Parodos

Aristophanes (446 BC–386 BC), translated by Benjamin Bickley Rogers · 1902

trochaic pentameter · 131 lines · from The Frogs

CHOR. (In the distance.) O Iacchus! O Iacchus! O Iacchus!

XAN. I have it, master: 'tis those blessed Mystics,Of whom he told us, sporting hereabouts.They sing the Iacchus which Diagoras made.

DIO. I think so too: we had better both keep quietAnd so find out exactly what it is.

CHOR. (The calling forth of Iacchus.) O Iacchus! power excelling, here in stately temple dwelling,O Iacchus! O Iacchus!Come to tread this verdant level,Come to dance in mystic revel,Come whilst round thy forehead hurtlesMany a wreath of fruitful myrtles,Come with wild and saucy pacesMingling in our joyous dance,Pure and holy, which embraces all the charms of all the GracesWhen the mystic choirs advance.

XAN. Holy and sacred queen, Demeter's daughter,O, what a jolly whiff of pork breathed o'er me!

DIO. Hist! and perchance you'll get some tripe yourself.

CHOR. (The welcome to Iacchus.) Come, arise, from sleep awaking,come the fiery torches shaking,O Iacchus! O Iacchus!Morning Star that shinest nightly.Lo, the mead is blazing brightly,Age forgets its years and sadness,Aged knees curvet for gladness,Lift thy flashing torches o'er us,Marshal all thy blameless train,Lead, O lead the way before us;lead the lovely youthful ChorusTo the marshy flowery plain.

(The warning-off of the profane.) All evil thoughts and profane be still: far hence, far hence from our choirs depart,Who knows not well what the Mystics tell, or is not holy and pure of heart;Who ne'er has the noble revelry learned, or danced the dance of the Muses high;Or shared in the Bacchic rites which old bull-eating Cratinus's words supply;Who vulgar coarse buffoonery loves, though all untimely the jests they make;Or lives not easy and kind with all, or kindling faction forbears to slake,But fans the fire, from a base desire some pitiful gain for himself to reap;Or takes, in office, his gifts and bribes, while the city is tossed on the stormy deep;Who fort or fleet to the foe betrays; or, a vile Thorycion, ships awayForbidden stores from Aegina's shores, to Epidaurus across the BayTransmitting oarpads and sails and tar, that curst collector of five per cents;The knave who tries to procure supplies for the use of the enemy's armaments;The Cyclian singer who dares befoul the Lady Hecate's wayside shrine;The public speaker who once lampooned in our Bacchic feast, would, with heart malign,Keep nibbling away the Comedians' pay;--to these I utter my warning cry,I charge them once, I charge them twice, I charge them thrice, that they draw not nighTo the sacred dance of the Mystic choir. But YE, my comrades, awake the song,The night-long revels of joy and mirth which ever of right to our feast belong.

(The start of the procession.) Advance, true hearts, advance!On to the gladsome bowers,On to the sward, with flowersEmbosomed bright!March on with jest, and jeer, and dance,Full well ye've supped to-night.

(The processional hymn to Persephone.) March, chanting loud your lays,Your hearts and voices raising,The Saviour goddess praisingWho vows she'll stillOur city save to endless days,Whate'er Thorycion's will.

Break off the measure, and change the time; and now with chanting and hymns adornDemeter, goddess mighty and high, the harvest-queen, the giver of corn.

(The processional hymn to Demeter.) O Lady, over our rites presiding,Preserve and succour thy choral throng,And grant us all, in thy help confiding,To dance and revel the whole day long;AND MUCH in earnest, and much in jest,Worthy thy feast, may we speak therein.And when we have bantered and laughed our best,The victor's wreath be it ours to win.

Call we now the youthful god, call him hither without delay,Him who travels amongst his chorus, dancing along on the Sacred Way.

(The processional hymn to Iacchus.) O, come with the joy of thy festival song,O, come to the goddess, O, mix with our throngUntired, though the journey be never so long.O Lord of the frolic and dance,Iacchus, beside me advance!For fun, and for cheapness, our dress thou hast rent,Through thee we may dance to the top of our bent,Reviling, and jeering, and none will resent.O Lord of the frolic and dance,Iacchus, beside me advance!A sweet pretty girl I observed in the show,Her robe had been torn in the scuffle, and lo,There peeped through the tatters a bosom of snow.O Lord of the frolic and dance,Iacchus, beside me advance!

DIO. Wouldn't I like to follow on, and tryA little sport and dancing?

XAN. Wouldn't I?

CHOR. (The banter at the bridge of Cephisus.) Shall we all a merry jokeAt Archedemus poke,Who has not cut his guildsmen yet, though seven years old;Yet up among the deadHe is demagogue and head,And contrives the topmost place of the rascaldom to hold?And Cleisthenes, they say, Is among the tombs all day,Bewailing for his lover with a lamentable whine.And Callias, I'm told,Has become a sailor bold,And casts a lion's hide o'er his members feminine.

DIO. Can any of you tellWhere Pluto here may dwell,For we, sirs, are two strangers who were never here before?

CHOR. O, then no further stray,Nor again enquire the way,For know that ye have journeyed to his very entrance-door

DIO. Take up the wraps, my lad.

XAN. Now is not this too bad?Like "Zeus's Corinth," he "the wraps" keeps saying o'er and o'er.

CHOR. Now wheel your sacred dances through the glade with flowers bedight,All ye who are partakers of the holy festal rite;And I will with the women and the holy maidens goWhere they keep the nightly vigil, an auspicious light to show.

(The departure for the Thriasian Plain) Now haste we to the roses,And the meadows full of posies,Now haste we to the meadowsIn our own old way,In choral dances blending,In dances never ending,Which only for the holyThe Destinies array.O happy mystic chorus,The blessed sunshine o'er usOn us alone is smiling,In its soft sweet light:On us who strove for everWith holy, pure endeavour,Alike by friend and strangerTo guide our steps aright.

Words in this poem 37
hereabouts adv.
About this place; in this vicinity.
whiff n.
A sudden expulsion of air from the mouth; a quick puff or slight gust, as of air or smoke. [OE. weffe vapor, whiff, probably of imitative origin; cf. Dan. vift a puff, gust, W. chwiff a whiff, puff.]
nightly a.
Of or pertaining to the night, or to every night; happening or done by night, or every night; as, nightly shades; he kept nightly vigils.
sadness n.
Heaviness; firmness.
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
bacchic a.
Of or relating to Bacchus; hence, jovial, or riotous,with intoxication.
reap n.
A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
curst a.
Froward; malignant; mischievous; malicious; snarling. [SeeCurse.]
knave n.
A boy; especially, a boy servant. Wyclif. [OE., boy, servant, knave, AS. cnafa boy, youth; cf. AS. cnapa boy, youth, D. kna, G. knabe boy, knappe esquire, Icel. knapi, Sw. knape esquire, knäfvel knave.]
wayside n.
The side of the way; the edge or border of a road or path.
gladsome a.
Pleased; joyful; cheerful.
jest n.
A deed; an action; a gest. [OE. jeste, geste, deed, action, story, tale, OF. geste, LL. gesta, orig., exploits, neut. pl. from L. gestus, p. p. of gerere to bear, carry, accomplish, perfor]
processional a.
Of or pertaining to a procession; consisting in a procession.
saviour n.
One who saves, preserves, or delivers from destruction or danger. [OE. saveour, OF. salveor, F. sauveur, fr. L. salvator to save. See Save, v.]
giver n.
One who gives; a donor; a bestower; a grantor; one who imparts or distributes.
succour v. t.
tiono run to, or run to support; hence, to help or relieve when in difficulty, want, or distress; to assist and deliver from suffering; to relieve; as, to succor a besieged city. [OE. socouren, OF. sucurre, soucourre, secorre, F. secourir, L. succurrere, succursum, to run under, run to the aid of, help, succor; sub under + currere to run.]
choral a.
Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
confiding a.
That confides; trustful; unsuspicious.
amongst prep.
Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
cheapness n.
Lowness in price, considering the usual price, or real value.
hast
, 2d pers. sing. pres. of. Fave, contr. of havest.
reviling n.
Reproach; abuse; vilification.
jeering a.
Mocking; scoffing.
resent v. t.
To be sensible of; to feel; as: (a) In a good sense, to take well; to receive with satisfaction. [F. ressentir; L. pref. re- re- + sentire to feel. See Sense.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
rascaldom n.
State of being a rascal; rascality; domain of rascals; rascals, collectively. Emerson.
bewailing a.
Wailing over; lamenting.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
glade n.
An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
bedight v. t.
To bedeck; to array or equip; to adorn.
festal a.
Of or pertaining to a holiday or a feast; joyous; festive. [L. festum holiday, feast. See feast.]
vigil n.
Abstinence from sleep, whether at a time when sleep is customary or not; the act of keeping awake, or the state of being awake, or the state of being awake; sleeplessness; wakefulness; watch. [OE. vigile, L. vigilia, from vigil awake, watchful, probably akin to E. wake: cf. F. vigile. See Wake, v. i., and cf. Reveille, Surveillance, Vedette, Vegetable]
departure n.
Division; separation; putting away. [From Depart.]
blending n.
The act of mingling.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
endeavour v. t.
To exert physical or intellectual strength for the attainment of; to use efforts to effect; to strive to achieve or reach; to try; to attempt. [OE. endevor; pref. en- + dever, devoir, duty, F. devoir: cf. F. se mettre en devoir de faire quelque chose to try to do a thing, to go about it. See Devoir, Deb]
aright adv.
Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Parodos is in the public domain. This text is taken from The Frogs of Aristophanes, translated by Benjamin Bickley Rogers (Harvard Classics vol. 8, 1909; Rogers's translation first published 1902), Project Gutenberg ebook #7998, the Benjamin Bickley Rogers translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Aristophanes, Parodos, in The Frogs (1902), text of Project Gutenberg ebook #7998, Laurel, https://laurelpoetry.com/poem/aristophanes-frogs/parodos.html, id L28742.

Form and metre

Parodos is 131 lines in 23 stanzas. This poem did not settle on a metre of its own; the book it comes from is in trochaic pentameter.

See other poems in trochaic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 4 --AABBCDCD dwelling · iacchus · levelA · revelA · hurtlesB · myrtlesB · pacesC · danceD · gracesC · advanceD
  2. 7 AA-BBCCDEDDE awakingA · shakingA · iacchus · nightlyB · brightlyB · sadnessC · gladnessC · usD · trainE · usD · chorusD · plainE
  3. 8 AABBCCDDEEFFGGBBHH departA · heartA · highB · supplyB · makeC · slakeC · reapD · deepD · awayE · bayE · centsF · armamentsF · shrineG · malignG · cryB · nighB · songH · belongH
  4. 9 ABBCAC advanceA · bowersB · flowersB · brightC · danceA · nightC
  5. 10 ABBCAC laysA · raisingB · praisingB · stillC · daysA · willC
  6. 11 AA adornA · cornA
  7. 12 ABABCDCD presidingA · throngB · confidingA · longB · jestC · thereinD · bestC · winD
  8. 13 AA delayA · wayA
  9. 14 AAABBCCCBBDDDBB songA · throngA · longA · danceB · advanceB · rentC · bentC · resentC · danceB · advanceB · showD · loD · snowD · danceB · advanceB
  10. 17 AABCCB-DBBD jokeA · pokeA · oldB · deadC · headC · holdB · day · whineD · toldB · boldB · feminineD
  11. 18 AA- tellA · dwellA · before
  12. 19 AA- strayA · wayA · door
  13. 22 AABB bedightA · riteA · goB · showB
  14. 23 A-ABCC-BDD-EFF-E rosesA · posies · meadowsA · wayB · blendingC · endingC · holy · arrayB · chorusD · usD · smiling · lightE · everF · endeavourF · stranger · arightE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic pentameter. How this is done.

LineSyl.Stress
CHOR. (In the distance.) O Iacchus! O Iacchus! O Iacchus!14···/˘·········
XAN. I have it, master: 'tis those blessed Mystics,11····/˘···/˘
Of whom he told us, sporting hereabouts.10·····/˘/˘·
They sing the Iacchus which Diagoras made.10··········
DIO. I think so too: we had better both keep quiet12·······/˘··/
And so find out exactly what it is.10····˘/˘···
CHOR. (The calling forth of Iacchus.) O Iacchus! power excelling, here in stately temple dwelling,23··/˘·······/˘/˘··/˘/˘/˘
O Iacchus! O Iacchus!6······
Come to tread this verdant level,8····/˘/˘
Come to dance in mystic revel,8····/˘/˘
Come whilst round thy forehead hurtles8····/˘/˘
Many a wreath of fruitful myrtles,9/˘···/˘/˘
Come with wild and saucy paces8····/˘/˘
Mingling in our joyous dance,9/˘˘·/˘/˘·
Pure and holy, which embraces all the charms of all the Graces16··/˘·˘/˘······/˘
When the mystic choirs advance.7··/˘·˘/
XAN. Holy and sacred queen, Demeter's daughter,12·/˘·/˘·˘/˘/˘
O, what a jolly whiff of pork breathed o'er me!11···/˘······
DIO. Hist! and perchance you'll get some tripe yourself.11···˘/····˘/
CHOR. (The welcome to Iacchus.) Come, arise, from sleep awaking,15··/˘····˘/··˘/˘
come the fiery torches shaking,9··/˘˘/˘/˘
O Iacchus! O Iacchus!6······
Morning Star that shinest nightly.8/˘··/˘/˘
Lo, the mead is blazing brightly,8····/˘/˘
Age forgets its years and sadness,8·˘/···/˘
Aged knees curvet for gladness,7··/˘·/˘
Lift thy flashing torches o'er us,8··/˘/˘··
Marshal all thy blameless train,7/˘··/˘·
Lead, O lead the way before us;8········
lead the lovely youthful Chorus8··/˘/˘/˘
To the marshy flowery plain.8··/˘/˘˘·
(The warning-off of the profane.) All evil thoughts and profane be still: far hence, far hence from our choirs depart,25·/˘···˘/·/··˘/·······/·˘/
Who knows not well what the Mystics tell, or is not holy and pure of heart;18······/˘····/˘····
Who ne'er has the noble revelry learned, or danced the dance of the Muses high;18····/˘/˘·······/˘·
Or shared in the Bacchic rites which old bull-eating Cratinus's words supply;18··········/˘····˘/
Who vulgar coarse buffoonery loves, though all untimely the jests they make;18·/˘·˘/˘˘···˘/˘····
Or lives not easy and kind with all, or kindling faction forbears to slake,18···/˘·····/˘/˘····
But fans the fire, from a base desire some pitiful gain for himself to reap;18···/···˘/·/˘··˘/··
Or takes, in office, his gifts and bribes, while the city is tossed on the stormy deep;20···/˘······/˘····/˘·
Who fort or fleet to the foe betrays; or, a vile Thorycion, ships away18·······˘/·······˘/
Forbidden stores from Aegina's shores, to Epidaurus across the Bay17/˘···········˘/··
Transmitting oarpads and sails and tar, that curst collector of five per cents;18˘/˘········˘/˘····
The knave who tries to procure supplies for the use of the enemy's armaments;18·····˘/˘/·····/˘/˘
The Cyclian singer who dares befoul the Lady Hecate's wayside shrine;17···/˘··˘/·/˘··/··
The public speaker who once lampooned in our Bacchic feast, would, with heart malign,19·/˘/˘··˘/·/······˘/
Keep nibbling away the Comedians' pay;--to these I utter my warning cry,19·/˘˘/·˘/˘····/˘·/˘·
I charge them once, I charge them twice, I charge them thrice, that they draw not nigh17·················
To the sacred dance of the Mystic choir. But YE, my comrades, awake the song,19··/˘···/˘/···/·˘/··
The night-long revels of joy and mirth which ever of right to our feast belong.18···/˘·····/···/·˘/
(The start of the procession.) Advance, true hearts, advance!13····˘/˘˘/··˘/
On to the gladsome bowers,7···/˘/˘
On to the sward, with flowers7·····/˘
Embosomed bright!4····
March on with jest, and jeer, and dance,8········
Full well ye've supped to-night.6······
(The processional hymn to Persephone.) March, chanting loud your lays,15·˘/˘······/˘···
Your hearts and voices raising,7···/˘/˘
The Saviour goddess praising7·/˘/˘/˘
Who vows she'll still4····
Our city save to endless days,9/˘/˘··/˘·
Whate'er Thorycion's will.7˘˘/····
Break off the measure, and change the time; and now with chanting and hymns adorn18···/˘·······/˘··˘/
Demeter, goddess mighty and high, the harvest-queen, the giver of corn.18˘/˘/˘/˘···/˘··/˘··
(The processional hymn to Demeter.) O Lady, over our rites presiding,18·˘/˘··˘/˘·/˘·/·˘/˘
Preserve and succour thy choral throng,9˘/·/˘·/˘·
And grant us all, in thy help confiding,10·······˘/˘
To dance and revel the whole day long;9···/˘····
AND MUCH in earnest, and much in jest,9···/˘····
Worthy thy feast, may we speak therein.9/˘·······
And when we have bantered and laughed our best,10····/˘··/·
The victor's wreath be it ours to win.10·/˘···/˘··
Call we now the youthful god, call him hither without delay,15····/˘···/˘··˘/
Him who travels amongst his chorus, dancing along on the Sacred Way.18··/˘···/˘/˘˘/··/˘·
(The processional hymn to Iacchus.) O, come with the joy of thy festival song,18·˘/˘···········/˘·
O, come to the goddess, O, mix with our throng11····/˘···/·
Untired, though the journey be never so long.10····/˘·/··
O Lord of the frolic and dance,8····/˘··
Iacchus, beside me advance!7···/·˘/
For fun, and for cheapness, our dress thou hast rent,11····/˘/····
Through thee we may dance to the top of our bent,11·········/·
Reviling, and jeering, and none will resent.11˘/˘·/˘···˘/
O Lord of the frolic and dance,8····/˘··
Iacchus, beside me advance!7···/·˘/
A sweet pretty girl I observed in the show,11··/˘··˘/···
Her robe had been torn in the scuffle, and lo,11·······/˘··
There peeped through the tatters a bosom of snow.11····/˘·/˘··
O Lord of the frolic and dance,8····/˘··
Iacchus, beside me advance!7···/·˘/
DIO. Wouldn't I like to follow on, and try11·/˘···/˘···
A little sport and dancing?7·/˘··/˘
XAN. Wouldn't I?4·/˘·
CHOR. (The banter at the bridge of Cephisus.) Shall we all a merry joke18··/˘···········/˘·
At Archedemus poke,6······
Who has not cut his guildsmen yet, though seven years old;12·········/··
Yet up among the dead6······
He is demagogue and head,7··/˘···
And contrives the topmost place of the rascaldom to hold?14·˘/·/˘···/˘˘··
And Cleisthenes, they say, Is among the tombs all day,12············
Bewailing for his lover with a lamentable whine.13˘/˘··/˘··˘/˘·
And Callias, I'm told,5·····
Has become a sailor bold,7·˘/·/˘·
And casts a lion's hide o'er his members feminine.12···/˘···/˘/˘
DIO. Can any of you tell7··/˘···
Where Pluto here may dwell,6·/˘···
For we, sirs, are two strangers who were never here before?13·····/˘··/···
CHOR. O, then no further stray,7····/˘·
Nor again enquire the way,8·˘/˘/˘··
For know that ye have journeyed to his very entrance-door14·····/˘··/˘/˘·
DIO. Take up the wraps, my lad.7·······
XAN. Now is not this too bad?7·······
Like "Zeus's Corinth," he "the wraps" keeps saying o'er and o'er.14·/˘/˘····/˘···
CHOR. Now wheel your sacred dances through the glade with flowers bedight,15····/˘/˘····/˘/
All ye who are partakers of the holy festal rite;14·········/˘/˘·
And I will with the women and the holy maidens go14·····/˘··/˘/˘·
Where they keep the nightly vigil, an auspicious light to show.15····/˘/˘·˘/˘···
(The departure for the Thriasian Plain) Now haste we to the roses,16·˘/˘··········/˘
And the meadows full of posies,7··/····
Now haste we to the meadows7·····/·
In our own old way,6·/˘···
In choral dances blending,7·/˘/˘/˘
In dances never ending,7·/˘/˘/˘
Which only for the holy7·/˘··/˘
The Destinies array.6·/˘˘˘/
O happy mystic chorus,7·/˘/˘/˘
The blessed sunshine o'er us6··/···
On us alone is smiling,7··˘/·/˘
In its soft sweet light:5·····
On us who strove for ever7·····/˘
With holy, pure endeavour,7·/˘·˘/˘
Alike by friend and stranger7˘/···/˘
To guide our steps aright.7··/˘·˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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