Song of the Mating Time
Out of the cornfields at daybreak,Ready to run through the dawn to the place of beginning,Creeping, I come, out of the corn,Wet with the juice of bruised corn leaves—out of the corn I come.
Eager to kiss the fingers of queens,Eager to stand with kings,To breed my kind and stand with kings.
Out of the corn at daybreak,Brother to dogs,Big brother to creeping, crawling things,Stretched full length on the long wet grass at the edge of the cornfields,Waiting,Here I lie through the day, waiting and waiting.
Come, tired little sister,run with me.See—I kiss your lips—soft—to entice you.In the still young night we begin our running,Stripping our clothes away.
Skirting the towns, passing the lonely houses,Staying away from the sleeping cities,Running forever—on and on—into the empire of the corn.
Come, tired little sister, run with me.Do you know my brother, the farmer?Now he grows discouraged and weeps.I saw him kneeling and praying alone, by a destroyed wheat field.It was the time of learning for me.I fairly choked.It was the beginning of faith in the gods for me.
Up now, little short-winded sister thing,I'll make love to you after awhile.Save your strength.Let's be running.Let's be running.
See the trains in the long flat fields at night,The screaming trains—yellow and black.In and out of the land they go—Yellow and black—screaming and shrieking.
Come, tired little sister, run with me.Let's lie down on this hill-side here.Let our soft mid-western nights creep into you.See the little things, creeping, creeping,Hear, in the night, the little things creeping.Let's be creeping.Let's be creeping.
I've got a strong man's love for you.See the muscles of my legs—how tense.Now I leap and cry like a strong young stallion.Let's away.West of Chicago the endless cornfields.Let's be running.Come away.
Words in this poem
- daybreak n.
- The time of the first appearance of light in the morning.
- skirting n.
- A skirting board.
- fairly adv.
- In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
- awhile adv.
- For a while; for some time; for a short time. [Adj. a + while time, interval.]
- screaming a.
- Uttering screams; shrieking.
- stallion n.
- A male horse not castrated; a male horse kept for breeding. [OE. stalon, OF. estalon, F. étalon, fr. OHG. stal a stable. See Stall, n.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Song of the Mating Time is in the public domain. This text is taken from Mid-American Chants (New York: John Lane Company; London: John Lane, The Bodley Head, 1918), Internet Archive; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sherwood Anderson, Song of the Mating Time, in Mid-American Chants (1918), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/anderson-mid-american-chants/song-of-the-mating-time.html, id L29484.
Form and metre
Song of the Mating Time is 50 lines in 10 stanzas. This poem did not settle on a metre of its own; the book it comes from is in iambic pentameter.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -AA queens · kingsA · kingsA
- 3 ----AA daybreak · dogs · things · cornfields · waitingA · waitingA
- 6 A---A-A meA · farmer · weeps · field · meA · choked · meA
- 7 A--AA thingA · awhile · strength · runningA · runningA
- 9 ---AAAA me · here · you · creepingA · creepingA · creepingA · creepingA
- 10 ---A--A you · tense · stallion · awayA · cornfields · running · awayA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Out of the cornfields at daybreak, | 8 | ···//·/· |
| Ready to run through the dawn to the place of beginning, | 14 | /˘·········˘/˘ |
| Creeping, I come, out of the corn, | 8 | /˘······ |
| Wet with the juice of bruised corn leaves—out of the corn I come. | 14 | ·············· |
| Eager to kiss the fingers of queens, | 9 | /˘···/˘·· |
| Eager to stand with kings, | 6 | /˘···· |
| To breed my kind and stand with kings. | 8 | ········ |
| Out of the corn at daybreak, | 7 | ·····/· |
| Brother to dogs, | 4 | /˘·· |
| Big brother to creeping, crawling things, | 9 | ·/˘·/˘/˘· |
| Stretched full length on the long wet grass at the edge of the cornfields, | 15 | ·············// |
| Waiting, | 2 | /˘ |
| Here I lie through the day, waiting and waiting. | 11 | ······/˘·/˘ |
| Come, tired little sister,run with me. | 10 | ·/˘/˘/˘··· |
| See—I kiss your lips—soft—to entice you. | 10 | ·······˘/· |
| In the still young night we begin our running, | 12 | ······˘//˘/˘ |
| Stripping our clothes away. | 7 | /˘/˘·˘/ |
| Skirting the towns, passing the lonely houses, | 11 | /˘··/˘·/˘/˘ |
| Staying away from the sleeping cities, | 10 | /˘˘/··/˘/˘ |
| Running forever—on and on—into the empire of the corn. | 17 | /˘˘/˘······/˘˘··· |
| Come, tired little sister, run with me. | 10 | ·/˘/˘/˘··· |
| Do you know my brother, the farmer? | 9 | ····/˘·/˘ |
| Now he grows discouraged and weeps. | 8 | ···˘/˘·· |
| I saw him kneeling and praying alone, by a destroyed wheat field. | 16 | ···/˘·/˘˘/··˘/·· |
| It was the time of learning for me. | 9 | ·····/˘·· |
| I fairly choked. | 4 | ·/˘· |
| It was the beginning of faith in the gods for me. | 13 | ···˘/˘······· |
| Up now, little short-winded sister thing, | 10 | ··/˘·/˘/˘· |
| I'll make love to you after awhile. | 9 | ·······˘/ |
| Save your strength. | 3 | ··· |
| Let's be running. | 4 | ··/˘ |
| Let's be running. | 4 | ··/˘ |
| See the trains in the long flat fields at night, | 10 | ·········· |
| The screaming trains—yellow and black. | 8 | ·/˘·/˘·· |
| In and out of the land they go— | 8 | ········ |
| Yellow and black—screaming and shrieking. | 9 | /˘··/˘·/˘ |
| Come, tired little sister, run with me. | 10 | ·/˘/˘/˘··· |
| Let's lie down on this hill-side here. | 8 | ········ |
| Let our soft mid-western nights creep into you. | 12 | ·/˘··/˘····· |
| See the little things, creeping, creeping, | 9 | ··/˘·/˘/˘ |
| Hear, in the night, the little things creeping. | 10 | ·····/˘·/˘ |
| Let's be creeping. | 4 | ··/˘ |
| Let's be creeping. | 4 | ··/˘ |
| I've got a strong man's love for you. | 8 | ········ |
| See the muscles of my legs—how tense. | 9 | ··/˘····· |
| Now I leap and cry like a strong young stallion. | 11 | ·········/˘ |
| Let's away. | 3 | ·˘/ |
| West of Chicago the endless cornfields. | 10 | ··˘/··/˘// |
| Let's be running. | 4 | ··/˘ |
| Come away. | 3 | ·˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.