Parting

Matthew Arnold (1822–1888) · 1849–1867

iambic trimeter · 90 lines · from Poems

Ye storm-winds of autumn!Who rush by, who shakeThe window, and ruffleThe gleam-lighted lake;Who cross to the hillsideThin-sprinkled with farms,Where the high woods strip sadlyTheir yellowing arms,--Ye are bound for the mountains!Ah! with you let me goWhere your cold, distant barrier,The vast range of snow,Through the loose clouds lifts dimlyIts white peaks in air.How deep is their stillness!Ah! would I were there!

But on the stairs what voice is this I hear,Buoyant as morning, and as morning clear?Say, has some wet bird-haunted English lawnLent it the music of its trees at dawn?Or was it from some sun-flecked mountain brookThat the sweet voice its upland clearness took?Ah! it comes nearer--Sweet notes, this way!

Hark! fast by the windowThe rushing winds go,To the ice-cumbered gorges,The vast seas of snow!There the torrents drive upwardTheir rock-strangled hum;There the avalanche thundersThe hoarse torrent dumb.--I come, O ye mountains!Ye torrents, I come!

But who is this, by the half-opened door,Whose figure casts a shadow on the floor?The sweet blue eyes--the soft, ash-colored hair--The cheeks that still their gentle paleness wear--The lovely lips, with their arched smile that tellsThe unconquered joy in which her spirit dwells--Ah! they bend nearer--Sweet lips, this way!

Hark! the wind rushes past us!Ah! with that let me goTo the clear, waning hill-side,Unspotted by snow,There to watch, o’er the sunk vale,The frore mountain wall,Where the niched snow-bed sprays downIts powdery fall.There its dusky blue clustersThe aconite spreads;There the pines slope, the cloud-stripsHung soft in their heads.No life but, at moments,The mountain bee’s hum.--I come, O ye mountains!Ye pine-woods, I come!

Forgive me! forgive me!Ah, Marguerite, fainWould these arms reach to clasp thee!But see! ’tis in vain.

In the void air, towards thee,My stretched arms are cast;But a sea rolls between us,--Our different past!

To the lips, ah! of othersThose lips have been prest,And others, ere I was,Were strained to that breast.

Far, far from each otherOur spirits have grown.And what heart knows another?Ah! who knows his own?

Blow, ye winds! lift me with you!I come to the wild.Fold closely, O Nature!Thine arms round thy child.

To thee only God grantedA heart ever new,--To all always open,To all always true.

Ah! calm me, restore me;And dry up my tearsOn thy high mountain platforms,Where morn first appears;

Where the white mists, forever,Are spread and upfurled,--In the stir of the forcesWhence issued the world.

Words in this poem

sadly adv.
Wearily; heavily; firmly.
yellowing n.
The act or process of making yellow.
dimly adv.
In a dim or obscure manner; not brightly or clearly; with imperfect sight.
stillness n.
The quality or state of being still; quietness; silence; calmness; inactivity.
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
avalanche n.
A large mass or body of snow and ice sliding swiftly down a mountain side, or falling down a precipice. [F. avalanche, fr. avaler to descend, to let down, from aval down, downward; ad) + val, L. vallis, valley. See Valley.]
waning n.
The act or process of waning, or decreasing.
unspotted a.
Not spotted; free from spot or stain; especially, free from moral stain; unblemished; immaculate; as, an unspotted reputation.
vale n.
A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
niched a.
Placed in a niche.
marguerite n.
The daisy (Bellis perennis). The name is often applied also to the ox-eye daisy and to the China aster. [F., a pearl, a daisy. See Margarite.]
fain v. t.
To be glad ; to wish or desire.
prest a.
Ready; prompt; prepared. [OF. prest, F. prêt, fr. L. praestus ready. Cf. Presto.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Parting is in the public domain. This text is taken from Poems, Project Gutenberg ebook #54985; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Matthew Arnold, Parting, in Poems (1849–1867), text of Project Gutenberg ebook #54985, Laurel, https://laurelpoetry.com/poem/arnold-poems/parting.html, id L06989.

Form and metre

Parting is 90 lines in 13 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 79%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 6.4 syllables. 25 lines end on an unstressed syllable, a feminine ending. 24% of the lines run on without a stop at the line end.

See other poems in iambic trimeter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A-B-B-C-C-D-D autumn · shakeA · ruffle · lakeA · hillside · farmsB · sadly · armsB · mountains · goC · barrier · snowC · dimly · airD · stillness · thereD
  2. 2 AABBCC-- hearA · clearA · lawnB · dawnB · brookC · tookC · nearer · way
  3. 3 -A-A-B-B-B window · goA · gorges · snowA · upward · humB · thunders · dumbB · mountains · comeB
  4. 4 AABBCC-- doorA · floorA · hairB · wearB · tellsC · dwellsC · nearer · way
  5. 5 -A-A-B-B-C-C-D-D us · goA · side · snowA · vale · wallB · down · fallB · clusters · spreadsC · strips · headsC · moments · humD · mountains · comeD
  6. 6 ABAB meA · fainB · theeA · vainB
  7. 7 -A-A thee · castA · us · pastA
  8. 8 ABAB othersA · prestB · wasA · breastB
  9. 9 ABAB otherA · grownB · anotherA · ownB
  10. 10 -A-A you · wildA · nature · childA
  11. 11 -A-A granted · newA · open · trueA
  12. 12 -A-A me · tearsA · platforms · appearsA
  13. 13 -A-A forever · upfurledA · forces · worldA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.

LineSyl.Stress
Ye storm-winds of autumn!6····/˘
Who rush by, who shake5·····
The window, and ruffle6·/˘·/˘
The gleam-lighted lake;5··/˘·
Who cross to the hillside6····/·
Thin-sprinkled with farms,5·/˘··
Where the high woods strip sadly7·····/˘
Their yellowing arms,--5·/˘˘·
Ye are bound for the mountains!7·····/˘
Ah! with you let me go6······
Where your cold, distant barrier,8···/˘/˘˘
The vast range of snow,5·····
Through the loose clouds lifts dimly7·····/˘
Its white peaks in air.5·····
How deep is their stillness!6····/˘
Ah! would I were there!5·····
But on the stairs what voice is this I hear,10··········
Buoyant as morning, and as morning clear?10/˘·/˘··/˘·
Say, has some wet bird-haunted English lawn10·····/˘/˘·
Lent it the music of its trees at dawn?10···/˘·····
Or was it from some sun-flecked mountain brook10·······/˘·
That the sweet voice its upland clearness took?10·····/˘/˘·
Ah! it comes nearer--5···/˘
Sweet notes, this way!4····
Hark! fast by the window6····/˘
The rushing winds go,5·/˘··
To the ice-cumbered gorges,8···/˘˘/˘
The vast seas of snow!5·····
There the torrents drive upward7··/˘·/˘
Their rock-strangled hum;5··/˘·
There the avalanche thunders7··/˘·/˘
The hoarse torrent dumb.5··/˘·
--I come, O ye mountains!6····/˘
Ye torrents, I come!5·/˘··
But who is this, by the half-opened door,10·······/˘·
Whose figure casts a shadow on the floor?10·/˘··/····
The sweet blue eyes--the soft, ash-colored hair--10·······/˘·
The cheeks that still their gentle paleness wear--10·····/˘/˘·
The lovely lips, with their arched smile that tells10·/˘·······
The unconquered joy in which her spirit dwells--10········/·
Ah! they bend nearer--5···/˘
Sweet lips, this way!4····
Hark! the wind rushes past us!7···/˘··
Ah! with that let me go6······
To the clear, waning hill-side,7···/˘··
Unspotted by snow,5˘/˘··
There to watch, o’er the sunk vale,7·······
The frore mountain wall,5··/˘·
Where the niched snow-bed sprays down8···˘····
Its powdery fall.5·/˘˘·
There its dusky blue clusters7··/˘·/˘
The aconite spreads;5·/˘˘·
There the pines slope, the cloud-strips7·······
Hung soft in their heads.5·····
No life but, at moments,6····/˘
The mountain bee’s hum.5·/˘··
--I come, O ye mountains!6····/˘
Ye pine-woods, I come!5·····
Forgive me! forgive me!6˘/·˘/·
Ah, Marguerite, fain5··˘/·
Would these arms reach to clasp thee!7·······
But see! ’tis in vain.5·····
In the void air, towards thee,7·······
My stretched arms are cast;5·····
But a sea rolls between us,--7·······
Our different past!6/˘/˘˘·
To the lips, ah! of others7·····/˘
Those lips have been prest,5·····
And others, ere I was,6·/˘···
Were strained to that breast.5·····
Far, far from each other6····/˘
Our spirits have grown.6/˘/˘··
And what heart knows another?7····˘/˘
Ah! who knows his own?5·····
Blow, ye winds! lift me with you!7·······
I come to the wild.5·····
Fold closely, O Nature!6·/˘·/˘
Thine arms round thy child.5·····
To thee only God granted7··/˘·/˘
A heart ever new,--5··/˘·
To all always open,6··/·/˘
To all always true.5··/··
Ah! calm me, restore me;6···˘/·
And dry up my tears5·····
On thy high mountain platforms,7···/˘/·
Where morn first appears;5···˘/
Where the white mists, forever,7····˘/˘
Are spread and upfurled,--5·····
In the stir of the forces7·····/˘
Whence issued the world.5·/˘··

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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