Separation

Matthew Arnold (1822–1888) · 1849–1867

dactylic tetrameter · ABAB · 16 lines · from Poems

Stop! not to me, at this bitter departing,Speak of the sure consolations of time!Fresh be the wound, still-renewed be its smarting,So but thy image endure in its prime!

But if the steadfast commandment of NatureWills that remembrance should always decay;If the loved form and the deep-cherished featureMust, when unseen, from the soul fade away,--

Me let no half-effaced memories cumber;Fled, fled at once, be all vestige of thee!Deep be the darkness, and still be the slumber;Dead be the past and its phantoms to me!

Then, when we meet, and thy look strays toward me,Scanning my face and the changes wrought there;Who, let me say, is this stranger regards me,With the gray eyes, and the lovely brown hair?

Words in this poem

commandment n.
An order or injunction given by authority; a command; a charge; a precept; a mandate. [OF. commandement, F. commandement.]
unseen a.
Not seen or discovered.
cumber n.
Trouble; embarrassment; distress. [Cf. encombre hindrance, impediment. See Cuber,v.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Separation is in the public domain. This text is taken from Poems, Project Gutenberg ebook #54985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Matthew Arnold, Separation, in Poems (1849–1867), text of Project Gutenberg ebook #54985, Laurel, https://laurelpoetry.com/poem/arnold-poems/separation.html, id L07015.

Form and metre

Separation is 16 lines in 4 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 3 of its 4 stanzas. The metre is dactylic tetrameter, measured from the stress the words themselves fix (confidence 93%). 82% of its stressed syllables fall where the metre puts the beat. The lines average 10.4 syllables. 6 lines end on an unstressed syllable, a feminine ending. 12% of the lines run on without a stop at the line end.

See other poems in dactylic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB departingA · timeB · smartingA · primeB
  2. 2 -A-A nature · decayA · feature · awayA
  3. 3 ABAB cumberA · theeB · slumberA · meB
  4. 4 ABAB meA · thereB · meA · hairB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against dactylic tetrameter. How this is done.

LineSyl.Stress
Stop! not to me, at this bitter departing,11······/˘˘/˘
Speak of the sure consolations of time!10·····˘/˘··
Fresh be the wound, still-renewed be its smarting,11·····˘/··/˘
So but thy image endure in its prime!10···/˘˘/···
But if the steadfast commandment of Nature11···/·˘/˘·/˘
Wills that remembrance should always decay;10··˘/˘·/·˘/
If the loved form and the deep-cherished feature11·······/˘/˘
Must, when unseen, from the soul fade away,--10··˘/····˘/
Me let no half-effaced memories cumber;10····˘//˘/˘
Fled, fled at once, be all vestige of thee!10······/˘··
Deep be the darkness, and still be the slumber;11···/˘····/˘
Dead be the past and its phantoms to me!10······/˘··
Then, when we meet, and thy look strays toward me,11···········
Scanning my face and the changes wrought there;10/˘····/˘··
Who, let me say, is this stranger regards me,11······/˘˘/·
With the gray eyes, and the lovely brown hair?10······/˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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