Song of Industrial America
They tell themselves so many little lies, my beloved. Now wait, little one—we can't sing. We are standing in a crowd, by a bridge, in the West. Hear the voices—turn around—let's go home—I am tired. They tell themselves so many little lies.
You remember in the night we arose. We were young. There was smoke in the passage and you laughed. Was it good—that black smoke? Look away to the streams and the lake. We're alive. See my hand—how it trembles on the rail.
Here is song, here in America, here now, in our time. Now wait—I'll go to the train. I'll not swing off into tunes. I'm all right—I just want to talk.
You watch my hand on the rail of this bridge. I press down. The blood goes down—there. That steadies me—it makes me all right.
Now here's how it's going to come—the song, I mean. I've watched things, men and faces—I know.
First there are the broken things—myself and the others. I don't mind that—I'm gone—shot to pieces. I'm part of the scheme—I'm the broken end of a song myself. We are all that, here in the West, here in Chicago. Tongues clatter against teeth. There's nothing but shrill screams and a rattle. That had to be—it's a part of the scheme.
Souls, dry souls, rattle around.Winter of song. Winter of song.
Now, faint little voices do lift up. They are swept away in the void—that's true enough. It had to be so from the very first. Pshaw—I'm steady enough—let me alone. Keokuk, Tennessee, Michigan, Chicago, Kalamazoo—don't the names in this country make you fairly drunk? We'll stand by this brown stream for hours. I'll not be swept away. Watch my hand—how steady it is. To catch this song and sing it would do much—make much clear.
Come close to me warm little thing. It is night—I am cold. When I was a boy in my village here in the West, I always knew all the old men. How sweet they were—quite Biblical too—makers of wagons and harness and plows—sailors and soldiers and pioneers. We got Walt and Abraham out of that lot.
Then a change came.
Drifting along. Drifting along.Winter of song. Winter of song.
You know my city—Chicago triumphant—factories and marts and the roar of machines—horrible, terrible, ugly and brutal.
It crushed things down and down. Nobody wanted to hurt. They didn't want to hurt me or you. They were caught themselves. I know the old men here—millionaires. I've always known old men all my life. I'm old myself. You would never guess how old I am.
Can a singer arise and sing in this smoke and grime? Can he keep his throat clear? Can his courage survive?
I'll tell you what it is—now you be still. To Hell with you. I'm an old empty barrel floating in the stream—that's what I am. You stand away. I've come to life. My arms lift up—I begin to swim.
Hell and damnation—turn me loose. The floods come on. That isn't the roar of the trains at all. It's the flood—the terrible, horrible flood turned loose.
Winter of song. Winter of song.Carried along. Carried along.
Now in the midst of the broken waters of my civilization rhythm begins. Clear above the flood I raise my ringing voice. In the disorder and darkness of the night, in the wind and the washing waves, I shout to my brothers—lost in the flood.
Little faint beginnings of things—old things dead—sweet old things—a life lived in Chicago—in the West—in the whirl of industrial America.
God knows you might have become something else—just like me. You might have made soft little tunes—written cynical little ditties, eh? Why the devil didn't you make some money and own an automobile?
Do you believe—now listen—I do. Say, you—now listen—do you believe the hand of God reached down to me in the flood? I do. 'Twas like a streak of fire along my back. That's a lie, of course. The face of God looked down at me, over the rim of the world.
Don't you see we are all a part of something, here in the West? We're trying to break through. I'm a song myself, the broken end of a song myself.
We have to sing, you see, here in the darkness. All men have to sing—poor broken things. We have to sing here in the darkness in the roaring flood. We have to find each other. Have you courage to-night for a song? Lift your voices. Come.
Words in this poem
- clatter v. i.
- To make a rattling sound by striking hard bodies together; to make a succession of abrupt, rattling sounds. [AS. cla a rattle, akin to D. klateren to rattle. Cf. Clack.]
- pshaw interj.
- Pish! pooch! -- an exclamation used as an expression of contempt, disdain, dislike, etc. [Of imitative origin.]
- fairly adv.
- In a fairmanner; clearly; openly; plainly; fully; distinctly; frankly.
- nobody n.
- No person; no one; not anybody. [No, a. + body.]
- grime n.
- Foul matter; dirt, rubbed in; sullying blackness, deeply ingrained. [Cf. Dan. grim, griim, lampblack, soot, grime, Icel. gr mask, sort of hood, OD. grijmsel, grimsel, soot, smut, and E. grimace.]
- damnation n.
- The state of being damned; condemnation; openly expressed disapprobation. [F. damnation, L. damnatio, fr. damnare. See Damn.]
- cynical a.
- Having the qualities of a surly dog; snarling; captious; currish. [L. cynicus of the sect of Cynics, fr. Gr. Hound.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Song of Industrial America is in the public domain. This text is taken from Mid-American Chants (New York: John Lane Company; London: John Lane, The Bodley Head, 1918), Internet Archive; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sherwood Anderson, Song of Industrial America, in Mid-American Chants (1918), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/anderson-mid-american-chants/song-of-industrial-america.html, id L29454.
About this section
Song of Industrial America is prose, printed in 23 paragraphs. It is part of the edition and is kept for reading, but nothing here is measured: the line breaks are the printer's, so no metre, rhyme scheme or scansion is stated.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.