Part VII

Samuel Taylor Coleridge (1772–1834) · 1798, text of 1834

common measure · ABCB · 112 lines · from The Rime of the Ancient Mariner

This Hermit good lives in that woodWhich slopes down to the sea.How loudly his sweet voice he rears!He loves to talk with marineresThat come from a far countree.

He kneels at morn and noon and eve--He hath a cushion plump:It is the moss that wholly hidesThe rotted old oak-stump.

The skiff-boat neared: I heard them talk,"Why this is strange, I trow!Where are those lights so many and fair,That signal made but now?"

"Strange, by my faith!" the Hermit said--"And they answered not our cheer!The planks looked warped! and see those sails,How thin they are and sere!I never saw aught like to them,Unless perchance it were

"Brown skeletons of leaves that lagMy forest-brook along;When the ivy-tod is heavy with snow,And the owlet whoops to the wolf below,That eats the she-wolf's young."

"Dear Lord! it hath a fiendish look--(The Pilot made reply)I am a-feared"--"Push on, push on!"Said the Hermit cheerily.

The boat came closer to the ship,But I nor spake nor stirred;The boat came close beneath the ship,And straight a sound was heard.

Under the water it rumbled on,Still louder and more dread:It reached the ship, it split the bay;The ship went down like lead.

Stunned by that loud and dreadful sound,Which sky and ocean smote,Like one that hath been seven days drownedMy body lay afloat;But swift as dreams, myself I foundWithin the Pilot's boat.

Upon the whirl, where sank the ship,The boat spun round and round;And all was still, save that the hillWas telling of the sound.

I moved my lips--the Pilot shriekedAnd fell down in a fit;The holy Hermit raised his eyes,And prayed where he did sit.

I took the oars: the Pilot's boy,Who now doth crazy go,Laughed loud and long, and all the whileHis eyes went to and fro."Ha! ha!" quoth he, "full plain I see,The Devil knows how to row."

And now, all in my own countree,I stood on the firm land!The Hermit stepped forth from the boat,And scarcely he could stand.

"O shrieve me, shrieve me, holy man!"The Hermit crossed his brow."Say quick," quoth he, "I bid thee say--What manner of man art thou?"

Forthwith this frame of mine was wrenchedWith a woeful agony,Which forced me to begin my tale;And then it left me free.

Since then, at an uncertain hour,That agony returns;And till my ghastly tale is told,This heart within me burns.

I pass, like night, from land to land;I have strange power of speech;That moment that his face I see,I know the man that must hear me:To him my tale I teach.

What loud uproar bursts from that door!The wedding-guests are there:But in the garden-bower the brideAnd bride-maids singing are:And hark the little vesper bell,Which biddeth me to prayer!

O Wedding-Guest! this soul hath beenAlone on a wide wide sea:So lonely 'twas, that God himselfScarce seemed there to be.

O sweeter than the marriage-feast,'Tis sweeter far to me,To walk together to the kirkWith a goodly company!--

To walk together to the kirk,And all together pray,While each to his great Father bends,Old men, and babes, and loving friends,And youths and maidens gay!

Farewell, farewell! but this I tellTo thee, thou Wedding-Guest!He prayeth well, who loveth wellBoth man and bird and beast.

He prayeth best, who loveth bestAll things both great and small;For the dear God who loveth usHe made and loveth all.

The Mariner, whose eye is bright,Whose beard with age is hoar,Is gone: and now the Wedding-GuestTurned from the bridegroom's door.

He went like one that hath been stunned,And is of sense forlorn:A sadder and a wiser man,He rose the morrow morn.

Words in this poem 20
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
trow v. i.
To believe; to trust; to think or suppose. [OE. trowen, AS.treówan to trust, believe, fr. treów trust, treówe true, faithful. See True.]
sere n.
Claw; talon. Chapman. [F. serre.]
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
owlet n.
A small owl; especially, the European species (Athene noctua), and the California flammulated owlet (Megascops flammeolus). Owlet moth (Zoöl.), any noctuid moth. [Dim. of owl. Cf. Howlet.]
fiendish a.
Like a fiend; diabolically wicked or cruel; infernal; malignant; devilish; hellish.
cheerily adv.
In a cheery manner.
closer n.
One who, or that which, closes; specifically, a boot closer. See under Boot.
went n.
Course; way; path; journey; direction.
dreadful a.
Full of dread or terror; fearful.
afloat adv.
Borne on the water; floating; on board ship. [Pref. a- + float.]
quoth v. t.
Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
shrieve v. t.
To shrive; to question.
forthwith adv.
Immediately; without delay; directly.
vesper n.
The evening star; Hesper; Venus, when seen after sunset; hence, the evening. [L., the evening, the evening star, the west; akin to Gr. west. Cf. Hesperian, Vespers.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
kirk n.
A church or the church, in the various senses of the word; esp., the Church of Scotland as distinguished from other reformed churches, or from the Roman Catholic Church. Jamieson. [Scot.; cf. Icel. kirkja, of Greek origin. See Church.]
goodly a.
Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
hoar v. t.
To become moldy or musty. [AS. harian to grow gray.]
forlorn a.
Deserted abandoned; lost. [OE., p.p. of forlesen to lose utterly, AS. forleósan (p.p. forloren); pref. for- + leósan (in comp.) to lose; cf. D. verliezen to lose, G. verlieren, Sw. förlor]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part VII is in the public domain. This text is taken from The Rime of the Ancient Mariner, Project Gutenberg ebook #151; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Taylor Coleridge, Part VII, in The Rime of the Ancient Mariner (1798, text of 1834), text of Project Gutenberg ebook #151, Laurel, https://laurelpoetry.com/poem/ancient-mariner/part-7.html, id L00180.

Form and metre

Part VII is 112 lines in 25 stanzas. The rhyme scheme is ABCB, complete in 17 of its 25 stanzas. The metre is common measure, measured from the stress the words themselves fix (confidence 89%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.2 syllables. 5 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in common measure.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A--A wood · seaA · rears · marineres · countreeA
  2. 2 ABCB eveA · plumpB · hidesC · stumpB
  3. 3 ABCB talkA · trowB · fairC · nowB
  4. 4 -A-A-- said · cheerA · sails · sereA · them · were
  5. 5 --AA- lag · along · snowA · belowA · young
  6. 6 ABCB lookA · replyB · onC · cheerilyB
  7. 7 ABCB shipA · stirredB · shipC · heardB
  8. 8 ABCB onA · dreadB · bayC · leadB
  9. 9 ABABAB soundA · smoteB · drownedA · afloatB · foundA · boatB
  10. 10 ABCB shipA · roundB · hillC · soundB
  11. 11 ABCB shriekedA · fitB · eyesC · sitB
  12. 12 -A-A-A boy · goA · while · froA · see · rowA
  13. 13 ABCB countreeA · landB · boatC · standB
  14. 14 ABCB manA · browB · sayC · thouB
  15. 15 ABCB wrenchedA · agonyB · taleC · freeB
  16. 16 ABCB hourA · returnsB · toldC · burnsB
  17. 17 -ABBA land · speechA · seeB · meB · teachA
  18. 18 -A---A door · thereA · bride · are · bell · prayerA
  19. 19 ABCB beenA · seaB · himselfC · beB
  20. 20 ABCB feastA · meB · kirkC · companyB
  21. 21 -ABBA kirk · prayA · bendsB · friendsB · gayA
  22. 22 ABCB tellA · guestB · wellC · beastB
  23. 23 ABCB bestA · smallB · usC · allB
  24. 24 ABCB brightA · hoarB · guestC · doorB
  25. 25 ABCB stunnedA · forlornB · manC · mornB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against common measure. How this is done.

LineSyl.Stress
This Hermit good lives in that wood8·/˘·····
Which slopes down to the sea.6······
How loudly his sweet voice he rears!8·/˘·····
He loves to talk with marineres8·····/˘˘
That come from a far countree.7·······
He kneels at morn and noon and eve--8········
He hath a cushion plump:6···/˘·
It is the moss that wholly hides8·····/˘·
The rotted old oak-stump.6·/˘···
The skiff-boat neared: I heard them talk,8········
"Why this is strange, I trow!6······
Where are those lights so many and fair,9·····/˘··
That signal made but now?"6·/˘···
"Strange, by my faith!" the Hermit said--8·····/˘·
"And they answered not our cheer!8··/˘·/˘·
The planks looked warped! and see those sails,8········
How thin they are and sere!6······
I never saw aught like to them,8·/˘·····
Unless perchance it were6··˘/··
"Brown skeletons of leaves that lag8·/˘˘····
My forest-brook along;6·/˘·˘/
When the ivy-tod is heavy with snow,10··/˘··/˘··
And the owlet whoops to the wolf below,10··/˘······
That eats the she-wolf's young."6······
"Dear Lord! it hath a fiendish look--8·····/˘·
(The Pilot made reply)6·/˘·˘/
I am a-feared"--"Push on, push on!"8········
Said the Hermit cheerily.7··/˘/˘˘
The boat came closer to the ship,8···/˘···
But I nor spake nor stirred;6······
The boat came close beneath the ship,8········
And straight a sound was heard.6······
Under the water it rumbled on,9···/˘·/˘·
Still louder and more dread:6·/˘···
It reached the ship, it split the bay;8········
The ship went down like lead.6······
Stunned by that loud and dreadful sound,8·····/˘·
Which sky and ocean smote,6···/˘·
Like one that hath been seven days drowned9·····/˘··
My body lay afloat;6·/˘·˘/
But swift as dreams, myself I found8·····/··
Within the Pilot's boat.6···/˘·
Upon the whirl, where sank the ship,8········
The boat spun round and round;6······
And all was still, save that the hill8········
Was telling of the sound.6·/˘···
I moved my lips--the Pilot shrieked8·····/˘·
And fell down in a fit;6······
The holy Hermit raised his eyes,8·/˘/˘···
And prayed where he did sit.6······
I took the oars: the Pilot's boy,8·····/˘·
Who now doth crazy go,6···/˘·
Laughed loud and long, and all the while8········
His eyes went to and fro.6······
"Ha! ha!" quoth he, "full plain I see,8········
The Devil knows how to row."7·/˘····
And now, all in my own countree,8········
I stood on the firm land!6······
The Hermit stepped forth from the boat,8·/˘·····
And scarcely he could stand.6·/˘···
"O shrieve me, shrieve me, holy man!"8·····/˘·
The Hermit crossed his brow.6·/˘···
"Say quick," quoth he, "I bid thee say--8········
What manner of man art thou?"7·/˘····
Forthwith this frame of mine was wrenched8//······
With a woeful agony,7··/˘/˘˘
Which forced me to begin my tale;8····˘/··
And then it left me free.6······
Since then, at an uncertain hour,9····˘/˘/˘
That agony returns;6·/˘˘˘/
And till my ghastly tale is told,8···/˘···
This heart within me burns.6······
I pass, like night, from land to land;8········
I have strange power of speech;7···/˘··
That moment that his face I see,8·/˘·····
I know the man that must hear me:8········
To him my tale I teach.6······
What loud uproar bursts from that door!8··/·····
The wedding-guests are there:6·/˘···
But in the garden-bower the bride9···/˘/˘··
And bride-maids singing are:6···/˘·
And hark the little vesper bell,8···/˘/˘·
Which biddeth me to prayer!6·/˘···
O Wedding-Guest! this soul hath been8·/˘·····
Alone on a wide wide sea:7˘/·····
So lonely 'twas, that God himself8·/˘···˘/
Scarce seemed there to be.5·····
O sweeter than the marriage-feast,8·/˘··/˘·
'Tis sweeter far to me,6·/˘···
To walk together to the kirk8··˘/˘···
With a goodly company!--7··/˘/˘˘
To walk together to the kirk,8··˘/˘···
And all together pray,6··˘/˘·
While each to his great Father bends,8·····/˘·
Old men, and babes, and loving friends,8·····/˘·
And youths and maidens gay!6···/˘·
Farewell, farewell! but this I tell8·/·/····
To thee, thou Wedding-Guest!6···/˘·
He prayeth well, who loveth well8·/˘·····
Both man and bird and beast.6······
He prayeth best, who loveth best8·/˘·····
All things both great and small;6······
For the dear God who loveth us8········
He made and loveth all.6······
The Mariner, whose eye is bright,8·/˘˘····
Whose beard with age is hoar,6······
Is gone: and now the Wedding-Guest8·····/˘·
Turned from the bridegroom's door.6···/··
He went like one that hath been stunned,8········
And is of sense forlorn:6····˘/
A sadder and a wiser man,8·/˘··/˘·
He rose the morrow morn.6···/˘·
Notes from the edition 10

Marginal gloss by Coleridge (1817); notes by Frederick H. Sykes, Coleridge's Ancient Mariner and Select Poems (Scribner, c. 1908).

  1. Stanza 1 Gloss: The Hermit of the Wood,
  2. Stanza 3, line 1 skiff-boat. A pleonastic compound; a skiff is a boat. Coleridge is fond of such formations. See for example II. 41, 77, 472 of this poem and II. 46, 649 of "Christabel" (Cooper).
  3. Stanza 4 Gloss: Approacheth the ship with wonder.
  4. Stanza 5, line 3 ivy-tod. A clump or bush of ivy. Cf. Spenser's "Shepheards Calender," March, II. 67 ff.:

    "At length within an Yvie todde (There shrouded was the little God) I heard a busie bustling."
  5. Stanza 8 Gloss: The ship suddenly sinketh.
  6. Stanza 9 Gloss: The ancient Mariner is saved in the Pilot's boat.
  7. Stanza 14 Gloss: The ancient Mariner earnestly entreateth the Hermit to shrieve him; and the penance of life falls on him.
  8. Stanza 16 Gloss: And ever and anon throughout his future life an agony constraineth him to travel from land to land,
  9. Stanza 21, line 3 While each to his great Father bends, etc. Cf. the 148th Psalm (Prayer-Book Version) v. 12: "Young men and maidens, old men and children, praise the name of the Lord: for his name only is excellent, and his praise above heaven and earth."
  10. Stanza 22 Gloss: And to teach, by his own example, love and reverence to all things that God made and loveth.

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