For a Statue of Chaucer at Woodstock
Such was old Chaucer; such the placid mienOf him who first with harmony inform'dThe language of our fathers. Here he dweltFor many a cheerful day. These ancient wallsHave often heard him, while his legends blitheHe sang; of love, or knighthood, or the wilesOf homely life; through each estate and age,The fashions and the follies of the worldWith cunning hand portraying. Though perchanceFrom Blenheim's towers, O stranger, thou art comeGlowing with Churchill's trophies; yet in vainDost thou applaud them if thy breast be coldTo him, this other hero; who, in timesDark and untaught, began with charming verseTo tame the rudeness of his native land.
Whoe'er thou art whose path in summer liesThrough yonder village, turn thee where the groveOf branching oaks a rural palace oldEmbosoms. There dwells Albert, generous lordOf all the harvest round. And onward thenceA low plain chapel fronts the morning lightFast by a silent rivulet. Humbly walk,O stranger, o'er the consecrated ground;And on that verdant hillock, which thou seestBeset with osiers, let thy pious handSprinkle fresh water from the brook, and strewSweet-smelling flowers. For there doth Edmund rest,The learned shepherd; for each rural artFamed, and for songs harmonious, and the woesOf ill-requited love. The faithless prideOf fair Matilda sank him to the graveIn manhood's prime. But soon did righteous Heaven,With tears, with sharp remorse, and pining care,Avenge her falsehood. Nor could all the goldAnd nuptial pomp, which lured her plighted faithFrom Edmund to a loftier husband's home,Relieve her breaking heart, or turn asideThe strokes of death. Go, traveller; relateThe mournful story. Haply some fair maidMay hold it in remembrance, and be taughtThat riches cannot pay for truth or love.
O youths and virgins: O declining eld:O pale misfortune's slaves: O ye who dwellUnknown with humble quiet; ye who waitIn courts, or fill the golden seat of kings:O sons of sport and pleasure: O thou wretchThat weep'st for jealous love, or the sore woundsOf conscious guilt, or death's rapacious handWhich left thee void of hope: O ye who roamIn exile; ye who through the embattled fieldSeek bright renown; or who for nobler palmsContend, the leaders of a public cause;Approach: behold this marble. Know ye notThe features'? Hath not oft his faithful tongueTold you the fashion of your own estate,The secrets of your bosom? Here then, roundHis monument with reverence while ye stand,Say to each other:-'This was Shakspeare's form;Who walk'd in every path of human life,Felt every passion; and to all mankindDoth now, will ever, that experience yieldWhich his own genius only could acquire.'
Ye powers unseen, to whom, the bards of GreeceErected altars; ye who to the mindMore lofty views unfold, and prompt the heartWith more divine emotions; if erewhileNot quite uupleasing have my votive ritesOf you been deem'd, when oft this lonely seatTo you I consecrated; then vouchsafeHere with your instant energy to crownMy happy solitude. It is the hourWhen most I love to invoke you, and have feltMost frequent your glad ministry divine.The air is calm: the sun's unveiled orbShines in the middle heaven. The harvest roundStands quiet, and among the golden sheavesThe reapers lie reclined. The neighbouring grovesAre mute, nor even a linnet's random strainEchoeth amid the silence. Let me feelYour influence, ye kind powers. Aloft in heaven,Abide ye? or on those transparent cloudsPass ye from hill to hill? or on the shadesWhich yonder elms cast o'er the lake belowDo you converse retired? From what loved hauntShall I expect you? Let me once more feelYour influence, O ye kind inspiring powers:And I will guard it well; nor shall a thoughtRise in my mind, nor shall a passion moveAcross my bosom unobserved, unstoredBy faithful memory. And then at someMore active moment, will I call them forthAnew; and join them in majestic forms,And give them utterance in harmonious strains;That all mankind shall wonder at your sway.
Me though in life's sequester'd valeThe Almighty Sire ordain'd to dwell,Remote from glory's toilsome ways,And the great scenes of public praise;Yet let me still with grateful prideRemember how my infant frameHe temper'd with prophetic flame,And early music to my tongue supplied.'Twas then my future fate he weigh'd,And, this be thy concern, he said,At once with Passion's keen alarms,And Beauty's pleasurable charms,And sacred Truth's eternal light,To move the various mind of Man;Till, under one unblemish'd plan,His Reason, Fancy, and his Heart unite.
Words in this poem 22
- placid a.
- Pleased; contented; unruffied; undisturbed; serene; peaceful; tranquil; quiet; gentle. [L. placidus, originally, pleasing, mild, from placere to please: cf. F. placide. See Please.]
- blithe a.
- Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
- homely a.
- Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
- yonder adv.
- At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- humbly adv.
- With humility; lowly.
- relieve v. t.
- To lift up; to raise again, as one who has fallen; to cause to rise. Piers Plowman. [OE. releven, F. relever to raise again, discharge, relieve, fr. L. relevare to lift up, raise, make light, relieve; pref. re- re- + levare to raise, fr. levis l]
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- embattled a.
- Having indentations like a battlement.
- unseen a.
- Not seen or discovered.
- erewhile adv.
- Some time ago; a little while before; heretofore.
- votive a.
- Given by vow, or in fulfillment of a vow; consecrated by a vow; devoted; as, votive offerings; a votive tablet. [L. votivus, fr. votum a vow: cf. F. votif. See Vow.]
- vouchsafe v. t.
- To condescend to grant; to concede; to bestow. [Vouch + safe, that is, to vouch or answer for safety.]
- reclined a.
- Falling or turned downward; reclinate.
- neighbouring a.
- Living or being near; adjacent; as, the neighboring nations or countries.
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- expect v. t.
- To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
- vale n.
- A tract of low ground, or of land between hills; a valley. [OE. val, F. val, L. vallis; perhaps akin to Gr. Avalanche, Vail to lower, Valley.]
- sire n.
- A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
- pleasurable a.
- Capable of affording pleasure or satisfaction; gratifying; abounding in pleasantness or pleasantry.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
For a Statue of Chaucer at Woodstock is in the public domain. This text is taken from The Poetical Works of Mark Akenside, Project Gutenberg ebook #9814; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Mark Akenside, For a Statue of Chaucer at Woodstock, in The Poetical Works of Mark Akenside (1744), text of Project Gutenberg ebook #9814, Laurel, https://laurelpoetry.com/poem/akenside-poems/for-a-statue-of-chaucer-at-woodstock.html, id L09544.
Form and metre
For a Statue of Chaucer at Woodstock is 110 lines in 5 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 9.9 syllables. 5 lines end on an unstressed syllable, a feminine ending. 67% of the lines run on without a stop at the line end.
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 --A-----B--B--C---A--C---- lies · grove · oldA · lord · thence · light · walk · ground · seestB · hand · strew · restB · art · woes · prideC · grave · heaven · care · goldA · faith · home · asideC · relate · maid · taught · love
- 3 A-B---C-A----B-C---A- eldA · dwell · waitB · kings · wretch · wounds · handC · roam · fieldA · palms · cause · not · tongue · estateB · round · standC · form · life · mankind · yieldA · acquire
- 4 ---------------A-A-------------- greece · mind · heart · erewhile · rites · seat · vouchsafe · crown · hour · felt · divine · orb · round · sheaves · groves · strainA · feel · heavenA · clouds · shades · below · haunt · feel · powers · thought · move · unstored · some · forth · forms · strains · sway
- 5 --AABCCB--DDEFFE vale · dwell · waysA · praiseA · prideB · frameC · flameC · suppliedB · weigh'd · said · alarmsD · charmsD · lightE · manF · planF · uniteE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Such was old Chaucer; such the placid mien | 10 | ···/˘··/˘· |
| Of him who first with harmony inform'd | 10 | ·····/˘˘˘/ |
| The language of our fathers. Here he dwelt | 10 | ·/˘·//˘··· |
| For many a cheerful day. These ancient walls | 10 | ·/·/˘··/˘· |
| Have often heard him, while his legends blithe | 10 | ·/˘····/˘· |
| He sang; of love, or knighthood, or the wiles | 10 | ·····/···· |
| Of homely life; through each estate and age, | 10 | ·/˘···˘/·· |
| The fashions and the follies of the world | 10 | ·/˘··/˘··· |
| With cunning hand portraying. Though perchance | 10 | ·/˘·˘/˘·˘/ |
| From Blenheim's towers, O stranger, thou art come | 10 | ·/·/·/˘··· |
| Glowing with Churchill's trophies; yet in vain | 10 | /˘·/˘/˘··· |
| Dost thou applaud them if thy breast be cold | 10 | ··˘/······ |
| To him, this other hero; who, in times | 10 | ···/˘/˘··· |
| Dark and untaught, began with charming verse | 10 | ····˘/·/˘· |
| To tame the rudeness of his native land. | 10 | ···/˘··/˘· |
| Whoe'er thou art whose path in summer lies | 10 | ·······/˘· |
| Through yonder village, turn thee where the grove | 10 | ·/˘/˘····· |
| Of branching oaks a rural palace old | 10 | ·/˘··/˘/˘· |
| Embosoms. There dwells Albert, generous lord | 10 | ·····/˘/˘· |
| Of all the harvest round. And onward thence | 10 | ···/˘··/˘· |
| A low plain chapel fronts the morning light | 10 | ···/˘··/˘· |
| Fast by a silent rivulet. Humbly walk, | 11 | ···/˘/˘˘/˘· |
| O stranger, o'er the consecrated ground; | 10 | ·/˘··/˘·˘· |
| And on that verdant hillock, which thou seest | 10 | ···/˘/˘··· |
| Beset with osiers, let thy pious hand | 10 | ˘/·····/˘· |
| Sprinkle fresh water from the brook, and strew | 10 | /˘·/˘····· |
| Sweet-smelling flowers. For there doth Edmund rest, | 10 | ·/˘/···/˘· |
| The learned shepherd; for each rural art | 10 | ··˘/˘··/˘· |
| Famed, and for songs harmonious, and the woes | 10 | ····˘/˘··· |
| Of ill-requited love. The faithless pride | 10 | ·······/˘· |
| Of fair Matilda sank him to the grave | 10 | ··˘/˘····· |
| In manhood's prime. But soon did righteous Heaven, | 11 | ·/·····/˘/˘ |
| With tears, with sharp remorse, and pining care, | 10 | ····˘/·/˘· |
| Avenge her falsehood. Nor could all the gold | 10 | ˘/·/······ |
| And nuptial pomp, which lured her plighted faith | 10 | ·/˘····/˘· |
| From Edmund to a loftier husband's home, | 10 | ·/˘··/˘/˘· |
| Relieve her breaking heart, or turn aside | 10 | ˘/·/˘···˘/ |
| The strokes of death. Go, traveller; relate | 10 | ·····/˘˘˘/ |
| The mournful story. Haply some fair maid | 10 | ·/˘/˘/˘··· |
| May hold it in remembrance, and be taught | 10 | ····˘/˘··· |
| That riches cannot pay for truth or love. | 10 | ·/˘/˘····· |
| O youths and virgins: O declining eld: | 10 | ···/˘·˘/˘· |
| O pale misfortune's slaves: O ye who dwell | 10 | ··˘/˘····· |
| Unknown with humble quiet; ye who wait | 10 | ˘/·/˘/˘··· |
| In courts, or fill the golden seat of kings: | 10 | ·····/˘··· |
| O sons of sport and pleasure: O thou wretch | 10 | ·····/˘··· |
| That weep'st for jealous love, or the sore wounds | 10 | ···/˘····· |
| Of conscious guilt, or death's rapacious hand | 10 | ·/˘···˘/˘· |
| Which left thee void of hope: O ye who roam | 10 | ·········· |
| In exile; ye who through the embattled field | 11 | ·/·····˘/˘· |
| Seek bright renown; or who for nobler palms | 10 | ··˘/···/˘· |
| Contend, the leaders of a public cause; | 10 | ˘/·/˘··/˘· |
| Approach: behold this marble. Know ye not | 10 | ˘/˘/·/˘··· |
| The features'? Hath not oft his faithful tongue | 10 | ·/˘····/˘· |
| Told you the fashion of your own estate, | 10 | ···/˘···˘/ |
| The secrets of your bosom? Here then, round | 10 | ·/˘··/˘··· |
| His monument with reverence while ye stand, | 10 | ·/˘·/˘˘··· |
| Say to each other:-'This was Shakspeare's form; | 10 | ···/˘····· |
| Who walk'd in every path of human life, | 10 | ···/˘··/˘· |
| Felt every passion; and to all mankind | 10 | ·/˘/˘···// |
| Doth now, will ever, that experience yield | 10 | ···/·˘/˘˘· |
| Which his own genius only could acquire.' | 11 | ···/˘/˘·˘/˘ |
| Ye powers unseen, to whom, the bards of Greece | 10 | ·/˘/······ |
| Erected altars; ye who to the mind | 10 | ˘/˘/˘····· |
| More lofty views unfold, and prompt the heart | 10 | ·/˘·˘/···· |
| With more divine emotions; if erewhile | 12 | ··˘/˘/˘····· |
| Not quite uupleasing have my votive rites | 10 | ·······/˘· |
| Of you been deem'd, when oft this lonely seat | 10 | ·······/˘· |
| To you I consecrated; then vouchsafe | 10 | ···/˘·˘·˘/ |
| Here with your instant energy to crown | 10 | ···/˘/˘˘·· |
| My happy solitude. It is the hour | 11 | ·/˘/˘····/˘ |
| When most I love to invoke you, and have felt | 11 | ·····˘/···· |
| Most frequent your glad ministry divine. | 10 | ·/˘··/˘˘˘/ |
| The air is calm: the sun's unveiled orb | 10 | ······˘/˘· |
| Shines in the middle heaven. The harvest round | 10 | ···/˘/·/˘· |
| Stands quiet, and among the golden sheaves | 10 | ·/˘····/˘· |
| The reapers lie reclined. The neighbouring groves | 10 | ·/˘·˘/·/˘· |
| Are mute, nor even a linnet's random strain | 10 | ···/·/˘/˘· |
| Echoeth amid the silence. Let me feel | 10 | /˘˘/·/˘··· |
| Your influence, ye kind powers. Aloft in heaven, | 11 | ·/˘··/˘/·/˘ |
| Abide ye? or on those transparent clouds | 10 | ˘/····˘/˘· |
| Pass ye from hill to hill? or on the shades | 10 | ·········· |
| Which yonder elms cast o'er the lake below | 10 | ·/˘······· |
| Do you converse retired? From what loved haunt | 10 | ··˘/˘/···· |
| Shall I expect you? Let me once more feel | 10 | ··˘/······ |
| Your influence, O ye kind inspiring powers: | 11 | ·/˘···˘/˘/˘ |
| And I will guard it well; nor shall a thought | 10 | ·········· |
| Rise in my mind, nor shall a passion move | 10 | ·······/˘· |
| Across my bosom unobserved, unstored | 10 | ˘/·/˘····· |
| By faithful memory. And then at some | 10 | ·/˘/˘˘···· |
| More active moment, will I call them forth | 10 | ·/˘/˘····· |
| Anew; and join them in majestic forms, | 10 | ˘/····˘/˘· |
| And give them utterance in harmonious strains; | 10 | ···/˘·˘/˘· |
| That all mankind shall wonder at your sway. | 10 | ··//·/˘··· |
| Me though in life's sequester'd vale | 8 | ····˘/˘· |
| The Almighty Sire ordain'd to dwell, | 10 | ·˘/˘/˘˘/·· |
| Remote from glory's toilsome ways, | 8 | ˘/·/˘/˘· |
| And the great scenes of public praise; | 8 | ·····/˘· |
| Yet let me still with grateful pride | 8 | ·····/˘· |
| Remember how my infant frame | 8 | ˘/˘··/˘· |
| He temper'd with prophetic flame, | 8 | ·/˘·˘/˘· |
| And early music to my tongue supplied. | 10 | ·/˘/˘···˘/ |
| 'Twas then my future fate he weigh'd, | 8 | ···/˘··· |
| And, this be thy concern, he said, | 8 | ····˘/·· |
| At once with Passion's keen alarms, | 8 | ···/˘·˘/ |
| And Beauty's pleasurable charms, | 8 | ·/˘/˘˘˘· |
| And sacred Truth's eternal light, | 9 | ·/˘˘·˘/˘· |
| To move the various mind of Man; | 9 | ···/˘˘··· |
| Till, under one unblemish'd plan, | 8 | ····˘/˘· |
| His Reason, Fancy, and his Heart unite. | 10 | ·/˘/˘···/· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.