd!10·/˘˘·/˘·˘/
Oft have I fear'd the breath of foolish praise,10·······/˘·
Might taint the lily which so humbly grew;10···/˘··/˘·
That flattery's sun might shoot delusive rays,10·/˘···˘/˘·
Impede her progress, and distract her view.10˘/·/··˘/··
But vain the fear--for she remain'd the same,10······˘/··
To outward charms indifferent or blind,9·/˘·˘/˘··
Heedless alike of either praise or blame,10/˘˘/·/˘···
If it respected not her heart and mind.10··˘/˘·····
Rich in historic lore, the poet's lyre10··˘/˘··/˘·
Had not, though screen'd by time, forsaken hung,10······˘/˘·
She felt and studied with a kindred fire,11···/˘··/˘/˘
The lofty strain immortal Maro sung.10·/˘·˘/˘/˘·
She knew--but why essay to trace her thought10····˘/····
Through its wide range, describe her blooming youth,10····˘/·/˘·
The heart whose feelings were so finely wrought,10···/˘··/˘·
Its meek ambition, and its love of truth?10··˘/˘·····
All that parental-vanity desires,11··˘/˘/˘˘˘/˘
All that the friend can muse upon and mourn,10··········
All that the lover's ardent vow inspires,10···/˘/˘·˘/
In thee, Sophia! from the world was torn!10··˘/˘·····
But still we yield thee to no stranger's care;10·······/˘·
No unknown foe our tender love bereaves;10·˘/·//˘·˘/
Thou goest the angels' hallow'd bliss to share,10···/˘/˘···
A Father thy exalted soul receives!10·/˘·˘/˘·˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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