To Dives

Hilaire Belloc (1870–1953) · 1923

iambic pentameter · heroic couplets · 48 lines · from Sonnets and Verse

Dives, when you and I go down to Hell,Where scribblers end and millionaires as well,We shall be carrying on our separate backsTwo very large but very different packs;And as you stagger under yours, my friend,Down the dull shore where all our journeys end,And go before me (as your rank demands)Towards the infinite flat underlands,And that dear river of forgetfulness--Charon, a man of exquisite address(For, as your wife’s progenitors could tell,They’re very strict on etiquette in Hell),Will, since you are a lord, observe, “My lord,We cannot take these weighty things aboard!”Then down they go, my wretched Dives, down--The fifteen sorts of boots you kept for town,The hat to meet the Devil in; the plainBut costly ties; the cases of champagne;The solid watch, and seal, and chain, and charm;The working model of a Burning Farm(To give the little Belials); all the threeBiscuits for Cerberus; the guaranteeFrom Lambeth that the Rich can never burn,And even promising a safe return;The admirable overcoat, designedTo cross Cocytus--very warmly lined:Sweet Dives, you will leave them all behindAnd enter Hell as tattered and as bareAs was your father when he took the airBehind a barrow-load in Leicester Square.Then turned to me, and noting one that bringsWith careless step a mist of shadowy things:Laughter and memories, and a few regrets,Some honour, and a quantity of debts,A doubt or two of sorts, a trust in God,And (what will seem to you extremely odd)His father’s granfer’s father’s father’s name,Unspoilt, untitled, even spelt the same;Charon, who twenty thousand times beforeHas ferried Poets to the ulterior shore,Will estimate the weight I bear, and cry--“Comrade!” (He has himself been known to tryHis hand at Latin and Italian verse,Much in the style of Virgil--only worse)“We let such vain imaginaries pass!”Then tell me, Dives, which will look the ass--You, or myself? Or Charon? Who can tell?They order things so damnably in Hell.

Words in this poem

dives n.
The name popularly given to the rich man in our Lord's parable of the [L., rich.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
backs n.
Among leather dealers, the thickest and stoutest tanned hides.
charon n.
The son of Erebus and Nox, whose office it was to ferry the souls of the dead over the Styx, a river of the infernal regions.
aboard adv.
On board; into or within a ship or boat; hence, into or within a railway car. [Pref. a- on, in + board.]
champagne n.
A light wine, of several kinds, originally made in the province of Champagne, in France. [F. See Champaign.]
cerberus n.
A monster, in the shape, of a three-headed dog, guarding the entrance into the infernal regions, Hence: Any vigilant custodian or guardian, esp. if surly.
promising a.
Making a promise or promises; affording hope or assurance; as, promising person; a promising day.
admirable a.
Fitted to excite wonder; wonderful; marvelous. [L. admirabilis: cf. F. admirable.]
warmly adv.
In a warm manner; ardently.
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
untitled a.
Not titled; having no title, or appellation of dignity or distinction.
ulterior a.
Situated beyond, or on the farther side; thither; -- correlative with hither. [L., comp. of ultra, ultro, beyond, on the other side, properly cases of an old adjective, formed with a comparative suffix, which is akin to OL. uls beyond, L. ]
damnably adv.
In a manner to incur sever

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Dives is in the public domain. This text is taken from Sonnets and Verse, Project Gutenberg ebook #60663; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Hilaire Belloc, To Dives, in Sonnets and Verse (1923), text of Project Gutenberg ebook #60663, Laurel, https://laurelpoetry.com/poem/belloc-sonnets-verse/to-dives.html, id L21646.

Form and metre

To Dives is 48 lines in a single stanza. It is in rhyming couplets, 96% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%).

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDDEEFFGGHHIIJJKKLLMMMNNNOOPPQQRRSSTTUUVVWW hellA · wellA · backsB · packsB · friendC · endC · demandsD · underlandsD · forgetfulnessE · addressE · tellF · hellF · lordG · aboardG · downH · townH · plainI · champagneI · charmJ · farmJ · threeK · guaranteeK · burnL · returnL · designedM · linedM · behindM · bareN · airN · squareN · bringsO · thingsO · regretsP · debtsP · godQ · oddQ · nameR · sameR · beforeS · shoreS · cryT · tryT · verseU · worseU · passV · assV · tellW · hellW
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Dives, when you and I go down to Hell,9·········
Where scribblers end and millionaires as well,10·/˘···˘/··
We shall be carrying on our separate backs11···/˘·//˘··
Two very large but very different packs;10·/˘··/˘/˘·
And as you stagger under yours, my friend,10···/˘·····
Down the dull shore where all our journeys end,10······//˘·
And go before me (as your rank demands)10········˘/
Towards the infinite flat underlands,10···/˘˘····
And that dear river of forgetfulness--10···/˘·˘/˘˘
Charon, a man of exquisite address10/˘···/˘˘/·
(For, as your wife’s progenitors could tell,10····˘/˘˘··
They’re very strict on etiquette in Hell),10·/˘··/˘˘··
Will, since you are a lord, observe, “My lord,10······˘/··
We cannot take these weighty things aboard!”10·/˘··/˘·˘/
Then down they go, my wretched Dives, down--9·····/˘··
The fifteen sorts of boots you kept for town,10·˘/·······
The hat to meet the Devil in; the plain10·····/˘···
But costly ties; the cases of champagne;10·/˘··/˘·˘/
The solid watch, and seal, and chain, and charm;10·/˘·······
The working model of a Burning Farm10·/˘/˘··/˘·
(To give the little Belials); all the three10···/˘·····
Biscuits for Cerberus; the guarantee10/˘·/˘˘··˘/
From Lambeth that the Rich can never burn,10·/˘····/˘·
And even promising a safe return;10·/˘/˘˘··˘/
The admirable overcoat, designed10·/˘˘˘/˘·˘/
To cross Cocytus--very warmly lined:10·····/˘/˘·
Sweet Dives, you will leave them all behind9·········
And enter Hell as tattered and as bare10·/˘··/˘···
As was your father when he took the air10···/˘·····
Behind a barrow-load in Leicester Square.10···/˘··/˘·
Then turned to me, and noting one that brings10·····/˘···
With careless step a mist of shadowy things:10·/˘····/˘·
Laughter and memories, and a few regrets,10/˘·/˘···˘/
Some honour, and a quantity of debts,10·/˘··/˘˘··
A doubt or two of sorts, a trust in God,10··········
And (what will seem to you extremely odd)10······˘/˘·
His father’s granfer’s father’s father’s name,10·/˘··/˘/˘·
Unspoilt, untitled, even spelt the same;10··˘/˘/˘···
Charon, who twenty thousand times before10/˘·/˘/˘···
Has ferried Poets to the ulterior shore,11·/˘/˘··˘/˘·
Will estimate the weight I bear, and cry--10·/˘·······
“Comrade!” (He has himself been known to try10/···˘/····
His hand at Latin and Italian verse,10···/˘·˘/˘·
Much in the style of Virgil--only worse)10·····/˘/˘·
“We let such vain imaginaries pass!”10····˘/˘·˘·
Then tell me, Dives, which will look the ass--9·········
You, or myself? Or Charon? Who can tell?10···/·/˘···
They order things so damnably in Hell.10·/˘··/˘˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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