Prefatory Note

Stephen Vincent Benét (1898–1943) · 1918

iambic pentameter · 79 lines · from Young Adventure

This poem received the nineteenth award of the prize offered byProfessor Albert Stanburrough Cook to Yale University for the bestunpublished verse, the Committee of Award consisting of Professors C. F.Tucker Brooke, of Yale University, Robert Frost, of Amherst College, andCharles M. Gayley, of the University of California.

"Oh yes, I went over to Edmonstoun the other day and sawJohnny, mooning around as usual! He will never make hisway."--Letter of George Keats, 18--

Night falls; the great jars glow against the dark,Dark green, dusk red, and, like a coiling snake,Writhing eternally in smoky gyres,Great ropes of gorgeous vapor twist and turnWithin them. So the Eastern fishermanSaw the swart genie rise when the lead seal,Scribbled with charms, was lifted from the jar;And -- well, how went the tale? Like this, like this?...

No herbage broke the barren flats of land,No winds dared loiter within smiling trees,Nor were there any brooks on either hand,Only the dry, bright sand,Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,The thirsty ripples dying silentlyUpon its track. Far out the brown nets sweep,And night begins to creepAcross the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,Distorted shells, and rocks green-mossed with slime,Nought else. The fisher, sick at heart, kneels down;"Prayer may appease God's frown,"He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,Lies tangled in the cordage of his net.About the bright waves gleam like shattered glass,And where the sea's rim wasThe sun dips, flat and red, about to set.

The prow grates on the beach. The fishermanStoops, tearing at the cords that bind the seal.Shall pearls roll out, lustrous and white and wan?Lapis? carnelian?Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?Green emeralds, glittering like the eyes of beasts?Poisonous opals, good to madden men?Gold bezants, ten and ten?Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smokeCurled like a feather in the darkening sky.A blinding gush of fire burst, flamed, and broke.A voice like a wind spoke.Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;His head sought out the stars, his cupped right handMade half the sky one darkness. He was mute.The sun, a ripened fruit,Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!Thy prize awaits thee; come, and hug it close!A noble crown thy draggled nets have wonFor this that thou hast done.Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flaredAcross the sky in one great bloom of fire.Poised like a toppling mountain, it hung bared;Suns that were jewels glaredAlong its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I oweTo thee, thou fool, thou fool. Come, canst thou sing?Yea? Sing then; if thy song be brave, then goFree and released -- or no!Find first some task, some overmastering thingI cannot do, and find it speedily,For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,And if at first his voice was weak with fearAnd his limbs trembled, it was but a doze,And at the high song's closeHe stood up straight. His voice rang loud and clear.

Words in this poem 17
nineteenth a.
Following the eighteenth and preceding the twentieth; coming after eighteen others. [Cf. AS. nigonteó.]
award v. t.
To give by sentence or judicial determination; to assign or apportion, after careful regard to the nature of the case; to adjudge; as, the arbitrators awarded damages to the complainant. [OF. eswarder to look at, consider, decide, judge; es (L. ex) + warder, garder, to observe, take heed, keep, fr. OHG. wart to watch, guard. See Ward.]
university n.
The universe; the whole. Dr. H. More. [OE. universite, L. universitas all together, the whole, the universe, a number of persons associated into one body, a society, corporation, fr. universus all to]
went n.
Course; way; path; journey; direction.
johnny n.
A familiar diminutive of John.
eternally adv.
In an eternal manner.
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
madden v. t.
To make mad; to drive to madness; to craze; to excite violently with passion; to make very angry; to enrage.
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
armored a.
Clad with armor.
turbaned a.
Wearing a turban.
underfoot adv.
Under the feet; underneath; below. See Under foot, under Foot, n.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
pyre n.
A funeral pile; a combustible heap on which the dead are burned; hence, any pile to be burnt. [L. pure, Gr. Fire.]
shalt
2d per. sing. of Shall.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Prefatory Note is in the public domain. This text is taken from Young Adventure: A Book of Poems, Project Gutenberg ebook #312; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Stephen Vincent Benét, Prefatory Note, in Young Adventure (1918), text of Project Gutenberg ebook #312, Laurel, https://laurelpoetry.com/poem/benet-young-adventure/prefatory-note.html, id L13376.

Form and metre

Prefatory Note is 79 lines in 15 stanzas. The commonest rhyme scheme is ABAAB, in 6 of the 15 stanzas; the rest vary or could not be confirmed. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.8 syllables. 7 lines end on an unstressed syllable, a feminine ending. 28% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 4 ABAAB landA · treesB · handA · sandA · seasB
  2. 5 A-AA- deepA · silently · sweepA · creepA · sea
  3. 6 ABAAB brownA · slimeB · downA · frownA · timeB
  4. 7 ABA-B brassA · netB · glassA · was · setB
  5. 8 -A--A fisherman · sealA · wan · carnelian · reelA
  6. 9 ABAAB thenA · beastsB · menA · tenA · feastsB
  7. 10 A-AA- smokeA · sky · brokeA · spokeA · terribly
  8. 11 -ABBA underfoot · handA · muteB · fruitB · sandA
  9. 12 ABAAB oneA · closeB · wonA · doneA · thoseB
  10. 13 ABAAB flaredA · fireB · baredA · glaredA · pyreB
  11. 14 ABAAB-- oweA · singB · goA · noA · thingB · speedily · die
  12. 15 ABAAB uproseA · fearB · dozeA · closeA · clearB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
This poem received the nineteenth award of the prize offered by15·/˘/·//˘/···/˘·
Professor Albert Stanburrough Cook to Yale University for the best18˘/˘/˘·······˘/˘···
unpublished verse, the Committee of Award consisting of Professors C. F.20˘/˘··˘/˘·˘/˘/˘·˘/˘··
Tucker Brooke, of Yale University, Robert Frost, of Amherst College, and18/˘····˘/˘/˘··/˘/˘·
Charles M. Gayley, of the University of California.15·······˘/˘··˘/˘
"Oh yes, I went over to Edmonstoun the other day and saw15··········/˘···
Johnny, mooning around as usual! He will never make his14/˘/˘···/˘··/··
way."1·
--Letter of George Keats, 18--5/˘···
Night falls; the great jars glow against the dark,10··········
Dark green, dusk red, and, like a coiling snake,10·······/˘·
Writhing eternally in smoky gyres,10/˘˘/˘˘·/˘·
Great ropes of gorgeous vapor twist and turn10···/˘/˘···
Within them. So the Eastern fisherman10·····/˘/˘·
Saw the swart genie rise when the lead seal,10···/˘·····
Scribbled with charms, was lifted from the jar;10/˘···/˘···
And -- well, how went the tale? Like this, like this?...10··········
No herbage broke the barren flats of land,10·/˘··/˘···
No winds dared loiter within smiling trees,10···/˘··/˘·
Nor were there any brooks on either hand,10···/˘··/˘·
Only the dry, bright sand,6/˘····
Naked and golden, lay before the seas.10/˘·/˘·····
One boat toiled noiselessly along the deep,11·······˘/··
The thirsty ripples dying silently10·/˘/˘/˘/˘˘
Upon its track. Far out the brown nets sweep,10··········
And night begins to creep6··˘/··
Across the intolerable mirror of the sea.11˘/·˘/˘/˘···
Twice the nets rise, a-trail with sea-plants brown,10··········
Distorted shells, and rocks green-mossed with slime,10˘/˘·······
Nought else. The fisher, sick at heart, kneels down;10···/˘·····
"Prayer may appease God's frown,"6··˘/··
He thinks, then, kneeling, casts for the third time.10···/˘·····
And lo! an earthen jar, bound round with brass,10···/˘·····
Lies tangled in the cordage of his net.10·/˘··/˘···
About the bright waves gleam like shattered glass,10·······/˘·
And where the sea's rim was6······
The sun dips, flat and red, about to set.10··········
The prow grates on the beach. The fisherman10·······/˘·
Stoops, tearing at the cords that bind the seal.10·/˘·······
Shall pearls roll out, lustrous and white and wan?10····/˘····
Lapis? carnelian?5/˘˘/˘
Unheard-of stones that make the sick mind reel10˘/········
With wonder of their beauty? Rubies, then?10·/˘··/˘/˘·
Green emeralds, glittering like the eyes of beasts?10·/˘/˘·····
Poisonous opals, good to madden men?10/˘˘/˘··/˘·
Gold bezants, ten and ten?6······
Hard, regal diamonds, like kingly feasts?9·/˘/˘·/˘·
He tugged; the seal gave way. A little smoke10·······/˘·
Curled like a feather in the darkening sky.10···/˘··/˘·
A blinding gush of fire burst, flamed, and broke.10·/˘··/····
A voice like a wind spoke.6······
Armored with light, and turbaned terribly,10/˘···/˘/˘˘
A genie tramped the round earth underfoot;10·/˘·····˘/
His head sought out the stars, his cupped right hand10··········
Made half the sky one darkness. He was mute.10·····/˘···
The sun, a ripened fruit,6···/˘·
Drooped lower. Scarlet eddied o'er the sand.10·/˘/˘/˘···
The genie spoke: "O miserable one!10·/˘··/˘˘˘·
Thy prize awaits thee; come, and hug it close!10··˘/······
A noble crown thy draggled nets have won10·/˘···˘···
For this that thou hast done.6······
Blessed are fools! A gift remains for those!"10·˘····˘/··
His hand sought out his sword, and lightnings flared10·······/˘·
Across the sky in one great bloom of fire.11˘/·······/˘
Poised like a toppling mountain, it hung bared;10···/˘/˘···
Suns that were jewels glared6···/˘·
Along its hilt. The air burnt like a pyre.11˘/·······/˘
Once more the genie spoke: "Something I owe10···/˘·/˘··
To thee, thou fool, thou fool. Come, canst thou sing?10··········
Yea? Sing then; if thy song be brave, then go10··········
Free and released -- or no!6··˘/··
Find first some task, some overmastering thing11···········
I cannot do, and find it speedily,10·/˘····/˘˘
For if thou dost not thou shalt surely die!"10·······/˘·
The sword whirled back. The fisherman uprose,10·····/˘···
And if at first his voice was weak with fear10··········
And his limbs trembled, it was but a doze,10···/˘·····
And at the high song's close6······
He stood up straight. His voice rang loud and clear.10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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